Meith
Black Truffle present Meith, a new composition in two parts from prolific composer/theorist François Bonnet. Usually operating under his Kassel Jaeger moniker, Bonnet is a major figure in contemporary electronics and electro-acoustic music, collaborating with artists such as Lucy Railton, Jim O'Rourke, and Stephen O'Malley, and releasing his work on labels including Editions Mego, Senufo, and Shelter Press. Always meticulously detailed yet immediately affecting, Bonnet's work situates itself at …
Sounds of Sacred Places
**500 copies** Remastered digital issue of perhaps Moniek Darge’s defining 1987 LP (originally issued on the storied brussels-based igloo imprint) . Five pieces recorded throughout the early & mid-80’s :: “turkish square” (“soundscapes, voices, violin, n-dimensional oscillator system”) works a slowly morphing / heterodyning electronic pulse (ala Roland Kayn) under street-captures & sound-events in ghent ... “abbey sounds” is a collage-piece weaving location recordings & reflections on st. bavo a…
Shutting Down Here
Shutting Down Here is a special work. Symbolically, it covers a period of thirty years, between two visits by Jim O'Rourke to the GRM, the first, as a young man fascinated by the institution and his repertoire, the second, as an accomplished musician, influential and imbued with an aura of mystery. Shutting Down Here is a piece shaped like an universe, a heterogeneous world in which collides the multiple musical facets of Jim O'Rourke: instrumental writing, field recordings, electronic textures …
Forma / Metabolist Meter
Continuing the fertile collaboration initiated in 2012 with Recollection GRM, Ina Grm and Editions Mego have decided to offer a complementary series, no longer focused on the "classic" GRM repertoire but towards recent creations commissioned by the GRM to artists from all horizons
Bounds
Edition of 300 copies which include: colour printed, double-sided, semi-gloss insert; die-cut, poly-lined, black inner sleeve, and; stickered, resealable, poly outer sleeve. “Bounds” consists of 11 electro-acoustic compositions, whose first versions were constructed by Seth Nehil for the “Concerts in the Dark” series at Moers Festival 2012 curated by aufabwegen. In 2013 Seth did the final versions and added some new pieces. “Bounds” is an exciting trip through sound manipulation, treated drums a…
Black Metamorphosis
**Edition of 100 copies** From Sierra Leone via Berlin, Lamin Fofana elusive new work. Steeped in afro-futurist aesthetic, this is the first part in the hyper-conceptual trilogy by global drone and noise artist Lamin Fofana. Not getting a digital release and only 100 copies world wide, we're getting a handful direct from Berlin. From Lamin himself: The West is an insane asylum, a conscious and premeditated receptacle of black magic. – Fred Moten Black Metamorphosis is the first installment in a …
The Gloaming
**Edition of 200 on 180 g vinyl with a hand-made silkcreened cover** Relict records steps into the game with The Gloaming, the full length debut LP by composer Chris Berkes. The Gloaming is the consequence of intensive reflection on the expressive potential of sound based structures. The result culminates in potent electro-acoustic compositions that form a complex and visceral narrative of arresting nature. relief draws from the tradition of Musique concrète but translates it into a contemporar…
Legacy Map
** Edition of 150 copies ** Sprung from the eclectic new wave of Italian noise and industrial music, Lettera 22 is a duo consisting of Matteo Castro and Riccardo Mazza, based in Vittorio Veneto. Their noise is dynamic and creative, balancing in the field between contemporary art music and harsh noise brutality: gritty, textured concrete sounds and field recordings are recorded and manipulated with analogue tape, drenched in tape hiss and finally crushed by a wall of distorted electronics and fe…
Composiciones Nativas
Subtitled "Music for Native Peruvian Instruments and Magnetophonic Tape (1978)" this is a wonderful collection of pieces composed between 1976 & 1978 at the Royal College's EMS by Peruvian composer Arturo Ruiz del Pozo. Ranging from extended tape-loop meditations - the first track's cycling percussion & looming slown-down dread is a dead-ringer for Xenakis' "Bohor" - to more edit-heavy Musique Concrète pieces, this is an incredibly eye-opening survey of the work of a composer of whose work I was…
Electronics Without Tears
LP eition: the excellent Public Information label really comes into its own with this revelatory collection of early concréte tape music by F.C. Judd - a much overlooked British electronic music pioneer and contemporary of Daphne Oram. Born in Woodford, East London in 1914, Frederick Charles Judd served in the RAF coastal command during WWII working with highly secret radar equipment. After being demobbed he applied this knowledge and skilled engineering background to his musical interests…
Strings
A sublime constellation of sound miniatures divided into 3 long tracks (at once random and simultaneous) of delicate field recordings and found objects transformed and woven into intricate electronic tapestries, a slowly building "ambient" work with a unique sense of melancholy. Stefano Pilia's Strings is a diary composition began in 2004, a series of subtle epiphanies followed by a somewhat enigmatic resolve or 'answers', richly spacious explorations that appears suspended in time, with distan…
Hiss Vol.1
The works included in 'hiSS [Synesthesia Sampler] vol.1' have been produced using only analogue devices and processing tools - such as no input mixers, analogue synthesizers and custom-built or hacked/reconfigured instruments. Without the use of computers or digital devices, the 4 pieces recall an era from the 1950s-70s, when most of the electronic music makers around the world had limited resources and quite primitive equipment.
