Aries - Klavierstück XIII
*2022 Stock.* Aries - Klavierstück XIII contains two long works featuring Markus and Majella Stockhausen (in separate performances). Aries is essentially the Spring quadrant of Sirius (the Stockhausen Edition no. 26) with the electronic tape accompanied by only Markus Stockhausen's trumpet part (in effect a live electro-acoustic work). The other work is Majella Stockhausen's traversal of Klavierstück XIII, a solo piano work later adapted with vocal parts into Scene 1 from the opera Samstag Aus L…
Musik Für Klarinette, Bassklarinette Und Bassethorn
*2022 Stock.* Musik Für Klarinette, Bassklarinette Und Bassethorn is a collection of works for clarinet, bass clarinet, and basset-horn featuring the artistry of Suzanne Stephens (also previously featured on In Freundschaft (the Stockhausen Edition no. 27). This 3 CD set includes recordings from 1989 to 1994 of compositions spanning 1974 through 1994. Many of these works are derived or arranged from Licht (reduced for independent concert recital). 7 works are for solo basset-horn, with the remai…
Unsichtbare Chöre
*2022 Stock.* Unsichtbare Chöre features a tape piece made up of 16 layers of a cappella choir tracks, employing a variety of massed vocal approaches, including the use of percussive and whispered noises, joined by a couple brief, hypnotic multi-tracked clarinet sequences. This tape is used as a textural background layer in Act 1 of the opera Donnerstag aus Licht (the Stockhausen Edition No. 30). In Act 3 the same tape is reused, but with the channels reversed. Although some of this material can…
Der Jahreslauf
*2022 Stock.* Der Jahreslauf features a pre-Licht work, although this piece would later be reworked as the opening Act to the Licht opera Dienstag aus Licht (on CD 40). Commissioned for Japanese Gagaku orchestra, Der Jahreslauf is essentially Stockhausen's take on the very slow-changing, web-like textures of this ancient ceremonial music form. As the Gagaku orchestra proceeds through various poly-textural wind and string arrangements, several interruptions arrive in the form of comic skits (usua…
Musik Für Flöte
*2022 Stock.* Musik Für Flöte features the artistry of Kathinka Pasveer on 2 CDs, performing solo works for flute, piccolo flute, and alto flute. In addition to the flute arrangements of Amour and In Freundschaft, it includes several solo arrangements of works from the Licht opera cycle. This set also notably includes the electro-acoustic version of Kathinkas Gesang, a piece performed with percussionists in the opera Samstag aus Licht, but here in a later version with electronic music created at…
In Freundschaft / Traum-Formel / Amour
*2022 Stock.* In Freundschaft features Suzanne Stephens performing three solo works for clarinet and basset-horn (alto clarinet). In Freundschaft (a 3-layer polyphony arranged for a single soloist) is a popular recital work, and has been arranged for many different instruments. It was written as a clarinet solo for woodwind player Suzanne Stephens for her birthday and was first premiered by her in 1978, though a flute version was performed earlier during Stephens' actual birthday celebration. In…
YLEM
*2022 Stock.* The Stockhausen Edition 21st CD features 2 performances of the open-form work YLEM, which musically portrays the birth and death of the universe through the progressive motion of handheld instruments through a performance space (or in this case, the stereo field). The word "ylem" ("eye - lum") comes from a 1940's science term for "matter", specifically the sub-atomic plasma initially created at the Big Bang which continues to spread outwards forming the boundaries of the universe. …
"Am Himmel Wandere Ich..."
