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Wavey, dystopian industrial-electronic tripscapes from NON and Hyperdub affiliate and multi-disciplinary artist Venus Ex Machina. F*ck Cyberpunk 2077, this is cyberpunk 2021. She's made an AI opera, been involved in various art projects and composed for film, now Venus Ex Machina has deployed her debut full-length - a sprawling dystopia of decaying industrial beatscapes, squealing noise, drones and disorienting sound design. "Lux" isn't just a collection of odds and ends, it's a narrative univer…
The newly established label bié Records follows Yu Su's winter 2019 tour of mainland China where she travelled from Qingdao, the western shore of Yellow Sea Coast to Xining, the largest urban hub on the Tibetan Plateau. As she encounters musical artists and enthusiasts at the foreground of the explosive leftfield electronic scene across China, she is inspired to participate and contribute; Yu Su is delighted to offer her debut album Yellow River Blue for release through bié Records in China, wit…
** Edition of 200 ** A-Musik is delighted to present Titanoboa's debut album as the first a-Musik release of 2021. "Porphyr" contains eight tracks of delicate Electroacoustic Noire and contemporary Post-Industrial chamber music that were produced in her Cologne based studio. Being equally into rumbling noise, experimental turntablism, angelic singing, organ improvisation and a lot of studio wizardry, these recordings somehow remind of a combination of Pharmakon's raw power, Maximim Bérangère's l…
Philosopher of science Isabelle Stengers has studied the operations of states and their mobilization of technical practices to serve a presupposed general interest, which involves the production of rules and norms. Such rules and norms are blind to forms of knowledge that are denigrated as ‘local’ and ‘traditional’, and feature the correlative elimination of what does not conform and cannot be standardized – in other words, what is recalcitrant to objective evaluation. Anything that resists subs…
** Edition of 200 ** Soleils Noir by Bruno Duplant and Alfredo Costa Monteiro is the first in a series of collaborations between various musicians who release on Moving Furniture Records before. After a collaboration for the Moving Music compilation this is the first time they get together to release a full-length album. From a radical utopia to divine transformations, it is at the same time a mass, a flow, a ball of fire, a sparkling device. A continuous sublimation that renews and regenerates …
** 2021 Stock ** This is invaluable documentation of the electro-acoustic works of Roger Reynolds. The product of time spent at IRCAM, Pierre Boulez' Paris institute, some of the pieces bear a strong resemblance to "Repons," the highest-profile Boulez composition using the state-of-the-art IRCAM technology. This is even less surprising since they were recorded by Boulez's Ensemble Intercontemporain. "Archipelago" was composed in 1982-3, for 32 instruments and 8 tracks of computer generated sound…
** Edition of 500 12'' Translucent White 180g Vinyl ** ''Living on the border of Europe and Asia all of my life, I have always been interested in both of these huge parts of the world and their centuries-old history". Multiply Intentions is the fourth full length release from Russian multi-instrumentalist Katya Yonder and her first long player since 2017. Borne from a new found sense of confidence and self-awareness, the album is inspired by both local and neighbouring musical cultures and a wid…
Second Sleep presents 12 Connectedness by Yosuke Tokunaga. The Distance is forcibly cut. The Time is repeated. The Speed is stretched. Some material "something" uses concepts to repeatedly connect and divide.
The Tapeworm presents How It's Not Meant To Be by Venozkts. Many hours were spent surfing the airwaves, with often surprising results… No synths were used during the making of this album. The mysteries of the ether continue to enthral and provide. Mastered by Franz Kirmann. Published by Field Music. With thanks to Bana Haffar, Klingenfuss and all the freqs. Illustration – “The Map Is Not The Territory” by Bana Haffar.