The Sound of Insects
'The Sound of Insects' is the Soundtrack for Peter Liechti's film with the same title without the narrative voice. The movie is Peter Liechti's documentary account of a man alone in the wilderness, committing suicide by starvation, and the subsequent decay of his mind and body. Norbert Möslang's original score for 'The Sound of Insects' received the Cinema Eye Award for Outstanding Achievement in Composing at the 2011 Cinema Eye Honors for Nonfiction Filmmaking and the Swiss Film Award 2010 for …
Rivages sur l'antipode
* 250 copies, hand numbered * Composed on a special request from ini.itu, “Rivages sur l'antipode” (shores on the opposite side of the earth) is his first vinyl LP and is based on similar archival material as the one used by Francisco López in his stunning “untitled #228”. Nonetheless, D'incise (aka Laurent Peter) has achieved radically different results, combining digitally-processed textures, microsamples and humming harmonics rippling out over broken rhythms. He has collaged the least obvious…
Imperial Distortion
BACK IN STOCK. Very occasionally a record comes along that we just don't want to review, a record so wondrous that words just seem to fall short. Since we have an urge to persuade anyone who crosses our path to hear 'Imperial Distortion', though, perhaps it's worth a shot nonetheless. Dominick Fernow's Hospital imprint has long impressed us with its output, but never before have we heard anything quite like 'Imperial Distortion' slip out of its ornate iron gates. Those of you in the know will al…
Musica elettronica
An amazing CD that compiles most of the Maderna electronic music production on magnetic tape from 1956 to 1962, all tapes created at the Studio di Fonologia Musicale della RAI Radio televisione Italiana in Milan. Bruno Maderna is yet regarded as one of the giants of post-war modernism, becoming one of the first Italians to produce electronic works. But it was not in technical progress that he saw music's future. Like his contemporaries, he also adopted 12-tone writing in the 1950s, yet Maderna r…
Hungarian Electroacoustic Music
The spread of electro-acoustic music in Hungary was hindered for a long time by the lack of a studio of adequate technical standard. At first Zoltán Pongrácz has his own studio, then a few years later, in 1972, a modestly equipped workshop was established with the guidance of Iván Patachich. After two years' experimental work, the Hungarian Radio electro-acoustic music studio came into being in 1975 as part of the Hungarian Film Producing Company. During the 1970s the circle of composers began t…
Labyrinthe!
First performance commissioned by Radio France in March 2003. ’For the first time during my journey and ventures into the world of creation, I dreamt of a breath of fresh air deriving from the electronic realm. ‘Labyrinthe’ emerged as the result. All in all, a collaborative work achieved, overcoming the distance between its sources. The sound cuts from GRM reached me as set of reflections, like ‘cadavre exquis’. Fragments in any order, all on CD, sent by post, 7 composers, 7 colleagues sent me …
Appel D'Air
Desert sounds, assembled from concrete recordings in the Mojave. Draws you in - a kind of ultra-radical wallpaper music; sometimes extreme and always somehow on the point, never redundant. Like much of this music, a dark room opens a new ear. Also includes Pacific Tubular Waves.. the LP has this and another piece but not Deserts. And it comes with a 3-D cover and red-green glasses. On 'Appel' MR turns from water to the sounds of air - transformed.
Eloge de la betise ou les peripeties des Ubu
Funambulesqueries en 14 séquences adapted from Alfred Jarry's Ubu Roi, for voices, saxophones and tape. Jacques Lejeune studied music at the Schola Cantorum and the Paris Conservatory with Daniel-Lesur and Pierre Schaeffer before working with François Bayle at the Groupe de Recherches Musicales. He entered the GRM in 1968, taking charge of the “music cell for images”, where he completed various projects for stage and television. It was at his insistence that in 1978 the Ateliers de la Musique Él…