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Could you imagine music as a geyser? Erupting violently, waiting on tense standby, forever renewing itself... Or, just the contrary, as a sigh? An operatic sospiri, inhaling and exhaling, a tangible, rhythmic fluctuation... Or as walking with your eyes closed with full alertness to the sounds of unknown origin? That’s what Marcin Stańczyk’s music is like.The milestone of his career turned out to be the composition Sighs (2008–10, rev. 2012) for chamber- or symphonic orchestra. It got him the pre…
Cezary Duchnowski, although perceived as a specialized composer with consciously chosen specialization, is very open to extremely versatile activity in the musical field. Apart from absolute music, he’s also keenly interested in relations between music and the word, music and theatre (or rather performance art) as well as visual arts in the wide sense. What he aims at with this kind of syncretism is a genuine interaction of various media. In his musical activity, he explores various areas of the…
Tombstones is a collection of twenty songs composed by American composer Michael Pisaro-Liu between 2006 and 2010, journeying into experimental pop with pieces that are "experimental or indeterminate but still a song". This disc features eleven songs under the artistic direction of the Lille-based pianist Barbara Dang. Dang and six members of the Muzzix collective (Yoann Bellefont, Ivann Cruz, Raphaël Godeau, Peter Orins, Christian Pruvost, Maryline Pruvost) recorded the pieces in June 2020, wit…
l'infini des possibles is a set of twelve studies for solo piano, written by French composer Bruno Duplant in 2019. The score consists of lowercase letters (a, b, c, d, e, f, g) and spaces in between, which leaves the pianist an openness for interpretation and artistic determinations. The Belgian pianist/conductor Guy Vandromme intensely studied these 12 pieces via in-depth discussions with Duplant over two years, and realized them for this recording of a double CD in the spring of 2021, on a St…
* In pocess of stocking * In Better Shape Than You Found Me is a one-hour piece jointly composed and realized by American composer/violist Jordan Dykstra and Dutch composer/musician Koen Nutters in the year 2020. Dykstra plays viola, pitch pipe, crotales, piano EBow, electronic programming, field recordings, and Nutters delivers the piano programming and field recordings. The two bring together their sounds and structures in very organic ways, merging into a single, intriguing sound world. Maste…
Temporary Super Offer! John Cage was an evangelist for a new mode of listening in which we would listen to everything with the same attention that we bring to music. For John Cage proposes instead that we listen to this music as if it were everything. While these two instruments are playing there is nothing else, just a violin and a piano. Even the process of remembering, normally so important in helping us make sense of what we hear, is altered: the ‘tenuous’ rhythms of For John Cage articulat…
Why is there a harmonium (reed organ) at Ftarri? It all goes back to the Ftarri Festival held in Tokyo in November 2019. A quartet made up of Klaus Lang (harmonium), Johnny Chang (violin), Samuel Dunscombe (bass clarinet) and Michiko Ogawa (clarinet) was planned for the festival's final day, so Ogawa quickly purchased a used harmonium for Lang. As she lives in Berlin, Ogawa and Ftarri decided that the harmonium would be housed there temporarily and used in Ftarri concerts.Composer Masamichi Kino…
First recordings of Roger Reynolds's recent string quartets FLiGHT (2012-16) and not forgotten (2007-10), by the JACK Quartet under the composer's supervision. First of two volumes marking his 85th birthday.
Five works for six or four percussionists in surround sound: Xenakis's Persephassa, Mâche's Aera, Zihua Tan's Sorites and two pieces by Alcides Lanza, played by the Music in Motion Ensemble directed by Aiyun Huang.
The 1984 ECM album Tabula Rasa was the vehicle that introduced the revolutionary music of Arvo Pärt to audiences outside Eastern Europe and initiated what was to become one of the most extraordinary musical careers of the late 20th century. Like many of the first generation American minimalists, he limited himself to diatonic harmonies and generated pieces by setting processes in motion, but the radical simplicity he achieved was the result of religious contemplation that was at least as, if not…
First recording of John Cage's Chess Pieces (1944), rediscovered in a painting and transcribed by Margaret Leng Tan, with her recording of Sonatas and Interludes and the first recording of Vittorio Rieti's Chess Serenade.
Three first recordings of orchestral works by Roger Reynolds: Symphony[Myths] with the Tokyo Philharmonic and Kotaro Sato, Whispers Out of Time with the Cleveland Chamber Symphony and Edwin London, and Symphony[Vertigo] with the La Jolla Symphony and Harvey Sollberger.
John Cage's works for speaking percussionist on Blu-ray, with Bonnie Whiting in 51'15.657" and other pieces and Allen Otte in his own Cage-related piece, plus a 73-minute video interview about Cage and the works.
Marc Chan's My Wounded Head 3, an open-ended piano piece inspired by Bach's Passion chorales, played in a 72-minute continuous recording by Rob Haskins.
Twenty-four tracks of saxophone music by Henry Cowell and Percy Grainger, many of them first recordings, for saxophone ensembles, piano and orchestra, directed and played by Ulrich Krieger with guest ensembles and the Glens Falls Symphony Orchestra.
Five first recordings of chamber works by Hilda Paredes, written between 1995 and 2013: Señales with Irvine Arditti and Ensemble Signal, solo pieces for piano and for bass clarinet, and two works played by ensemble recherche.
Three works for large chamber ensemble by Hamburg-based composer Gerald Eckert, who conducts ensemble reflexion K in music that works on the edges of sound, between near silence and explosion.
John Cage's works for solo percussionist played by D'Arcy Philip Gray: Child of Tree, Branches, One⁴ and three versions of c/Composed Improvisation, volume 3 of the Mode percussion series (Cage Edition 50).
Four chamber works by Chris Newman, all first recordings, played by Berlin's Ensemble KNM conducted by Steffen Tast, with Newman as vocal soloist in Cologne.
Four-CD survey of American piano music from 1911 to 1991: 62 works by 48 composers, from Ives and Antheil to Zappa, including seven first recordings, played by Yvar Mikhashoff.