The second in a series of posthumous Mika Vainio releases on Säkhö, celebrating the work of a true, electronic music visionary. The tracks on Kiteet, released under Vainio’s Ø alias, were initially written for the 1997 Snow-Crash exhibition in Milan but never used. Five of the eight tracks found their way onto later albums, three have never been released anywhere. As you would expect from an artist with Vainio’s immense stature and pioneering legacy, Kiteet is a mesmerising listen, built from so…
**Edition of 500 copies pressed on white vinyl, Includes an 8 page graphic score and sticker for modular artwork creation** A 480 is a collection of repetitive, process-oriented virtual signal process pieces rendered entirely in the digital sphere. The pieces consist of originally composed, data rendered sample sources. A 480 are vocal pieces. All the sounds are sourced from the 'voice' and confront the nature of the voice in the age of data. The virtual choirs are convoluted versions of actual …
**2022 stock** Rodion Ladislau Rosca grew up and got his musical education in Cluj, the third biggest city in Romania, during the relatively ‘open’ years of 1965-1972, before Ceacescu’s regime cracked down viciously on the cultural opportunities (and freedoms generally) available to the Romanian people. In this period he absorbed the influences that filtered through the Iron Curtain from the ‘decadent west’ and local eastern European musical traditions. Cluj had its own prog-rock bands, Cromatic…
**2021 Stock** Alex Keller and Sean O'Neill have created performances and installation pieces together since 2015. Using field recordings, vintage telephone test equipment, and magnetic oscillators, among other tools, their work addresses the agents and artifacts of change in the urban (and acoustic) realms. The resultant audio is a potent brew, seamlessly merging drone, musique concrète, phonography, and various electronic intrusions.
"Kruos" is the duo's debut release. It was developed between…
**2021 Stock** Bob Bellerue's new double-LP, "Music of Liberation," is a careful and intricate album of textured drone and shapely noise. Like the greatest works by post-industrial masters David Jackman (Organum) and Steven Stapleton (Nurse With Wound), its power lies not in harshness, but in dynamic spectral intensity. These are minutely composed pieces with very great attention paid to timbral details and variances.
Through the last few years, Bellerue has released a series of highly acclaimed…
Erik Wøllo is a unique Norwegian musician that has been active since 1980, covering a wide range of styles but mostly known for his very personal take on electronic ambient music. In Silver Beach, gentle rhythms hold center for lush beautiful melodies to unfold, manifesting a restrained elegance in the way the chords hover around this percolating heartbeat. The result is synthetic walkabout music, an album of simple yet vibrant sophistication, perfect for wandering around or sitting contemplatin…
**2021 Stock** First Thus is a phrase used by book sellers, publishers, collectors, etc. to describe a book which may be considered a first edition and/or first printing, but which has been available previously in a slightly different form. A true first edition is the original, first printing of a given book, while a first thus is the first printing of a new version of that book. This classification can come about for any number of reasons, though often times it has to do with a new translation …
**Minimax CD in full-color digipak. Edition of 200.** Exploded View is a stand-alone piece exploring the intricacies of manipulated micro-samples by two veterans in the art of sound collage. Colin Andrew Sheffield & James Eck Rippie work with turntables and samplers (both vintage and modern) in their ongoing experiments with the re-contextualization of found sounds. "Exploded View" showcases the duo's focus on fragments of audio - the shards of samples broken apart and re-shuffled, like the cut-…
**Released in a six-panel Digipak. Edition of 509 copies.** Matt Shoemaker's first full-length album for Elevator Bath is Soundtrack for Dislocation, an entirely self-contained account of a fantastically abstract and intensely personal vision. As with much of Shoemaker's work, this is an album permeated with a very potent sense of unease. And despite the fact that the use of field recordings is very minimal here, there is a no less organically tangible quality which only contributes to the feeli…
**Packaged in a six-panel digipak, released in an edition of 200 copies.** Previously unheard brilliance from the late Matt Shoemaker. Work on "Mercurial Horizon" was largely completed during an incredibly fruitful period from 2008-2012, during which Shoemaker produced albums for The Helen Scarsdale Agency, Ferns Recordings, Mystery Sea, and Elevator Bath. He went on to finalize the material which would become "Mercurial Horizon" in 2015. Though unreleased until some five years after completion,…
**Full-color picture disc, released in an edition of 216 copies. 2021 Stock** A welcome return from Dale Lloyd with this, his first new release in three years. Akasha_for Record is a two-part composition, filled with highly dynamic intricacies very carefully arranged. Rich micro-detail meets subtle emotional resonance in a spellbinding work created specifically for the vinyl format. Akasha_for Record is an opulent listening experience, indeed, and one that will reward close, repeated scrutiny. T…