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Dismantling the acoustic to feed the electronic, Editions Mego presents Telepath, the new album by Material + Object. Born out of a single improvised recording session with a lone Violinist, Telepath is a startling album of future electronic music, resulting in an LP of unique and timeless tracks that reimagine a classic sound for an endless future.
Boldly departing from his previous canon of largely 'ambient' work, Material Object's Telepath renders itself out as something much stranger, someth…
Weltklang’s 3rd album released exclusively by Orbeatize, containing the very rare Klangwelt album (released in limited edition and sold on cassette tape by Weltklang during their concerts in the 1980’s) and the suite (more than 15 minute of pure electronic-psych trip) taken from the very scarce 1985 album “Gasteig Munich Opening”
Conrad Praetzel is a multi-instrumentalist/ composer/ sound designer based in Northern California. His last five albums were released under the moniker Clothesline Revival, roots Americana with a modern electronica bent that Lucinda Williams acknowledged as an influence on her album “West” in No Depression Magazine.
Conrad Praetzel’s Adventures Into Somethingness is the first album of new music released under his name in twenty-four years. Gone are the traditional roots music instrumentations he…
Nein Rodere is the moniker of the Berlin-based music maker and visual artist David Roeder. Having played in bands for more than 20 years - often times making improvised music with other “non-musicians” - Roeder was trained in painting and psychodynamic art therapy. This multifaceted background underpins the complex humour and multiple dimensions of meaning (and double meaning) that bubble below his work. The body of solo efforts that has slowly emerged over the last five years brings to mind the…
Sasu Ripatti presents Dancefloor Classics Vol. 1 - 5, a series of five 10" releases coming throughout 2023. Music for imaginary dancefloors, released on Ripatti's own label "Rajaton".
”Look up, into the light” she said, while the camera shutter clicked. ”Like this? Does it look holy?” His neck felt stiff. Her reply: ”Yes, just like that. What do you mean holy? Like religious? ”No, more like trying to look very far, somewhere beyond what we can see.” ”Okay, stand still, I’m going to come close to…
*300 copies limited edition* Observatories is a collaborative music project by Ian Hawgood and Craig Tattersall. This is their second opus together after their first release on IIKKI in March 2021. Born in the United Kingdom, Ian Hawgood spent most of his adult life living in Japan, Italy and Poland. Currently he calls Peacehaven (on the south coast, near Brighton) his home. Since 2009, he’s well-known with his work as the curator of the Home Normal label. He makes music using an array of reel-t…
Tip! *In process of stocking. 2023 stock* XQX is a Music outfit founded by performance artist John Bock and audiovisual artist Kris Limbach. N°4H is a Hybrid Live/Studio release based on a performance at Staatliche Kunsthalle Baden Baden and precedent recordings.
*In process of stocking. 2023 stock* A characteristic resonance investigation, which is generated between the vibrating objects (buzzer: 400Hz) and different materials. Recorded and mastered by Kris Limbach at emitter19 studio, Berlin June 2011.
Tip! *200 copies imited edition. 2023 stock. In process of stocking* Try to imagine an astonishing reversal of the traditional widespread subservience of sound to story-telling: instead of sound effects providing realism to a narrative, the open shell of an apparent narrative becoming sound work… or perhaps even a new form of weird experimental music that only requires a willingness to listen to the actual sonic matter itself, precisely when it appears to be something else.
*200 copies limited edition. In process of stocking. 2023 stock* “This untitled album is an excavation of fluff and audio detritus, feathery caverns being mined for tangled fibres. Insular and close, the sound-environment captured by this trio is somewhat akin to water-logged ears; a pressured confusion of indistinct voices, tape-whispers, and buzzing electronics. It unfolds in languid contemplative fashion, curling endlessly in upon itself, a burrowing within rather than an expansion out, each …
*300 copies imited edition. 2023 stock. In process of stocking* Try to imagine an astonishing reversal of the traditional widespread subservience of sound to story-telling: instead of sound effects providing realism to a narrative, the open shell of an apparent narrative becoming sound work… or perhaps even a new form of weird experimental music that only requires a willingness to listen to the actual sonic matter itself, precisely when it appears to be something else.
*250 copies limited edition. 2023 stock. In process of stocking* Emitter Micro in company with Verlag der Buchhandlung Walther König released in two crafted vinyl albums the Motion Picture Soundtracks of Hell’s Bells and Dead & Juicy, recent John Bock’s movies with an original score by Kris Limbach. As a limited edition of “golden” and “silver” vinyl, Hell’s Bells and Dead & Juicy are both experimental scores of Limbach and Bock, who touch many genres and are not afraid of fusing field recording…
*250 copies limited edition. 2023 stock. In process of stocking* Emitter Micro in company with Verlag der Buchhandlung Walther König released in two crafted vinyl albums the Motion Picture Soundtracks of Hell’s Bells and Dead & Juicy, recent John Bock’s movies with an original score by Kris Limbach. As a limited edition of “golden” and “silver” vinyl, Hell’s Bells and Dead & Juicy are both experimental scores of Limbach and Bock, who touch many genres and are not afraid of fusing field recording…
David Cunningham was born in Ireland in 1954. His work ranges from pop music to gallery installations including several collaborations with visual artists. His first significant commercial success came with The Flying Lizards' single "Money," an international hit in 1979.
Originally released in 1976, Cunningham's first solo album Grey Scale has become a landmark statement of DIY minimalist composition – continuing in the vein of the wild explosion of arthouse experimentation from the early '70s.…
*New edition* Soul Jazz Records' new Space, Energy and Light is a collection of music by early electronic and synthesizer pioneers (from the 1960s through the 1970s), mid-1970s proto-new age gurus and 1980s guerrilla D-I-Y cassette-era electronic artists, spanning in total over a near 30-year time frame. "All of these artists used electronic advancements in music technology as a means of exploring not only space and the idea of the future, but also of looking inwards to the soul and of creating …
Part of a series of three new archival releases from Ndeya that showcase Jon Hassell and group in the late 1980s exploring a radical tangent on his Fourth World sensibility.
The first volume of San Francisco Moog: 1968-72 introduced the world to a trove of recordings from a little-known hinge point in electronic-music history. Vol. 2 brings to light the rest of tapes—and the rest of the story.
Hailing from Geel, Jef Mertens has been researching, documenting and subtly exploring the experimental music scene in Belgium and beyond for the better part of two decades. As a filmmaker, he’s dug deep in the realm of Flemish primitive fringe (Dronevolk) and chronicled the makings of giants like Sonic Youth and Borbetomagus. After running the now-defunct free tape label Dadaist Tapes, Mertens comes with a release of his own: No Mathematics, the first record collab between KRAAK and Feeding Tube…
American singer-songwriter, poet, and photographer Thomas Meluch, known musically as Benoît Pioulard, returns with his most structured and vocal release to date. Titled »Eidetic,« a word denoting the ability to recall mental images with extraordinarily rich precision, the album presents unprecedented clarity and vitality for Benoît Pioulard. To access its thematic ground, Meluch looked inward with an affinity towards the people he loves during a period marked by his move from Seattle to Brooklyn…
"Troth is unknown colours, mist-soaked dreamscapes, strange misshapen cities belonging to forgotten lands. Troth is also a pop duo, though not of the kind nowadays subjugated by the algorithm. Forget the Curse is the group’s best demonstration yet that somewhere in the murky fields between song and sound, there is a lot of untilled soil. There are elements from previous recordings here: the diaphanous synth-pop of Oak Corridor; the bleary hypnagogic ambience of Flaws in the Glass and Small Movem…