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The Boundaries of Intimacy foregrounds works that are very restrained and quiet, but as always with Frank Denyer, there is a sense of tension or danger in the air that occasionally explodes and cuts across the music."Most of the music on this CD is soft, some of it very soft indeed. To achieve the optimal listening level, think of the musicians as being just over the other side of the room in which you are listening, rather than in another grander space. Imagine them performing intimately, witho…
Puma Court is a project initiated by Australian born instrumentalist and composer Jon Heilbron, who now lives in Berlin. The CD consists of two pieces both scored for two double basses and two hardanger fiddles – violins with extra sympahetic strings, which are most frequently used in Norwegian folk music. The performers are Heilbron himself and Hakon Thelin (double basses), and Helga Myhr and Rasmus Kjorstad (hardanger fiddles).
**300 copies** "There have been quite a few releases of Antoine Beuger’s music over the past several years and it’s an odd, and very pleasurable thing to consider them en masse. On the one hand, his music is so diaphanous, so air-suffused that you’d think it might be difficult (not to mention unnecessary) to differentiate them mentally. On the other, they’re always very different. There’s that old AMM aphorism: “as alike or unalike as trees” that conveys something of my feelings about Beuger’s w…
**500 copies** British experimental musician, composer, performer and producer Anthony Moore was a founding member of Slap Happy and has worked with Henry Cow, Kevin Ayers, and Pink Floyd among other great names in the British scene. In 1971 he moved to Hamburg, Germany, and worked in the boiling experimental scene of the city. As a result, two LPs were issued on Polydor Germany in 1971 and 1972, right before forming Slap Happy with old school pal Peter Blegvad and Dagmar Krause.Secrets of the B…
Despite having an undeniable canon, the minimalist music movement which developed during the 1960s and continues to flourish and evolve today, is defined by a remarkable breadth in ideas and compositional approach. Particularly in Europe, it rapidly took on a diverse number of influences and became very much its own thing. Of the composers who proposed an alternate reality for this territory of sound, there have been few more accomplished than the German composer, Walter Zimmermann.All too often…
**600 copies** In essence, the sound of the piano comes in two parts: its attack and its decay. The striking of a hammer is followed by the resonance of a string or strings. (Much the same might be said about the vibraphone, as it happens.) This dual quality of sound comes to mind when listening to Moments by New York-based composer Michael Vincent Waller. Performed by pianist R. Andrew Lee and vibraphonist William Winant, Moments − his third album, following Trajectories (Recital, 2017) and The…
The UK ensemble Apartment House performs two works: Olivier Messiaen's Quatuor pour la fin du Temps in six movements, and Linda Catlin Smith's Among the Tarnished Stars, taking a fresh modern approach to the Messiaen, drawing out its experimental character, and the sense of drama and intricate gradations of sonority in Smith's rich and mysterious work.
The first piece composer Catherine Lamb has written specifically for acoustic guitar was commissioned by Chilean guitarist Christián Alvear. Extending concepts from an installation piece titled Secondary Rainbow with Bryan Eubanks, Lamb employs electronics over an infinite cycle of four "environmental chords" which overlap and resonate with one another.