*2022 Stock.* "Am Himmel Wandere Ich..."documents a cycle of 12 mystical male-female vocal duets based on traditional American Indian song texts. Am Himmel Wandre Ich's text-influenced melodies could possibly be viewed as Stockhausen's version of the madrigal tradition, mixed with ancient ritual and a glorification of nature (I suppose the fact that they are typically performed between a man and a woman makes them come across as love songs as well). The idea of having almost innumerable possibl…
Für Kommende Zeiten
*2022 Stock.* Für kommende Zeiten is a relatively contemporary recording of some intuitive music pieces from Stockhausen's second collection of text scores, recorded by the Ensemble for Intuitive Music Weimar (Michael von Hintzenstern (piano/harmonium), Matthias von Hintzenstern (cello), Hans Tutschku (synthesizer), Daniel Hoffmann (trumpet)) on May 28, 2005. During a period of personal upheaval and crisis, Stockhausen wrote a set of texts, Aus Den Sieben Tagen, which are essentially verbal inst…
Riding Fences
*Limited edition of 300 copies.* Matthew Sage’s (Cached Media, Fuubutsushi) and Lieven Martens (Edições CN, Dolphins Into The Future) make a Western album together. Sage: “I have always found the idea of whatever "Western" means in America to be very elusive. It feels like a fantasy that we keep trying to relive by retelling exaggerated stories. An echo of an echo of an echo...” Martens: “In Belgium, "Western" entered the minds through movies, television series, theme parks, magazines. (…) the o…
Spectral Malsconcities
The evolution of the string quartet repertory has accelerated during the last half of the twentieth-century and beyond as composers from both the mainstream and the avant-garde have mined its seemingly inexhaustible creative resources. This CD features the virtually unprecedented combination of string quartet and percussion. It contains three works by prominent American experimentalist composers from several generations exploring the ensemble’s unique sonic resources in diverse stylistic setting…
Parampara festival 13.3.1992
Black Truffle is pleased to announce Parampara Festival 13.3.1992, a stunning performance by Amelia Cuni captured live in Berlin almost thirty years ago. Milanese by birth and resident in Berlin for many years, Cuni lived in India for over a decade, studying the classical vocal style of dhrupad under masters of the form. Though perhaps known to many listeners primarily through her performances of the vocal music of John Cage and collaborations with Werner Durand and Terry Riley, she is recognise…
Funeral Cargo
** Edition of 300 copies pressed on clear vinyl. Mastered by Veronica Vasicka ** A weight of history flows through Ann Margaret Hogan’s keys with a stark intimacy, beautifully illuminated by naturally effortless, quietly grand songwriting. It’s a direct continuation of the landscaped themes and atavism of 2020’s ‘Honeysuckle Burials’ and the ‘Reversing Into Tomorrow’ collaboration with Karl O’Connor, vividly capturing the slow passage of time in a way that has quite literally compelled us to sto…
Popol Vuh
"The Popol Vuh- the Book of Counsel“ of the K'iché-Maya belongs to the most important creation myths of the early advanced civilizations in the world. A Maya from the K'iché people, who had learned Spanish during the conquista, wrote down the the texts in K'iché with Latin letters between 1545 and 1555. Before that, the texts were only passed on orally. Father Francisco Ximenéz copied this book and translated it into Spanish. Then he returned the original to the K'iché people. In this way the b…
Sais.
* 2021 Stock * Sais. is a piece about cows. Cows are a topic quite familiar for a composer who lives in an Austrian mountain village at 1000 metres hight. He finds them right in front of his door. The cows that are grazing on a juicy green under a bright blue sky - so we might imagine - are one side of the trio. Within the 100 page long score we meet them in the shape of a line of overtones. Just as natural as the life of a cow on an alpine meadow is the musical material that builds SAIS. as a s…
Augmented Studies
* 2021 Stock * "When I imagine, as I sometimes do, that evolution were possible, Complexity is not its goal, but perhaps the safety net for a possible Immediacy. This opens up the possibility to exercise sufficient safeguards in an ever finer woven net of abstractions ? if not to escape directly ? to at least be able to risk a glimpse through the netting: a glimpse unfiltered through abstraction, signs, predetermined patterns, a glimpse of unaltered reality." - Peter Ablinger
Synastria
* 2021 Stock * Philosophical writings from antiquity have frequently underlaid Zimmermann’s work of recent years, particularly in relation to notions of time an ‘harmonia’ [...] Another recurrent theme in later works is that of the ‘broken unison’ (both melodic and rhythmic), which clearly has an allegorical/social dimension as well as a musical one [...] The isolated performance of single of his pieces emphasises their ‘otherness’ in relation to the main trends in new German music, whereas the …
Questions
* 2021 Stock * Most music proceeds with great self-assurance, more like an answer than like a question, but these pieces raise questions. We hope you will not only listen to the music as the pairs go by, but we will also want to decide whether they are same or different. Try it. Maybe your musical perceptions are better than you think. And if not, well, no one is going to grade you, and you can always try again! - Tom Johnson
This situation raises new questions, which Johnson undoubtedly intends…
Nine unfinished Symphonies
The Nine Unfinished Symphonies were conceived as one entity. They are written in my musical native tongue; the musical grammar and idioms with which I have become so familiar that I can converse in them spontaneously, without thinking, so that I can devote my full attention to what I actually want to do. It appears that we need narratives, such as the ‘sacred’ number nine with symphonies, or the concept of the Unfinished, which stands in sharp contrast to the fragmentary or the ‘uncapitalized’ u…
Pathological Curves
To sonically modify sound, not as a composerly or listenerly injunction but as a condition of its possibility: such is the task of Elizabeth Hoffman. Hers is not merely a music of the "verb" - that composers "do" something or "perform" something on the sonic. Hers is an "adverbial" music.
Above all, adverbial music modifies - sound, yes, but more fundamentally the space in which sound appears and the temporality that it solicits as it vanishes, always. Adverbial music, reticently and generously,…