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When a twenty-minute piece takes two weeks to rehearse is an audience robbed of some of the richness of their experience by not witnessing that creative journey? For 48 Hours, Vonnegut Collective worked collaboratively with composer Tullis Rennie. Together they documented the trajectory of the rehearsal process and the motivations of the performers as the group tackled their most challenging work to date - Thomas Adès’s Piano Quintet. Recordings from rehearsals and interviews with players are wo…
This is the first complete recording of the 24 Signs, Games and Messages by Hungarian composer György Kurtág. Signs, Games and Messages is a collection of very personal miniatures which Kurtág began writing almost 50 years ago, and which he continues to add to through the present day. Many have been written, dedicated or inspired by a particular person; they pass, sometimes impertinent, sad, serene, cheerful, joyful, thoughtful, or melancholic. This CD is completed by the first recordings of fo…
Howard Skempton’s music strikes a chord with many listeners through its deceptive simplicity, beauty and accessible nature. A student of Cornelius Cardew, Skempton was greatly influenced by Satie, Cage and Feldman. This CD of miniatures intersperses choral works with solo piano pieces. The texts for the choral works come from Mary Webb, Edward Thomas, Emerson, Judith Cramond and Longfellow. Liner notes by the composer, who also supervised the choral recording sessions. Skempton was born in 1…
Karlheinz Stockhausen – “Kurzwellen” for six players (1968). Spiral for a soloist with a shortwave receiver together with Pole (Poles), for two performers with shortwave radio receivers and a sound projectionist, is one of a series of works dating from the 1960s which Stockhausen designated as "process" compositions. These works in effect separate the "form" from the "content" by presenting the performers with a series of transformation signs which are to be applied to material that may vary con…
** 2021 Stock ** CP² Recordings presents In Memoriam Paul Zukofsky. This album presents the last music program designed by the late violinist/conductor Paul Zukofsky. Both Monkeys At Play and Josef Hauer’s Zwölftonspiel are first recordings. The program served as his New York memorial concert in 2017 played by pianists Aaron Likness and Andrew Zhou. All recordings were made at Oktaven Audio in Mount Vernon, NY on August 22-24, 2019, recorded and edited by Ryan Streber, mastered by Ian Turner.
Ch…
** 2021 Stock ** CP² Recordings presents Shapey - Riegger - Piston - Crumb - Sollberger - Berger. Ralph Shapey: (1921-2002) Evocation For Violin, Piano, And Percussion; with Raymond Desroches, percussion; Publisher: Theodore Presser Co. Wallingford Riegger: (1885-1961) Sonatina; Publisher: E. B. Marks Music Corporation. Walter Piston: (1894-1976) Sonatina; Publisher: Boosey and Hawkes, Inc. George Crumb: (1929-) Night Music Ii; Publisher: C.F. Peters, Inc. Harvey Sollberger: (1938-) Solos; with …
** 2021 Stock ** CP² Recordings presents Roger Sessions: Duo for Violin and Piano, Sonata for Violin; Peter Mennin: Sonata Concertante; Easley Blackwood: Second Sonata. Performed by Paul Zukofsky, violin; Gilbert Kalish, Easley Blackwood, pianos. The Sessions Duo for Violin and Piano and the Mennin Sonata Concertante were both recorded at Paul Hall, The Juilliard School, NY in 1971. They were engineered by Horace W. Grenell and originally released as part of the Desto set "Music for a 20th Centu…
** 2021 Stock ** CP² Recordings presents Artur Schnabel: Dance and Secret & Joy and Peace; Sonata for Solo Violin performed by Paul Zukofsky, Conductor and Violinist; The Gregg Smith Singers. Dance and Secret & Joy and Peace by Artur Schnabel were recorded February, 1993 at BMG (originally RCA) Studio A, New York City. Producer: Joanna Nickrenz. Sound Engineer: Jay Newland. Montage: PZ, with Elite Recordings, New York City. Mastering: Soundbyte Productions, New York City. Sonata for Solo Violin…
** 2021 Stock ** CP² Recordings presents Dane Rudhyar: Five Stanzas; Arnold Schoenberg: Pelleas & Melisande, Op. 5 by Colonial Symphony and Sinfóníuhljómsveit Æskunnar; Paul Zukofsky, conductor. Sinfóníuhljómsveit Æskunnar (the Youth Orchestra of Iceland) was founded in 1985, by Paul Zukofsky, and was a continuation of the "Zukofsky Seminars in Orchestral Music" which began in 1977, and were sponsored by the Reykjavik College of Music. The aim of both groups was to provide an opportunity for Ice…
"The Popol Vuh- the Book of Counsel“ of the K'iché-Maya belongs to the most important creation myths of the early advanced civilizations in the world. A Maya from the K'iché people, who had learned Spanish during the conquista, wrote down the the texts in K'iché with Latin letters between 1545 and 1555. Before that, the texts were only passed on orally. Father Francisco Ximenéz copied this book and translated it into Spanish. Then he returned the original to the K'iché people. In this way the b…
The Nine Unfinished Symphonies were conceived as one entity. They are written in my musical native tongue; the musical grammar and idioms with which I have become so familiar that I can converse in them spontaneously, without thinking, so that I can devote my full attention to what I actually want to do. It appears that we need narratives, such as the ‘sacred’ number nine with symphonies, or the concept of the Unfinished, which stands in sharp contrast to the fragmentary or the ‘uncapitalized’ u…
To sonically modify sound, not as a composerly or listenerly injunction but as a condition of its possibility: such is the task of Elizabeth Hoffman. Hers is not merely a music of the "verb" - that composers "do" something or "perform" something on the sonic. Hers is an "adverbial" music.
