We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
2004 release ** "Andrea Resch was one of the two members of the legendary Mynox Layh. "Requiem" is a genuinely unusual, sinister work of morbid atmospheres... disorienting as though waking from a nightmare. Immense, striding, sumptuous string arrangements create a majestic and inspiring atmosphere. A highly recommended "opera" in vein of In The Nursery and old Laibach. There are no other words which could possibly describe the endless feeling of the album. This remastered edition features four b…
1998 release ** Limited edition of 500 hand-numbered copies. "Cut-up, lo-fi electronics. Ambient, drone, modern classical. Foom (no reference to the old Marvel Comics fan club) is a catch-all name for musical projects by Boston's Whitehaus Family peripheral member Chris Lichatz. His solo output dates back to the 1990's, and ranges from the demented blues-based Butthole Surferisms of 1994's Six of My Favorite Turds (Stomachache Records) to the abstract lo-fi electronics of 1998's self-released No…
2007 release ** "The album starts out with some very slow tempo percussion sounds that are accompanied by synths that come and go and refuse to stick around long enough to develop into anything but further ambiance for the song. I have to point out that the percussion in this song reminds me somewhat of Coil, maybe I’m thinking “Black Light District” or some latter period works… I’m not sure exactly why but the resemblance (for me at least) is most definitely there. The next song starts out with…
2007 release ** "Marek Styczyński uses technical achievements to create folk, ethnic music of various kinds - both in recording "in the field", in the studio, and in computer processing. He effectively transfers the world forgotten and rejected by pop culture into the digital sphere, processing it a lot. He writes: "I used sounds as the initial building block for designing sound environments and I completely processed some of them, moving them significantly away from the original". He uses many …
2008 release ** "Depressive Disorder, No Name Desire, Gregory and Mastermind are the main drivers of the small but functional label Monopol Records. The first own retrospective simply named after the publisher's name and the addition "The 5th Anniversary Compilation" brings exclusive tracks not only from them, but also from friendly bands or neighbors in the industry such as Aliens from Bratislava. Fifteen tracks across the spectrum of the Czechoslovak underground electro scene are infectiously …
“indistinction #2” comes from the same session as ‘indistinction #1’ and creates the same immersive pull. here, too, rsn works exclusively with his bass and a series of effect devices - no overbuds. everything is created live in the flow and reflects the intensity of the moment. often everything sounds deeply distorted, then it clears up again and metaphorically lets light into the scenery. the mixture of drone and ambient gives “indistinction #2” a broad and balanced sound palette that is best …
The game with quiet and loud is not new, but it has not lost its effect. “indistinction #1” proves this impressively, as the three songs on rsn's debut album create a highly immersive moment. they move and yet remain rigid in their depths. they build up and break down. like a current through which you are sucked - wild, yet somehow safe, always moving forward. if you allow yourself to do so, “indistinction #1” is an excursion into your inner self.
The collaboration between pianist Merle Louise and rsn follows an improvisational approach, as all the songs were created spontaneously and in a flow. while the use of piano is or has become a main element in ambient music, the sound of “clarity #1” is different. instead of reproducing the typical patterns and harmonies of the genre, two styles meet here and interweave at the moment of creation. the drone and ambient soundscapes of rsn are enriched by piano melodies and patterns that are atypica…
The permanence and recurrence of “porosity #1” by Rsn creates a kind of meditative permeability. the musical maelstrom creates a seemingly endless surface that develops from the two-dimensional to the three-dimensional. but this surface is porous and has loopholes. it is not a fast ride through this soundscape, but rather a walk - and the landscape hardly changes noticeably, but there is a resolution, a small aftermath. “porosity #1” is slow and deliberate, waiting and gentle.
