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** Edition of 200** René Bertholo Alhandra (1935-2005) was mainly know as sculptor and visual artist, and his musical work, though including classical composition, largely focused on a digital modular sequencer/synthesizer of his own design. This story began when I had to learn something about electronics, in order to make objects with electric movement, which I call “small-scale models”, and which I was making between 1963 and 1973.In 1973, when tired of repairs I had decided to give up making …
Mr. P.C. C.P.’s handling of this 1981 “Private-Press” (c/o the Internationales Musikstudio - aka the Nürnberg vinyl pressing plant) abstract-synth stunner, comprised of three pieces composed during the mid 70s & early 80s by “Elektronische Musik im Unterricht” & “Musik aus Strom : Eine Einfuhrung in die Elektronische Musik” author & instrument designer (famously, he built the prototype of the “Synthi E” variant for EMS-Steinberg ... but a trail of custom-built analog designs like the “Doppelring…
A beautiful drone like a line shaping in time, from silence to silence. Clara de Asís is an electroacoustic music composer and experimental guitarist, born in 1988 in Spain and based in France. Her musical practice is held away from any formal academicism, aiming to transcend conventional instrumental approaches. She works mainly on prepared electric guitar, focuses on exploring the specificities of her instrument, and develops them both in live situations and throughout electroacoustic composit…
Lotus Eaters is Stephen O'Malley (Sunn O))), KTL, etc.), James Plotkin (Khanate, Phantomsmasher, etc.) and Aaron Turner (Isis, Old Man Gloom, etc.). Previously issued on CD, Plotkin has remixed, remastered and rearranged Wurmwulv for this vinyl edition using alternate takes from the original recording sessions. The 2LP also includes reworked material from Lotus Eaters' self-titled 7" released by Drone Records. 52 minutes and 29 seconds on 3 sides of direct metal mastered 200 gram virgin vinyl, t…
Wow, just wow. One of the dynamics at play in the C.P. program that has been all but absent in the recent catalogue is the "one man against the world" spec. These politically-charged times make me hesitant to use the catch-all "outsider", although, in the case of upstate-New York Composer Glenn Williams, it's clear that a palpable distance from the greater world was, indeed, in effect. Let's first focus on the music; the A-side's side-length title piece works a long-form take of the exact sort o…
2003 release ** The first ANTS international production comes with the new project by David First, one of the champions of the US experimental scene. It's a set of four long pieces, generated by the coupling of frequencies, pulsating drones designed to emulate and induce various states of brainwave activity. A static form that slowly modifies itself, in time. A new experience!
2012 release ** "Gridshape is an intersection of heavily distorted violent sounds with points of kinetic aural quietness through the interaction between digital electronics and guitars. Franz Rosati: Electronics, distorted guitars. Francesco Saguto: Classic, distorted, prepared guitars."
Continuing with the ongoing re-release series of all early Asmus Tietchens vinyl albums between 1980 and 1991, "E" was originally released on LP by Dom in 1988. This CD reissue includes both tracks from the bonus 7", "U", that came with the first pressing of the LP, plus two unreleased tracks from that period. As always the original cover artwork is reproduced as a fold out poster. The booklet includes editorial remarks on the release. Ltd x 600 copies.
