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2022 Stock. In process of stocking. Petrozavodsk is a dub-metal trio based in Moscow and Barcelona. The sound of their debut combines venomous guitar chords, ultra-heavy bass frequencies, and mind-numbing primitive drums with dub effects on the snare and the hi-hat. Side A, “Winter” is slow-churning dubbed-out drone metal, with feedbacking jet-engine guitar lines that at times sound closer to Ellen Fullman than metal riffs. Caveman drums on side B, “War” possess a tribal feel, and are punctuated…
*In process of stocking* Tanzprocesz presents the new Rirette self titled EP. Baroque electricity & laser gregorian chants, sound surveillance & futuristic raised fists. The dream soundtrack of a dystopian fiction.
*In process of stocking*Tanzprocesz presents Patrick Lombe self titled new EP. Back in solo after a neverending wait. Forbidden manipulations, secret guitars and vocal shamanism, years of mental fabrication finally in your hands
*In process of stocking. 2022 stock* 'Over the last decade, Toronto-based composer Nick Storring has become well known for his unique, painstaking compositional style of layering performances on a plethora of objects and musical/electro-mechanical instruments to deeply moving effect. ‘Newfoundout’, his seventh album, follows last year’s lush and nocturnal ‘My Magic Dreams Have Lost Their Spell’ (Orange Milk Records) with more rhythmical material and an almost theatrical, phantasmal sensibility. …
*In process of stocking* 'Felicia Atkinson’s music always puts the listener somewhere in particular. There are two categories of place that are important to Image Language: the house and the landscape. Inside and outside, different ways of orienting a body towards the world. They are in dialogue, insofar as in the places Atkinson made this record—Leman Lake, during a residency at La Becque in Switzerland, and at her home on the wild coast of Normandy—the landscape is what is waiting for you when…
*Edition of 100. In process of stocking. 2022 stock* Løt.te is Mehmet Irdel, a Turkish-born, Brooklyn based artist and producer whose recent output has consisted of vinyl EPs on The Bunker New York label, and a string of mixes most notable of which is the Resident Advisor podcast from June 2015. His cassette EP, Private Shell, marks the first time Løt.te is branching out from his previous dancefloor-friendly techno output to explore ambient space and atmosphere, which falls somewhere between the…
* Edition of 75. In process of stocking. 2022 stock* Roel Meelkop (born 1963) is a Dutch visual / sound artist based in Rotterdam, Netherlands. After studying at the prestigious Willem de Kooning Academy, Meelkop pursued a studio practice involving analog synthesis and manipulated sound engineering techniques. His earliest published output was during the mid 1980's experimental electronic collective THU20, which was documented by the legendary 80's tape label Midas Tapes. THU20 members included …
Long-running Scottish act Cindytalk have transformed numerous times throughout their existence, going from industrial post-punk to electronic noise with an ever-shifting lineup. Now, the group will be compiling their recent recordings in Of Ghosts And Buildings on Japanese label Remodel.
Osaka-based DJ and female electronic musician who has been releasing dub techno-centric tracks under the name Midnight JJ since 2011. In recent years, she has been performing more noisy and experimental live shows under the name Juri Suzue. Her aggressive live electronic sound surprises you with its ultra-low profile. This is her first CD and a long remix of Japa-noise king Merzbow on the B-side.
Veteran experimentalist, Marcia Bassett, returns with "Midnight Xpander", easily one of the most exciting entries into the field of drone and contemporary minimalism that we've encountered in a good while. Predominantly recorded with a Buchla 200 system at EMS in Stockholm, Sweden, and imbued with abstraction and the bristling tension of punk and noise, its subtle structures and intertwining harmonics immerse the mind in a deeply organic, hallucinatory realm that places Bassett at forefront of t…
*Released in 6-panel Digipak. Includes a 24-page booklet.* This re-release has some little differences from the formerly available CD version. The former CD of "X." was altered in sound and some tracks were a bit shorter as on the original vinyl album. The music used for this re-release was carefully transferred from original old analog mastertapes to digital format. There is a version of "Ludwig", played and recorded live in concert in September 1978 during a show by Klaus Schulze who was accom…
*The CD re-release includes the 33-minute bonus track "C'est Pas La Meme Chose" as well as a 16-page booklet.* "Picture Music" is Klaus Schulze's fourth studio album. It contains two tracks, "Totem" and "Mental Door", which were recorded towards the end of 1974. The LP was released in January 1975 on the legendary Brain label. A British journalist attested to the publication's "hypnotic quality" at the time. In addition to the strong rhythm emphasis, the chirping, rising and falling synthesizer …
*Released in 8-panel Digipak. Includes a 20-page booklet in German and English.* The eighth part of "La Vie Electronique" contains a selection of titles that were created in the years from 1977 onwards, outside of the productions for the albums "Mirage", "Dune" or "Dig It". These showed a significant change in Klaus Schulze's way of playing and composing. This was not least due to the renewal and expansion of his instrument pool. This gave Schulze the opportunity to play and record his music wit…
*Released in 8-panel Digipak. Includes a 20-page booklet in German and English.* "Re: People I Know" is the first of two long pieces that Klaus played at his concert in Düsseldorf on September 30, 1977, similar to the impressive piece that Klaus Schulze performed in Brussels the same year at "St. Michael's Cathedral". has played. "Avec Arthur": During the long tour in 1979, Klaus played a long solo piece that filled the first half of the concerts as usual. After the break, Arthur Brown joined fo…
*Limited Edition of 200 copies.* Autopsia is a cult art project dealing with music and visual production. Its art practice began in London in the late 1970s and continued during the 1980s in the art centers of the former Yugoslavia. Since 1990, Autopsia has acted from Prague, Czech Republic. Above all Autopsia is not concerned with music. What is Autopsia? Art? Theory? Framing? Projection? Gaze? Autopsia is language is image is sound. Autopsia is atombstone on the grave of time. Autopsia is arch…
The sixth part of the out-of-print series offers recordings from the second half of the 70s. La Vie Electronique Vol. 6 contains three CDs. The first disc features numbers that Klaus Schulze played at a concert in Oberhausen in 1976, including "Schwanensee". The whole thing is supplemented by two solo pieces that Klaus Schulze recorded in the same year in the then newly established studio in Hambühren. The finale is the title “Fear At Madame Tussaud’s”, recorded in April 1977 in the London Plane…
The rarities of the electronic pioneer Klaus Schulze were previously released in a strictly limited edition, called "The Ultimate Edition" and document the history and the rich diversity of this exceptional musician, even more impressive than on his official releases. Now these recordings - completely remastered and for the first time in chronological order - are available in elaborate editions: Every episode contains 3 CDs in high-quality "vinyl look" with digipack including booklet with detail…
The third in Klaus Schulze's series of three-disc compilations of live and rare material (all of it previously released in his 50-disc Ultimate Edition box from 2000) is pure bliss for fans of early-'70s analog synthesizer music. The melodies swoop and whoosh like comets passing by a slowly drifting space station manned by dudes and ladies in unisex jumpsuits with long, perfectly coiffed hair, and beards on the men. Close your eyes and you're there. Many of these tracks are grouped into half-hou…
The third in Klaus Schulze's series of three-disc compilations of live and rare material (all of it previously released in his 50-disc Ultimate Edition box from 2000) is pure bliss for fans of early-'70s analog synthesizer music. The melodies swoop and whoosh like comets passing by a slowly drifting space station manned by dudes and ladies in unisex jumpsuits with long, perfectly coiffed hair, and beards on the men. Close your eyes and you're there. Many of these tracks are grouped into half-hou…