"shift #1" is a collaboration album by the two drone/ambient artists rsn and N. the album comprises three songs that deal with semitone shifts, creating an aesthetic depth of sound on the one hand and building up a long arc of tension on the other. "shift #1" is a musical colossus - sound, structure and length create an immersive sound experience. quiet, rather contemplative sounds gradually develop into an alert sound construct. sometimes, however, it remains calm and inward-looking, meditative…
A double vinyl and a catalogue that constitute a proper extension of the exhibition with which the Capc in Bordeaux continues to question the forms that the museum can take (here transformed into a temporary breathing assistance machine) by developing the idea of the exhibition as an atmosphere, with the aim of creating a renewed awareness of what it means to breathe, not only on an individual level, but also on a collective one, at a time when the world is living in a climate of generalized asp…
2004 release ** "A surprising and ambitious trip from ambient to cosmic paths from Wintersilence - a project established in the late 1990s by Mathias Grassow (here under the alias of Tyler Whitney), Scaai, and Don Castellano. This work has various influences, but all titles have something in common; they all seem to suggest an evocative attitude. Mysterious vocals, acoustic / ethno-ambient sounds, epic post-rock structures with Nordic sensations. Rhythms and melodies cross themselves in a mixtur…
2003 release ** "The Foundry is pleased to announce the SUB.TERRA Project, a full length CD featuring remixes/recyclings of Interstitial's epic 'sub. Terra' piece. Contributors include vidnaObmana, Vir Unis, Saul Stokes, Michael Bentley (eM), and, of course, the inspirator Interstitial (John Koch-Northrup). The starting point, 'sub. Terra', is a composition that blends ambient textures with adventuresome trumpet excursions into a truly unique hybrid sound. As John (Interstitial) tells it, 'sub. …
“interweaving #1” is the sound-aesthetic result of an improvised session by rsn and NAGEN. With a setup of stereo guitar, bass, electric kalimba, selfbuilt instruments like the "portanuum", sampled field recordings and some little synths, seven songs or sound collages were created, which combine the drone and ambient of rsn with the improvisational art of NAGEN. “interweaving #1” is a dynamic sound experience with a focus on noise and drone, but much more.
A luminous collaboration between Natural Information Society and Bitchin Bajas, Totality is a slow-burning suite of cosmic ambient ritual—blending jazz, drone, and natural resonance into a radiant whole.
After a collage tape collab with Bardo Todol back in 2022 (SUC52, Magnetic Road to Hell) Robert Millis finally gets his Discrepant debut proper, a much overdue entryin our random catalogue of lost musical oddities.
The not so self explanatory title Interior Music explores Millis obsession with hidden sounds and its anomalies. An hermetic rearrangement of emptiness could be another more big headed title. But I leave the man to talk about his thing:
‘’The phrase interior music occurred to me a few…
An imperial phase Actress commits a lushly amorphous installation piece made for the Berliner Festspiele to vinyl, rendering a post-industrial symphony full of iridescent shifts in gyring, OOBE-like spatial coordinates landing somewhere between nutopian ambient, kankyō ongaku and sawn-off bass science.
‘Grey Interiors’ was made in collaboration with Actual Objects and is an absorbing animation and navigation of those post-human ideals that have prompted Darren J. Cunningham to his best work acro…
Overspill Estates EP is a new four track EP from Warrington-Runcorn New Town Development Plan, which delves back into the Your Community Hub sessions to uncover some gems that had been forced off the album. Gordon Chapman-Fox, the genius behind WRNTDP says “I’d worked on these tracks for the best part of a year, and, in my mind, they were a fundamental part of the whole Your Community Hub project. I was heartbroken when they couldn’t make it onto the album, so it’s an enormous relief to see them…
Orcus is a fantasy synth champion who made us dream first with the track entitled "The Pyramid" included in HDK Dungeon-synth Magazine n.3 and then with the incredible album "Heroes of the Last Glare", a crystalline masterpiece of epic-synth music. Finally Orcus returns, with a thundering Sword & Sorcery-themed album, dedicated to the heroine created by the writer Bludgeon: Lorelei the Berserker. The album is the soundtrack to the hard-boiled adventures of the bloodthirsty half-naked barbarian t…