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Part 14th in the ongoing re-release series of all early Asmus TietchensVinyl albums between 1980-1991. 'Stupor Mundi' (Discos Esplendor GeometricoEGD 018) was originally released in 1990. This re-release comes with another poster booklet and feat. 4 Bonus tracks of unreleased material from the same period. Joint release with Auf Abwegen. 600 copies. Asmus Tietchens about the album: 'The opener of the album cites: 'Gitarren spielen kann ich leider noch nicht...' ('Unfortunately I can't play any…
Tracks 1 & 2 originally released on Marches Funebres LP (Multimood, 1989). Track 3 is a bonus track. Released as a joint release by German labels Die Stadt and Aufabwegen. Limited to 600 copies.
11th part in the ongoing re-release series of all early Tietchens albums between 1980-1991. Aus Freude Am Elend is based on the human voice as a primary sound source and was originally released in edition of 500 copies on Dom America in 1988. The CD includes two previously unreleased tracks and comes in a jewel case with full color artwork and poster booklet also feat. The original front and back cover. First edition of 600 copies'. 'Following my research of piano and water sounds (DS102, DS88) …
1983 release, original copy. This album is released in collaboration with the Swedish section of the ISCM and presents both orchestral and chamber music from the World Music Days in Greece, Belgium, Sweden and Israel. Mats Persson Refractions, Jan Sandström Campane in campi aperti, Lars Sandberg Fall, Tommy Zwedberg Hanging." Another impressive collection of compositions by Swedish composers on the ever reliable Fylkingen label, this time concentrating on (bar one track) straight piano rather th…
2010 release ** "The Low Frequency Orchestra is a small ensemble of 'paetzold' recorders, electronic devices, voice, double bass and drums and they team up here with one Wolfgang Mitterer who plays organ. The starting point of this CD is a live recording which has been 'repeatedly revised, de- and re-composed'. Taking into account this and the fact that this is a small ensemble, I was reminded of Mnemonists and Biota, who used similar group playing and extensive studio techniques to define thei…
"This work is not music in a conventional sense, it does inhabit that world, but in a new way. The cello is treated fundamentally, as a resonating body, transmitting sounds elementally. The bow on a string, the flux of weight, pressure, speed and angularity releases a myriad of complex sound phenomena. The juxtaposition of multiple sounds on adjacent strings creates fluctuating and rhythmical beatings. The detuning of the instrument increases its pitch potential and basso profundity. In combinat…
2CD version, including two CD bonus tracks. Pseudocode was a Belgian electronic improvised music band, active from 1980 to 1982, featuring Xavier S (Thrills), Guy-Marc Hinant (Sub Rosa co-founder) and Alain Neffe (Insane Music, Bene Geserit). While Xavier S contributed most of the lyrics and vocals, it was Guy-Marc Hinant who often played the core melody on his Pianet electric piano. Neffe's contributions are particularly noteworthy throughout, as he weaves together the bulk of the sonic clo…
Includes 16 page booklet and a download code redeemable from the label with bonus tracks. It's a bountiful collection of unheard prog and space rock rich with minimoog, created by Franco Falsini - whose 'Cold Nose' recently turned up on Spectrum Spools. His later synth bits like 'Darkside' are exceptional and practically worth the admission alone. Not so sure about the earnest prog noodling, though... Packaged in reverse card slipcase with colour inners and a 20-page booklet of in-depth h…
Ambient describes something that imperceptibly pervades the environment to the point of barely existing. It affects us, but we might not know it. It controls what we regard as the most basic qualities of our lives, so basic that we consider them inconsequential, everyday, and normal. The earliest ambient music was likened to furniture. This is not ambient music. But there are the qualities of ambient music here. The sounds surround and envelop. Groundwork is laid for assumptions and choices to b…
Minimal Wave is proud to present Teenage Tapes, an LP of selections from the early tape archives of Felix Kubin. The recordings span his adolescent years, when he was between 11 and 15 years old. He actually began playing music at 8 years old, when he studied piano, organ, and glockenspiel. In 1980, he acquired a Korg MS-20 synthesizer and his recordings took off from there. He began experimenting and recording a variety of tracks, adding his own bizarre lyrics to them.
