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CD version. Bureau B present a very special release: Kiosque Of Arrows 2 is Detlef Weinrich's (aka Tolouse Low Trax) first compilation for Bureau B. Echoing the spirit of the legendary samplers found on Les Disques Du Crépuscule or Made To Measure, this hybrid journal not only collates unusual pieces of music -- rare and undiscovered pearls from the experimental underground of the early 1980s through to contemporary unreleased recordings -- it also represents a reflective collage of cut-ups, obs…
Recorded in 1981, Turning Japanese captures Kraftwerk at the absolute height of their creative dominance, but sometime before their true induction into the household name superstar category of artists. Still representing a very forward thinking, boundary pushing and - as a result - specialist sound, this nine-track live recording feels like yesterday's tomorrow.
Opening with a stunning neo-classical synth overture, we're then taken on a journey through the mind of the man machine, an industrial …
Even with just basic knowledge of the conditions of the totalitarian regime in the former Czechoslovak Socialist Republic (ČSSR), it is not difficult to understand why the project Maťkovia was never allowed to release anything officially during its existence from 1982 to 1987. The ironic, nihilistic lyrics full of dark humor, describing the despair and greyness of the normalization era in Bratislava in the 1980s simply had no chance of passing through the censorship at the time. The work of the …
Conal arrived in 1981 on the Norwegian independent Uniton Records, in a run of 4,000 copies, at a point when Conrad Schnitzler was long past being a German secret. The founding member of Kluster and a brief early presence in Tangerine Dream had spent the 1970s building a body of work largely outside the record industry, issuing a torrent of self-released cassettes and LPs whose titles almost all open with the syllable Con, completed by a second that points somewhere. By the start of the 1980s th…
Birdman Records is proud to be reissuing Invisible Men, the early space explorations of electronic music pioneer F/i. In the mid-80s F/i was on the cutting edge of electronic bombast, producing cassette tapes of late-night interstellar sessions to be traded world over with the handful of heads that were plugged into similar perambulations. As a link between Throbbing Gristle and the Spacemen 3, this period of F/i has been woefully forgotten, until now. Later in the 80s, F/i would morph into Voco…
We are excited to continue our work with Art P / Art Programming by finally offering the first full-length work from this Bremen-based electronic group. Originally released only on cassette in 1983, the self-titled album has now been fully restored and remastered, complete with bonus tracks and unreleased mixes unearthed from a rare demo. The LP opens with "Wesen vom anderen Stern" ("Beings from Another Planet"), a downtempo, 808-driven electro synth wave track with German lyrics telling a story…
Swiss music legend Stephan Eicher returns with a bold and intimate new album, Spielt Noise Boys, released via Born Bad Records. Known for his poetic songwriting, distinctive voice, and genre-blurring artistry, Eicher here reimagines the sound of his early band Noise Boys in a stripped-down, emotionally resonant solo setting. Spielt Noise Boys is not a simple “best of” or nostalgia trip. Instead, Eicher revisits the raw energy and DIY spirit of his formative years, reworking classic Noise Boys tr…
The definitive chronicle of the global hometaper movement. Jerry Kranitz traces the underground network of cassette traders, bedroom labels, and mail-art collaborators that flourished from the late 1970s through the early 1990s. Expanded second edition with new interviews and comprehensive index.
