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1995 release. Neural Synthesis Nos. 6-9 combines the art of music, the engineering of electronics, and the inspiration of biology. In it, David Tudor orchestrates electronic sound in ways analogous to our biological bodies' orchestration of consciousness. The performance originates from a neural-network synthesizer conceived and built especially for Tudor. He surrounds this synthesizer with his own unique collection of electronic devices, and in the recording on this CD made for headphone playba…
Originally released on Lovely Music as Pulsers / Untitled in 1984. This re-release includes an additional piece from David Tudor, Phonemes. Pulsers explores the world of rhythms created electronically by analog, rather than digital, circuitry. With analog circuitry, the time-base common to the rhythms can be varied in many different ways by a performer, and can eventually become unstable. Untitled is a part of a series of works composed in the 1970s that were developed through experiments in gen…
A series of three pieces/suites documenting David Behrman's evolved interactive computer music practice from the 1980s, featuring Rhys Chatham and Ben Neill (trumpet/mutantrumpet), Fluxus mainstay Takehisa Kosugi (violin), and Behrman himself on electronics. This essential recording captures Behrman's mature work with listening machines: thickly layered liquid sounds created through a complex computer music system which absorbs, actually hears, the sounds of instrumentalists, then plays off thei…
Originally released on Lovely Music in 1978 and now available on CD, this essential recording documents David Behrman's groundbreaking exploration of interactive computer-human improvisation—among the earliest works to establish real-time dialogue between musicians and microprocessor systems.
On the Other Ocean is an improvisation by Maggi Payne and Arthur Stidfole centered around six pitches which, when played, activate electronic pitch-sensing circuits connected to the "interrupt" line and inp…
2003 release ** Cardboard sleeve, each copy with a unique hammer imprint. "Akin to Erik Satie’s advice to the performer of his Vexations to prepare oneself with some “serious immobilities”, Cal Crawford here examines the impossibilities of holding still. For ‘sitting on theories on the frontier on extension’, his first full length solo CD, he generated sounds by sitting on top of a bundle of blankets with a microphone rolled up into its center. This one hour process was his starting point. He di…
1995 release ** "Bruit TTV is a sound research collective comprising artists associated to Obscure. Situated at the frontier of music/non-music and organized noises, Bruit TTV’s performances ally and oppose composition and improvisation, traditionnal and invented instruments, sound poetry and tapes, theatrics and technologies. Professionnal amateurs of yonder years, Bruit TTV takes position exploiting its multiple incompetences… The collective presents now its second album intitled Castafiore, a…
This CD has pieces with an auctioneer, a Kentucky farm with birds & clover, a jazz dancer, a quivering, vibrating, sexually tinged piece full of women saying supplication, a saint dying in flames, a drum piece about frustration, mother/daughter miscommunication, a pipe organ, and punk rap with overtones of yoga. Many of Beth Anderson's compositions from 1973-1979 use words or parts of words to make either all or part of the music. Sometimes the music is derived from the words. Some of it is cons…
Double CD reissue of two albums, originally released on Folkways in 1980 and 1982, recorded in the early to late seventies. All pieces composed for various dance groups, using guitars, keyboards, self-made instuments, synthesizers, and tape manipulation.” CD 1 : “REELIZATIONS I” (1980). Akimbo. Scene four. TS Danza. Prelude in g # major. Roland No.119. Azirthmyth. Perihehlion. Biease. Feast. Pleasure guitar. The tube. CD 2 : “REELIZATIONS 2” (1982). Cit-calm. Gate of shariz. Magnus continuum. Th…
8th part in the ongoing re-release series of all early Tietchens albums between 1980—1991. Described by Tietchens himself as his »Industrial« album, »Geboren, um zu Dienen« was originally released on the spanish Esplendor Geometrico label in 1986. The CD version incl. three unreleased bonus tracks from the same period and comes with a full colour fold-out booklet incl. liner notes by Tietchens himself.
10th part in the ongoing re-release series of all early Tietchens albums between 1980—1991. »Notturno« was originally released by spanish label Discos Esplendor Geometrico in 1987 and also by Barooni on CD in 1992. Remastered version in a first edition of 600 copies in jewel case with full colour artwork and poster booklet also feat. the original front and back cover.
2025 stock ** "Lidingö, a summit between innenklavier specialist Andrea Neumann and percussionist Burkhard Beins, is altogether knottier and gnarlier. Part of the important Berlin scene, the two play together in Phosphor as well as with Sven-Åke Johansson. Beins is a masterful player, often eschewing struck percussion in favor of rubbing, stroking, and scraping, only occasionally landing a gargantuan thudding bass drum for example. Neumann uses only the strings, resonating board, and metal frame…
Monumental reissue of Lucier's four-part investigation into acoustic interference. Musicians sustain tones against fixed sine waves, creating audible beat patterns that reveal the hidden architecture of sound itself
Alfredo Costa Monteiro, accordion. Recorded by Ferran Fages, March 2003 in Barcelona. Rumeur was conceived in continuity; but not in the narrative sense; each piece was developed independently, but always with a common preoccupation: The timbric continuity of each of them and the way it comes about, intuitively directed by a kind of sonorous alliteration. rumeur is about the manifestation of sound in its fluidity, its prolongment, or, better said, its sequence, in the same way that a rumour, by…
2001 release ** "A sound study of Ingmar Bergman’s Tystnaden (The Silence) and the silence of the Other… the object itself is a compression of an impossible space through the trituration of a gesture-the infinite as a question… A singular blast of air interchanged with a hollow, crackly static drone are almost constant through this, disc, and they serve to create an eerie, lonely, wide-open silence…"
Produced in 2003 for the sound art department of a german radio station, "Il Fiore della Bocca" is one of the most controversial text sound compositions by Alessandro Bosetti. Composed exclusively with the voices of physically and mentally handicapped people, the piece displays an impressive richness, depth and variety of sound, covering the full range of musical possibilities of the spoken voice; from heavily processed to completely unprocessed, naked and direct. The piece has an ambiguous natu…