The Works for Violin
The first complete recording of Giacinto Scelsi's works for solo violin, including the first recording of Divertimento No. 2, played by Weiping Lin, assistant concertmaster of the Vienna Radio Symphony Orchestra.
Rivages sur l'antipode
* 250 copies, hand numbered * Composed on a special request from ini.itu, “Rivages sur l'antipode” (shores on the opposite side of the earth) is his first vinyl LP and is based on similar archival material as the one used by Francisco López in his stunning “untitled #228”. Nonetheless, D'incise (aka Laurent Peter) has achieved radically different results, combining digitally-processed textures, microsamples and humming harmonics rippling out over broken rhythms. He has collaged the least obvious…
The orchestral works 1
Scelsi Edition volume 2: three rarely recorded orchestral works, Hymnos, Hurqualia and Konx-Om-Pax, played by the Carnegie Mellon Philharmonic under Juan Pablo Izquierdo, with selections from Canti del Capricorno sung by Pauline Vaillancourt and Douglas Ahlstedt.
La journée de l'existence
Wyschnegradsky's visionary poem for narrator and orchestra, conceived in 1916 and first heard only in 1978: the live premiere with Mario Haniotis and the Orchestre Philharmonique de Radio-France, plus interviews with the composer.
Canti Del Capricorno
Original copy, the title of Scelsi's song cycle possibly refers to the fact that the sign of the Capricorn corresponds with an area of the Earth stretching from India to South America and includes, most significantly, the Amazon. The Amazon, as Scelsi noted, is a place where a pre-historic human culture survives. Scelsi's Songs (19) of the Capricorn, reduce the concept of "song" to poetically loaded vocal utterances imaginatively recalling the conditions of music and language in humankind's dist…
33-127 for Electric Guitar and CD
First recording of Peter Ablinger's 33-127 (2002) for electric guitar and CD, played by Seth Josel: 95 pieces in which a descending scale meets recorded street noise, in just under an hour.
The works of double bass
The first complete recording of Giacinto Scelsi's music for double bass, played by Robert Black with guests on cello, harp, tam-tam and second bass, including Ko-Tha in Fernando Grillo's transcription.
Sound Forms for Piano: Cage/ Cowell/ Johnston/ Nancarrow
“... in the past, the point of disagreement has been between dissonance and consonance, it will be, in the immediate future, between noise and so-called musical sounds.” — John Cage The most characteristic features of American music are its eclecticism and innovation. The works presented here are perfect examples; their only common feature is that they were written for a piano altered in some way.
The disc opens with the eerie, wailing cries of Henry Cowell’s (1897-1965) The Banshee. In order …
The Piano Works 1
First volume of Mode's Scelsi Edition and of the traversal of his piano works: Giacinto Scelsi's Sonatas No. 2 and No. 4 and the nine-movement suite Ttai, played by Louise Bessette.
Filz
Three works by Enno Poppe for Ensemble Resonanz: the viola concerto Filz with Tabea Zimmermann, Stoff in its version for nine strings, and Wald for four string quartets, conducted by the composer. First recordings, co-produced with Deutschlandfunk Kultur.
Seidener Faden - Silken Thread
Six chamber works by Younghi Pagh-Paan, including BIDAN-SIL (Silken Thread) and two TA-RYONG pieces, in first recordings by the E-MEX Ensemble conducted by Christoph Maria Wagner. Co-production with Deutschlandradio, 2020.
Event(ualitie)s
Double album of solo and duo works by organist-composer Gerd Zacher, all first recordings, including 75 Event(ualitie)s for organ with Juan Allende-Blin's Siebeneinhalb Dezennien, played by Matthias Geuting, Hasti Molavian, Evelin Degen, Allende-Blin and others.
Erinnerungsspuren
Alberto Posadas's six-part piano cycle Erinnerungsspuren (2014-2018), echoes of Couperin, Debussy, Schumann, Scelsi, Stockhausen and B. A. Zimmermann, in first recordings by pianist Florian Hoelscher.
Disseminate
Three 22-minute drone works by Phill Niblock: Disseminate Ostrava for orchestra, Kontradictionaries for the Kontra-Trio of contrabass flute, saxophone and tuba, and Disseminate Q-O2 for the Q-O2 Ensemble.
Dialog mit Haydn / Issei no Kyo / Nanzen no Kyo
Three works by Hans Zender: Dialog mit Haydn (Kretzschmar, Wiget, Bundesjugendorchester, Zender), Issei no kyō (Claron McFadden, WDR Sinfonieorchester Köln, Johannes Kalitzke) and Nanzen no kyō with the WDR Rundfunkchor. MDR/WDR productions, 2017.
Adónde? Wohin?
Hans Zender's four Canciones on St John of the Cross (2008-14), with Angelika Luz, Ernst Kovacic, Klangforum Wien, the Bavarian Radio Choir and Symphony Orchestra, the SWR Vokalensemble and SWR Sinfonieorchester; four conductors.
Choral Utopia
Choral works by Heinz Holliger: Shir Shavur on David Rokeah, Psalm, hölle himmel and Rosa Loui on Kurt Marti, and Utopie Chorklang; SWR Vokalensemble under Marcus Creed and Holliger, recorded 2006-2015, mostly first recordings.
Poema de Balcones
Martin Smolka's choral works Poema de balcones (Lorca), Walden, the Distiller of Celestial Dews (Thoreau, with percussion) and Słone i smutne (Różewicz), sung by the SWR Vokalensemble Stuttgart under Marcus Creed.
Visionen
Five works by Dimitri Terzakis (1988-2009): Legetos, the Sappho-Zyklus, À une Madone, Visionen and Sonate infernale, with Brigitte Fassbaender, Tatjana Masurenko, the Thomanerchor Leipzig, the Münchner Rundfunkorchester and others.
Erbe
Edition Musikfabrik: Sampo Haapamäki's Heritage, Martin Smolka's Wooden Clouds and Carola Bauckholt's Voices for Harry Partch, new works for Musikfabrik's replica Partch instruments, recorded in Cologne 2015-2018 under Siân Edwards and Clement Power.