Big tip! *2025 repress* An early ‘80s ambient jazz gem from the archive of Manchester’s Kevin McCormick & David Horridge. In 1970, Kevin and David met whilst they were working in the Labour Exchange Office on Aytoun St, Manchester. Both played guitar and had been searching for other musicians who played atmospheric music. Kevin had been playing in small clubs in Manchester and David performed in a few local bands. One evening, they jammed together at Kevin’s family home, and quickly realized tha…
"Recorded at the same time as I and Then C93 were channelling Swastikas For Noddy, Imperium was the BackSide GrimStory to the Bright 'n' Breezy (Locust) SummerTime Whistkes of Swastikas For Noddy. I was very ill whilst making both records, and my main memories (along with Speed And Vodka, ThankYou, ThankYou) were lying sick on a grimy couch at the long-gone IPS Studios in Shepherd's Bush. There was a heavy leak in the kitchen and the water was running over the studio floor and up my distressed, …
Tip! Yoshiaki Ochi's "Natural Sonic" from 1990 from one of the Japanese leading environmental music label "Newsic". Magical sound & ensemble of the mother nature, perfectly melting in with the electronics. Released on Wacoal Art Center’s Newsic label, Yoshiaki Ochi’s Natural Sonic shares some of the same magic heard in the music of fellow roster mates Yoshio Ojima, Motohiko Hamase, and Mich Live. This time the aural trick would be one of the most simple of them all. Largely composed, conceived, …
*2025 stock* This Monotonprodukt is a CD release of the blau vinyl written and produced by Monoton in 1980. Re-mastered in 2006. It also contains 3 unreleased tracks from that period. Since the late 70's, early 1980's, Monotonprodukt and the "Institut für wissenschaftliche Sensation" (Institute for Scientific Sensations) have been working on the transposition of metamathematical structures, natural constants and resonance patterns in models of "bionic" psycho-active automat music. Publications, …
Death Is Not The End presents London Pirate Radio Adverts 1984-1993, Vol. 1. The first volume in a two-part collection of pirate radio adverts & idents, taken from recordings of London stations between 1984 & 1993. Many thanks to Wayne Anthony, Simon Reynolds, Stephen Hebditch & The Pirate Radio Archive.
After the success of the first volume, “Nihon No Wave 2” continues to unearth the hidden history of Japan’s underground electronic scene from the ’80s. This second installment digs even deeper into the archives, showcasing more rare tracks from obscure artists who operated on the fringes of Japan’s independent music world.
Like its predecessor, “Nihon No Wave 2” captures the raw energy and experimental spirit of the "Nippon-wave" era—where lo-fi synths, minimal rhythms, and post-punk aesthetics …
Japan’s electronic music scene has always stood out as uniquely distinctive. In the late 1970s and early 1980s, a wave of underground projects, bands, and independent labels—primarily based in Tokyo and Osaka—began crafting their own sound. Inspired by the post-punk, new wave, and experimental movements emerging from Europe and North America, these artists embraced a DIY ethic, using whatever technology they had access to in order to forge something entirely their own.
This movement, often refer…
The second volume in a two-part collection of pirate radio adverts & idents, taken from recordings of London stations between 1984 & 1993. Many thanks to Wayne Anthony, Simon Reynolds, Stephen Hebditch & The Pirate Radio Archive.
"Another gem from the Yen Records treasure trove (Haruomi Hosono and Yukihiro Takahashi production). Cheeky, unhurried, fairly minimal synth pop, with a dusting of tittering bleeps, bloops, and sleigh bells for dimension. Mostly dry and Disneyland plump, but of course nothing Hosono is quite what it seems. Après-Midi is far from simplistic–there are plenty of well-executed jabs at western pop music (and culture), and then there’s the surprise “Catchball,” which is a deep, dark grinding proto-tec…
Scattered Order were formed in 1979 in Sydney, Australia, by Mitch Jones on vocals, guitar and bass guitar; Michael Tee on guitar and Simon Vidale on drums. Jones worked as a live sound engineer for the Birthday Party and Pel Mel.The band formed their own record label, M Squared. They were joined in Scattered Order by Patrick Gibson on guitar and synthesizer in January of the following year. According to Australian musicologist, Ian McFarlane, their "aim was to combine all manner of 'found sound…
Severed Heads are one of the longest standing bands to have emerged from the Australian post-punk and experimental scene. They began in Sydney in 1979, and were an early outfit to incorporate elements of 'industrial' noise-generation, tape cutting & looping and electronic sound synthesis. As the project developed, song-structures and vocals were employed in a more-or-less recognizable mutant electro pop style. After many line-up changes featuring Gary Bradbury and psychedelic guitarist Simon Knu…