Soul Jazz Records presents Space, Energy & Light
*New edition* Soul Jazz Records' new Space, Energy and Light is a collection of music by early electronic and synthesizer pioneers (from the 1960s through the 1970s), mid-1970s proto-new age gurus and 1980s guerrilla D-I-Y cassette-era electronic artists, spanning in total over a near 30-year time frame. "All of these artists used electronic advancements in music technology as a means of exploring not only space and the idea of the future, but also of looking inwards to the soul and of creating …
Elektronische musik
* 2021 stock, nice price * A Student of Eimert, Reinhold Weber produced several records of his own, two between 1969 and 1971, both of which are total weird and wild electronic, handmade, pre-synthesizer. Topped with crazy German language monotone lyrics. For fans of Cluster, Eimert, Stockhausen and people generally interested in the weird side of music.
My Life On The Plains
Lee Hyla is a composer of rare power and versatility whose work combines the complexity of atonal classical concert music with the energy of experimental jazz, rock and improvised music. Truly part of the American tradition, his work is imaginative, fresh, and embraces a widerange of diverse influences. Lee Hyla’s third Tzadik CD presents a collection of recent works large and small. Colorful and startling pieces filled with surprises and wild bursts of energy. This is a fabulous and varied prog…
Electronics Without Tears
LP eition: the excellent Public Information label really comes into its own with this revelatory collection of early concréte tape music by F.C. Judd - a much overlooked British electronic music pioneer and contemporary of Daphne Oram. Born in Woodford, East London in 1914, Frederick Charles Judd served in the RAF coastal command during WWII working with highly secret radar equipment. After being demobbed he applied this knowledge and skilled engineering background to his musical interests…
Chronoradial
In the world of sound library and production music French Avant-garde composer Patrice Sciortino is both unique and universal. His astounding late 1960s and early 1970s recordings for the prestigious Musique Pour L’Image and PSI labels receive their first serious reissue and reappraisal here. Cellos growl and twist with an air evocative of Bernard Hermann, choirs hiss and howl like Alessandro Alessandroni’s ‘I Cantori Moderni’ and the whole thing is as dexterous and playful as Ennio Morric…
PRES Revisited. Józef Patkowski in memoriam
The album's core is the recording of the concert dedicated to Polish Radio Experimental Studio in London's Cafe Oto (CD2). Electronic pieces from the Studio were turned into instrumental structured improvisations performed by legends of improvised music, members of AMM John Tilbury and Eddie Prévost, coming back to playing violin, Phil Durrant and two Polish musicians of the younger generation - guitarist Maciej Sledziecki based in Cologne and Warsaw cellist, Mikolaj Palosz. In their solo…
Aika & Aine (Time and Matter). The Dawn of DIMI
MINDBLOWING! Last copies available...Come see the utopia of plastic architecture. Discover the challenging world of Finnish scientist artist and philosopher Erkki Kureniemmi inventor of DIMI (Digital Musical Instruments) series. Witness mysterious scientific experiments enjoy a symphony for matrix-printers and see a team of robots challenge the reigning world champion football team. It features "The Future Is Not What It Used To Be", Mika Taanila's film about the Finnish electronic music visiona…
Rebuses
Franz Hautzinger (quartertone trumpet), Masahiko Okura (reeds) and Tetuzi Akiyama (tape delayed electric guitar). Recorded in Tokyo, 2004.A rebus is "a representation of a word or phrase by pictures or symbols", as you probably all know. Just wondering what the words might be then, on listening to this remarkably active (in its discreet lowercase way) trio outing from trumpeter Hautzinger, saxophonist Okura and guitarist Akiyama. EAI is, after all, supposed to be slow and spacious (think Hautzin…
Anthology Of Dutch Electronic Tape Music: Volume 1 (1955-1966)
Reissue of a double LP edited in 1978. Realized at the Studio of the Netherlands Radio Union, Studio of Delft Technical Institute, Philips Studio, Studio of Utrecht State University, Studio of Ton Bruynèl, and CEM Studio in Bilthoven. With Hans Kox: 'Three Pieces For Electronic Organ'. Ton De Leeuw: 'Study'. Jan Boerman: 'Musique Concrète'. Jaap Spek: 'Impulses'. Rudolf Escher: 'The Long Christmas Dinner'. Henk Badings: 'Cain And Abel'. Dick Raaijmakers: 'Piano-Forte'. Ton De Leeuw: 'Antiphonie'…
Gracilty
a mindblowing archival double cd centered around Laurie Scott Baker, who has been involved in experimental music since he was a teenager. A pioneer of live electronics and graphic scores back in the 60s, a member of the Scratch Orchestra & Peoples Liberation Music with Cornelius Cardew, played many first performances of new music.Gracility comes out of the development of free improvisation & groups such as Scratch Orchestra etc. & the general questioning of the music establishment. Text and grap…
Musica elettronica
An amazing CD that compiles most of the Maderna electronic music production on magnetic tape from 1956 to 1962, all tapes created at the Studio di Fonologia Musicale della RAI Radio televisione Italiana in Milan. Bruno Maderna is yet regarded as one of the giants of post-war modernism, becoming one of the first Italians to produce electronic works. But it was not in technical progress that he saw music's future. Like his contemporaries, he also adopted 12-tone writing in the 1950s, yet Maderna r…
Electronic Field. Obscure Tape Music of Japan vol. 8
*2022 stock* This is volume 8 in Omega Point's Obscure Tape Music of Japan series, featuring the recorded live performance of Japanese avant garde maestro Toshi Ichiyanagi. He has stood out from the other more moldy academic groups of composers due to his groundbreaking and mindblowing work during the '60s. Thus, he was invited to perform as part of the concert series "Japanese Experimental Music 1960s" at the Art Tower Mito in Ibaraki in 1997. The noisy and radical sound of this performance sho…
Columbia- Princeton Electronic Music Center 1961- 1973
Works by Bülent Arel, Charles Dodge, Ingram Marshall, Ilhan Mimaroglu, Daria Semegen, Alice Shields. The Columbia-Princeton Electronic Music Center was the first electronic music center to be established in the United States. From 1959 to the late 1970s, it was one of the premiere sound facilities in the world. The vast majority of pieces composed at the Center - approximately three hundred - were composed during this period. Some have become classics of music history. This selection, draw…
Hungarian Electroacoustic Music
The spread of electro-acoustic music in Hungary was hindered for a long time by the lack of a studio of adequate technical standard. At first Zoltán Pongrácz has his own studio, then a few years later, in 1972, a modestly equipped workshop was established with the guidance of Iván Patachich. After two years' experimental work, the Hungarian Radio electro-acoustic music studio came into being in 1975 as part of the Hungarian Film Producing Company. During the 1970s the circle of composers began t…