Above all, adverbial music modifies - sound, yes, but more fundamentally the space in which sound appears and the temporality that it solicits as it vanishes, always. Adverbial music, reticently and generously,…
Wave Piano Scenery Player consists of several artifacts brought into a single structure: large black oil paintings on paper sheets dividing an automatic grand piano in two parts (sounding body, keyboard); tree pieces of music hamonically linking the 88 keys of the piano by combining them with mirotonally tuned sinewaves; a subwoofer/loudspeaker reproducing the elctronic tones; a pianist and a computer, both acting as performers.
The time-based form is deivides into threee parts, in which Sabat c…
When you are listening to his pieces and are completely at ease, they offer the listener the beauty of pure sound: I believe this also applies to his likeminded friends. Even when and if they are of a continuous narrative type, they just create the right situation to listen to sounds. As the title reveals: Painted cakes are real, too. The beautiful sounds are repeated in order to remain purely sound. This repetition does not build up a narrative, it becomes more complicated and excited not in or…
"Leukert brings back intuition into the computer-mechanical techniques of contemporary classical music. His compositions derive from the hearing experience - he has become a David Lynch for the ‘cinema pour l’oreille’, who is operating with the ironically associative scepticism of Godard. A blessing that Maria De Alvear’s small label ‘World Edition’ now produced eight of Leukert’s audio pieces on CD; among them the enchanting trilogy Wildwechsel" . - Alban Nikolai Herbst
That’s the name of the game... Marco Blaauw plays on a quartertone double bell trumpet, a shell, brought from Madagascar,a slide trumpet, piccolo trumpet, quartertone flugel horneven megaphone and flexible tube. Gijsbrecht Royé plays on a self-made bass-zither. To play on the four groups of bass grandpiano strings, he uses different kinds of sticks; two bows (normally used for double bass), metal strings, nails, brushes, knives, rat-tailed files and metal scouring pads.
* 2021 Stock * Metamusic. A suitable term for all these works, if by this we understand that musical aspects are somehow transcended, transgressed.
Sitting between chairs. A transgression which leads, through interactions of materials and intentions, controlled use of randomness or indeterminacy, conceptual game of measurement or definition, to the contemplation of music itself as yet another fragment of the whole, because the sound objects may have a dramatic or musical nature.
How could this w…
* 2021 Stock * A sprawling, wandering hourlong geological survey of the composer’s ambitious spiritual world. Her music does not develop; it accumulates. - Bernard Holland, New York Times
The only single, continuous orchestral movement I know of to surpass the finale of Mahler’s Eighth Symphony in duration. - Kyle Gann, Village Voice
Hildegard Kleeb - pianoJoseph Kubera - pianoThe Orchestra of the S.E.M. Ensemble Petr Kotik - conductor
* 2021 Stock * "There are pieces which must be done. The work Libertad is one of them. Inspired by the lyrics of Tsolagiu M.A. RuizRazo, it is one of those compositions that gave me enormous pleasure while working and that accompanied me with a wave of very great power [...] Perhaps this work [...] is one of those that carry the most power. There is an enormous mysterious protective circle around it. It is one of the works that has given me the most riddles, that contains knowledge that I can on…
Between 1920 and 1933, the American poet Ezra Pound composed two complete operas and several pieces for solo violin, all in a very personal language that drew from sources as diverse as troubadour music and Igor Stravinsky. The resulting body of music is of surpassing beauty and casts new light on the practice of prosody, the elusive craft of setting texts to music. The first and only available CD recording of its kind, Ego Scriptor Cantilenae features outstanding historical performances from En…