In 1982, he formed a band…
*150 copies limited edition* The Kansas post-hypnagogia psych enigma CVLTS create a strange distillation of improvisation, keyboards, loops and field recordings. Song length carpets of sound with the occasional attempt at dream pop. CVLTS are the Kings of Haze and they will make all your dreams come true.
Solo project of long-time superstar Mike Connelly (Wolf Eyes, Hair Police) building the perfect negative of his bands - but still walking a similar path of his bandmates' solo work - trading noise for quiet and jolts for scraping echoes. Afternoon Summer Sex - so far the second LP release by Failing Lights for 2012 - is a black swamp full of analog processing, whirling drones, chiming tones and shrouded electronic crackles. A slow-pace listen of minimal repetiton that gives the idea of an eterna…
** 500 copies ** Tom Recchion’s Proscenium, released by Elevator Bath, is a beautiful piece of ambient/drone that was originally created for Janie Geiser’s play, Invisible Glass. Proscenium is a subtle and remarkably controlled collection of atmospheres. The air of mystery, deliberate pacing, the deep tones and unidentified sounds of Recchion's 2006 album Sweetly Doing Nothing have been explored even further here. It's a logical development but the results are unexpected and strikingly original,…
2009 release ** "A long and almost solemn track built with reverberated piano notes, a slow and rhythmical flow leaned on a background made of clashing hisses and vague, distant, rustling ambient noises. A brief interval based on obscure drones moving in circles, inexorably entangled on themselves. Then another long piano-based track, this time more dilated, confused, ethereal and prim, so much that it takes the distinguishing features of an indecipherable sonic mass, abstract and booming, estra…
2012 release ** The most recent solo incarnation of pioneer Campbell Kneale (Birchville Cat Motel, Black Boned Angel, et al.), this is the definitive OLWDTW release spanning two discs. Crowning achievement in a prolific and highly collectable catalog. Solo project of Campbell Kneale, formerly Birchville Cat Motel, and one-half of Black Boned Angel. Packaged in an oversized 5.5" square folder with two art inserts and music spanning two discs, each in an envelope.
2025 stock ** Erdem Helvagioglu first broke through to the international audience with his Walk Through the Bazaar...a collection of sounds from the bazaar in Istanbul that he worked to create an emotional tour. On this record the listener is presented with the performer, on live guitar with live electronics and processing. This kind of work is straight up 'new music' and has strong affinities to the downtown, improvised and modern classical currents that are being played throughout the capitals…
Deep Listening Band January 2011 residency and concert at Town Hall Seattle produced enough material for both a CD and an LP on Important Records, and a double LP on Taiga Records. The subsequent summer consisted of well over 100 hours of listening on my part along side DXArts technical wizard Michael McCrea who himself has between 150 and 200 hours of listening and editing in this multifaceted project. In the process of both performing and recording as a member of DLB I found myself exclaiming,…
"From 1972 to 1973, I was based in New York for my creative activities and live performances. New York at this time was in its golden age of experimental music. Towards the end of my stay, I held a live performance entitled Event '73 to sum up my creative works in New York. The venue for the performance was The Kitchen of the Mercer Arts Center that provided spaces for innovative and emerging artists. This CD consists of a mixture of sounds that were created at a studio prior to the live …
The two major focal points in the creation of composer Duane Pitre's Feel Free, his new work for a unique sextet combination, were rhythm and melody. An open yet orderly system intended to produce potentially infinite variations of self-generating rhythm and melody was carefully created for this piece, allowing the sextet musicians to approach these factors in a freer manner. This 'musical system,' combined with the fixed elements of the composition, in turn, spawned a rich foundation of harmony…