The first album by Kontakt der Jünglinge since the release of their CD n (DS63) on Die Stadt back in 2003, Makrophonie 1 is also their very first studio album. ItÔs the result of various scores which were developed before and during miscellaneous live performances. These worked out structures were then taken to the studio, where they were concentrated and received their final finish. Makrophonie 1 can be described as KDJ music in highly-concentrated form.The album was recorded at Audiplex Studi…
Go Go Theurgy, the first Anna Zaradny’s album in eight years, consists of two majestic compositions. Strikingly charismatic and intense, they teem with sensuality and anxiety, while their palpably dense and detailed texture is constantly filled with tension and sense of urgency. The crystal-clear narration of these structurally complex pieces creates a framework for Zaradny's uniquely intricate and emotional sound. This music celebrates performativity and defies genre limitations. Although brave…
2014 release ** "This recording features a concert by Italian composer and multimedia artist Roberto Paci Dalò entitled Ye Shanghai, recorded at the ORF Funkhaus in Vienna for Kunstradio. This complex and poignant sound collage is comprised of recorded voices that quickly dissolve into ambient electronic sound that grows increasingly in intensity over the course of this reflective piece. With mysterious instrumentation and vocal recordings, Roberto Paci Dalò creates a powerful composition of swi…
Luv / Kopfüberwelle unfolds in two halves, each radiating the signature sensitivity of Sabine Vogel. “luv,” a nearly thirty-minute solo piece, sits at the intersection of field recording, flute improvisation, and subtle electronic manipulation. Vogel’s work with the Landscape Quartet shapes her approach, drawing not just on musical material but on a careful listening to site - birdsong, wind, water, and distant activity form a natural acoustic tapestry into which the flute dissolves and emerges.…
LL (Another Timbre at70) chronicles the collaborative project Partial - namely, Chicago experimentalists Noe Cuellar and Joseph Clayton Mills. Commissioned as part of a site-specific installation at Pilsen Vintage and Thrift, the album uses only the sound materials found in the store’s crowded basement: toys, tools, clocks, broken dishes, odd bits of furniture, and personal relics - each object transformed into a sonic protagonist. Across “Marcel” (24:35), “Paul” (15:46), and the miniature “a si…
2013 release ** An electronic exploration of scrapes and whispers, silence and noise. Ennio Mazzon is a sound artist who works in the field of experimental electronica. His background in engineering and his interest for maths, physics and programming languages are conveyed into the development of infrastructures of digital tools that he uses for audio processing and live improvisation. He is the founder of the label Ripples and he is part of the project Zbeen.
Lincoln Sea is Robert Piotrowicz's second release in 2013 after the acclaimed When Snakeboy Is Dying. 'Snakeboy' opened windows with it's sophisticated weaving of guitar, piano and vibraphone, along with Piotrowicz's more recognisable modular synth work. Praised from the likes of Brian Olenwick (Just Outside), Massimo Ricci (Touching Extremes) 'Snakeboy' saw Piotrowicz take a confident leap into new realms of sound. With Lincoln Sea, the potential of Piotrowicz' vision is greatly expanded whilst…
** Edition of 200 copies ** Lettera 22 is the duo of Matteo Castro and Riccardo Mazza, two main characters in the Italian noise and experimental scene, building incredible collages of field recordings and abused dynamics. The lucky few who attended their live set at the Dome in London for the Broken Flag 30th Anniversary - where they caused a speaker stack to fall over, almost setting fire to it - saw their potential unleashed and knows what we mean by saying that they have an incredible control…
Split release between Kevin Doria's Total Life (Growing) and Deceh (Eleh/Srines), pressed in an edition of 500 copies and housed in deluxe 2 color screen printed, heavy duty jackets. Kevin Doria's work as Total Life precedes his work done as half of the group Growing, and is continuously evolving; this contributed track, Fader, is no exception. Deceh's contribution is an extended harmonic magnification of a shruti box, Hammond organ, upright double bass & modular synthesizer.
2013 release ** "Contrary to the effects of the titular condition, which I'm given to understand afflicts both musicians, and as also implied in the images of distorted and pained hands adorning the cover, there's some seriously steady and decisive music contained herein. It's understandable, for a moment, that the innocent listener might have an idea that this is more Panzner's affair than Stuart's if, like yours truly, one's knowledge of the latter's work is pretty much covered by his adventur…
First LP from this NYC trio composed of Jason Meagher (NNCK, Coach Fingers), Pat Murano (NNCK, Decimus, Key Of Shame), and Dave Shuford (NNCK, Rhyton). An improvised ritual of metal percussion and electronic modulation recorded at Black Dirt Studio in 2012. As in previous NNCK and Decimus works, there's a lot of buzzing drones and flickering electronics, just less haunting and more tripping. Limited to 300 copies.
Part 14th in the ongoing re-release series of all early Asmus TietchensVinyl albums between 1980-1991. 'Stupor Mundi' (Discos Esplendor GeometricoEGD 018) was originally released in 1990. This re-release comes with another poster booklet and feat. 4 Bonus tracks of unreleased material from the same period. Joint release with Auf Abwegen. 600 copies. Asmus Tietchens about the album: 'The opener of the album cites: 'Gitarren spielen kann ich leider noch nicht...' ('Unfortunately I can't play any…