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A portrait of Christian Wolff, documenting the composer's early activity through recordings made close to the time of their composition from artists including Cornelius Cardew, Frederic Rzewski, David Tudor
Roger Reynolds’ Sanctuary for percussion ensemble is conceived to be both visually and sonically dramatic. Composed for a spatially distributed ensemble and live electronics, the work makes spectacular use of DVD’s surround sound capabilities. Sanct…
After 42 Volumes in Mode’s Cage Edition, Mode is releasing the first volume dedicated to his percussion music. Percussion Group Cincinnati is particularly respected for its knowledge of and experience with the entire range of John Cage’s music, havi…
“Hispania “Triptyque pour piano” (1939). Suite No. 5 “Il Circo” (1935). Suite No. 6 “I Capricci di Ty” (1939). Stephen Clarke, piano. Mode’s Scelsi Edition continues with the fourth volume devoted to his piano works — three first recordings of major,…
This is Luc Ferrari’s second disc for Mode and it features three pieces from different periods and for different ensembles, two of which are first recordings. “Visage 2” is for brass and percussion and was written in 1955-56. This is an early work fo…
Margaret Leng Tan, toy pianos, toy instruments, piano, percussion, music boxes, voice. In addition to being a renowned new music pianist, Margaret Leng Tan is the foremost specialist at the toy piano. She has concertized worldwide with her miniature …
Six compositions for chamber ensembles performed the Ensemble 2e2m by Giuliano D’Angiolini, ethnomusicologist and composer who "is a positively unique figure in contemporary music. His profound, well-conceived and stubborn take on music has led him …
Oltracuidansa is the radical questioning of the relation between the performer’s body and instrument: What is the language of the contrabass? How to give voice to the thought? In the variety of the contrabass voices, how to find “The Voice”? And f…
Originally released in 2000. Looking for just one Morton Feldman CD to give to someone that you like more than yourself? There's more than one correct answer to this elusive question, but this overwhelming set (closing in on 300 total minutes) is …
Pianist Aki Takahashi’s follows up her acclaimed first disc of Xenakis piano works (which won a "Diapason d’or" in France) with this second volume, of works for piano with instruments. She is joined by an all-star cast of players: Rohan de Saram (…
The release of this CD celebrates Aldo Clementi’s 75th birthday in 2010. Clementi is one of the remaining living composers of the Italian avant-garde generation, which included Berio, Nono and Maderna. Clementi’s works for flute (including works fo…
Two films, part of a series made for French television in the mid 1960s, of concert rehearsals. In the earlier film it’s Stockhausen’s Momente that’s being rehearsed (with long sections of performance) interspersed with KS speaking about himself and …
3-CD Set. Recorded between 1960 and 1973, the original eighteen LPs that comprise Earle Brown's legendary Contemporary Sound Series have been highly sought after in the secondary market since 1978 when they were discontinued. These rare and historic…
A documentary film by Efi Xirou with composers George Apergis, François Bernard Mâche, Gerard Pape, Curtis Roads and featuring Françoise xenakis, Makis Solomos, Sharon Kanach, Mâkhi xenakis. Charisma X presents the visonary work and ideas of Greek co…
'Hymnos' (1963) for organ & 2 orchestras. 'Hurqualia' (1960) for large orchestra. 'Konx-Om-Pax' (1968) for large orchestra & chorus. The Carnegie Mellon Philharmonic & Concert Choir. Juan Pablo Izquierdo, conductor. 'Canti del Capricorno' for voices …
The expansive length of Morton Feldman’s Trio (1 hr., 45 min., 22 sec.) requires a new approach to listening, which takes scale, the physical experience of sound, and novel uses of musical memory into consideration. With his delicate manipulation …
Just arrived, this is the newest edition RZ release focused on a radical electronic (+ Ensemble) music by Clara Maida "During the first years of my compositional research, my goal was to mark out, in my music, the flux of the psychic energy at work i…
I am particularly pleased, because the result is so different from the solo flute recording of Eberhard Blum and the solo clarinet recording of Roger Heaton. It is not just another interpretation, but a case where interpreters have added so much i…
Recordings from the Elektronic Studio at the TU Berlin, the Studio of the Institut International de Musique Electroacoustique de Bourges, and at Patrick Kosk's own studio