Three works from Italian composer and pianist Federico Pozzer in his "breathing" series, compositions where the musicians follow the concept of inhaling, exhaling, and pausing, set against certain fixed actions or interactions as they devise their own musical actions."My first 'breathing pieces' were written at the end of 2016... I was looking for a solution that could overcome both the players' freedom in decision-making and the strictness of the score. What I wanted was to lead musicians towar…
James Weeks’ major work for singing violinist, Windfell, has been released on the leading British experimental music label Another Timbre. Written for and performed by Canadian violinist Mira Benjamin, Windfell debuted in October / November 2017 at concerts in London and in Durham University’s Klang series. Lasting almost an hour, Windfell arose from ‘an image of the violin surrounded by space and open air: on top of a hill, high-up and remote, played only by the wind. On this ‘wind fell’ the br…
**250 copies** SN Variations fifth release features two tracks in three parts each composed for lock grooves recorded onto acetate, percussion by Sam Wilson (Riot Ensemble / Actress) and violin performed by Aisha Orazbayeva. The tracks also feature the piano of Mark Knoop and the voice of Josephine Stephenson. A lock groove is one cycle of one groove on a record. This is 1.8 sec cut at 33rpm and 1.33 cut at 45rpm. Adrian Corker used the cutting lathe currently residing in the living room of The …
**500 copies** This album contains LA-based composer Michael Pisaro's recent composition Barricades, a 63-minute piece for piano and electronics. Consisting of thirteen studies (piano pieces, some with electronics) and two electronic interludes, the piece is performed by Israel-based pianist Shira Legmann, with Pisaro on electronics. Legmann's clean, supple yet solid piano sounds, employing a wide dynamic range, add a sense of organic life to the composition. Her whispery nuances and mysterious …
**500 copies** This is French composer / pianist Melaine Dalibert's third solo piano album, following his well-received 2018 album Musique pour le lever du jour and 2017 album Ressac. Cheminant contains a diverse array of Dalibert's unique compositions for solo piano, ranging from the up-tempo rhythmic Percolations performed masterfully by Dalibert's right hand, to the slow, prolonged meditative Music in an octave and Cheminant, to the kaleidoscopic Étude II with the repetitive hammered chords, …
**2021 stock** Flores, like any other work of Maria de Alvear, deals with the ideal of inner freedom. This is not a mere claim, it is manifested in the shape of the piece itself. Written in the author's typical mixture of composition and notated improvisation, the text leaves a certain scope to the seven instrumentalists as to the elaboration of the rhythm and at times also the intonation. The score has almost no directives for the parts of the two singers: what and how the singing is performed …
**2021 stock** The world premiere recording of Solo for Voice 58 by legendary American avant-garde composer John Cage. Italian-German dhrupad singer Amelia Cuni is the ideal interpreter, trained in classical Indian singing but also able to improvise on ragas in a new music context. Cuni developed from Cage’s score of eighteen raga scales a remarkable and unique interpretation that belongs to both the classical Indian and Western experimental traditions. Includes an extensive booklet with essays …
Following three beautiful studio albums, Minton and Weston are back with an outstanding program of orchestral arrangements. The music flows with great pathos through renditions of their own most memorable compositions alongside pieces by Eric Dolphy, Luc Ex, Lindsay Cooper, Jacques Brel and others. Music by Phil Minton, Veryan Weston, Eric Dolphy, Arthur Sullivan, Jerry Leiber, Mike Stoller, Lindsay Cooper, Luc Ex, Jacques Brel
The new Eyvind Kang album was recorded in Italy with a 25 piece mixed orchestra of traditional strings and winds, with the addition of Moog synthesizer, accordion, percussion, field recordings and voice. It features vocals by Alan Bishop, co-founder of Sun City Girls. Eyvind Kang conductor, chironomy, violaAlan Bishop voice, field recordingsMarco Dalpane accordion, moog synthesizerMG_INC Orchestra:Ferenc Vojnic Hajduk 1st violin; Eliana de Candia 1st violin; Giulia Camardella 1st violin; Eleonor…
A native of Istanbul, Turgut Erçetin (1983) studied composition and completed his doctorate studies at Stanford University. In 2016, Erçetin was awarded with DAAD Artists-In-Berlin program for a year-long residency in Berlin, and since then he has been based in Berlin. Erçetin's works engage with issues of sound, not as colors but as sonic entities that interface with time and space. Most of his works, therefore, are involved with acoustics and psychoacoustics as well as computer aided compositi…
4 compositions from violist/composers Catherine Lamb & Johnny Chang, the 1st focusing on the mysterious compositions of Vedic-era composer Viola Torros, exploring monady, melody and harmony; the second, one composition each from Chang performed with the Suidobashi Chamber Ensemble, and from Lamb using the secondary rainbow synthesizer she developed with Bryan Eubanks..The summer I arrived in Berlin, I began meeting with Johnny around music-related things and he started mentioning a composer he w…
Clara de Asís composed the piece 'Without' for the duo of Erik Carlson (violin) and Greg Stuart (percussion) in 2018. In this 43-minute piece, de Asís gave a precise framework for the position and the duration of each sound section and each silence, as well as a rough outline for the texture and the volume of each sound, the use of tone or noise (or tone-noise), and the materials for the percussion, but a large part of the score was open for the two performers' freedom.In the realization of this…