We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Electronic /

Plants of the Bible
**250 copies** "Here is the first physically graspable music available by this mysterious Western Massachusetts duo, whose sound has been called 'Synthetic ASMR love balladry,' by more than one canny listener. Asking them to describe themselves, we received this missive: 'Plants of the Bible started in a bedroom in Florence with a tape machine and a poem about an unkillable dog android before it quickly spiraled out of control into a real band with a real record. Their first album is a dreamy ca…
Dream Rooms
Dream Rooms, the new release from the shadowy Italian project Ambienti Coassiali, is an organic development rising out of the ashes of the surreal synthesised tone poems they released in the late 1980s, developing into cult favorites, spoken of with quiet reverence.Spread out over two sides, Dream Rooms is a immersive listen, ambience that’s frigid but not dark; a cold morning in the valleys. Recorded with a vintage EKO Ranger guitar from the early 1970s, loops extend to infinity, echoing into t…
Memorias Vol. 2 - High Atlas to The Sahara Desert
Ross Alexander first came to our attention with Memorias Vol.1 - Bugandan Sacred Places, released back in 2017 on Sucata Tapes, it featured a mind altering mix of recorded sounds from a series of visited sites considered sacred within the Bugandan kingdom and session recordings with Ugandan musicians Albert Sempeke and the Nilotika Collective layered with his own original composition using the Yamaha DX7 and programmed FM synthesis. The result being a unique reconfiguration of new age vocabulary…
Ecolalia
Vivien Le Fay is a multi-disciplinary artist who mixes her sociology studies, her classes with Alejandro Jodorowski, dance and photography classes until the traces of the different expressive styles are lost in her personal path. Her interest in music started with orthodox new wave, passing through the physicality of hardcore until the discovery of the latest generation of electronic sound designers. She started working as a guitar technician for noise bands while deepening her knowledge of the …
Re: Phgrp (Reworking »Consequences« By Philipp Gropper's Philm)
**500 copies** Grischa Lichtenberger’s music stands for broken rhythms, for high-density manipulations that emphasize the digital and fractal nature of its working process. a mindset that grew closer to contemporary jazz in recent years. since free jazz, this genre also sought to overcome musical standards and looked for possibilities of an individual artistic expression. within this context, the collaboration between Lichtenberger and jazz saxophonist Philipp Gropper as well as the resulting al…
Beehyden / Sinopia / Contagious / Bagatelle
Four remixes of four tracks taken from the latest albums on Morphine Records, by Erika, Zoë Mc Pherson, Sugai Ken and Thomas Brinkmann. Hand-crafted cover by M-L-XL.A1 Original version on doser035Lp AMA by MA.Reworked by Sugai Ken.A2 Original version on doser033LP Euganea by Upperground Orchestra.Reworked by Erika Sherman.B1 Original versions from on doser036LP Contagious by Contagious.Remixed by Zoë Mc PhersonB2 Original version on doser034LP Quellgeister3 by Stefan Fraunberger.Reworked by Tho…
UkabazUmorezU
**2019 stock** "Sugai Ken follows in the vein of RVNG Intl’s Visible Cloaks release with an exquisite meditation on traditional Japanese percussion and 4th world electronics ruptured by unpredictable runs into more abstract terrain.UkabazUmorezU works like a stage set or a variegated series of sonic scenarios, at once smartly demonstrating his compositional versatility as well as a dilated vision of the connections between Japanese tradition and western-rooted electro-acoustic practice. In a way…
FRKWYS Vol. 15: Serenitatem
"Visible Cloaks meet two of their influences, Yoshio Ojima & Satsuki Shibano, in a beautiful effort to expand and refine their ambient-environmental gestures with firmer architectural underpinnings, giving bitrh to the most sublime episode in RVNG Intl.’s intergenerational ‘FRKWYS’ series so far.Between them, Yoshio Ojima & Satsuki Shibano are part responsible for a lot of music that prompted Visible Cloaks to life. Yoshio Ojima is a composer of environmental and ambient music, with a bias towar…
Neighborhoods
Ernest Hood’s Neighborhoods was released some two decades after the Portland, Oregon born and raised musician’s first forays into field recordings. These very recordings, and those captured over intervening years, define the universal sound and aural images of childhood, a theme memorialized by Hood’s privately-pressed opus of 1975.Sprawling through a haze of zither, synthesizer melodies, and foraged pedestrian sound, Neighborhoods is both a score and documentary composed and directed by Hood to…
The Next Wait
**150 copies** "In 2013 my wife Gaia was pregnant. We were then waiting for our first born to come, expected for November of that year. A few little obstacles and troubles occurred during the nine months, so my anxious nature at the time generated in me the need to somehow express the feelings in a record, where I conveyed the worries that a father, especially a musician that needs his own moments for playing, may have in terms of an expected potential future lack of time and energies.I also dec…
Ancient Leaves
In process of stocking. Infinite Fog Productions is glad to announce this vinyl edition of Michael Stearns' Ancient Leaves, one of the most important ambient reissues on the year and a pure gem of early ambient music.Michael Stearns is an ambient music composer and performer, film composer, sound designer and soundtrack producer for theatrical films, documentaries, large format films, commercials and themed attractions. His award winning scores to Ron Fricke’s non-verbal global film masterpieces…
Sylva
**CD included** Kranky veteran Benoît Pioulard (né Thomas Meluch) has created his first full-length for Morr Music, complemented by a linen book of Polaroid SX70 photographs from more than two years of environmental explorations. The music on Sylva and its 84-page visual companion bear the beauty and strange shapes of nature: desert rock formations and colorful leaves, restless waters and peculiar plants. Meluch’s dreamy ambient drones and saturated lo-fi pop embody the impressionist sensation o…
Touch Dissolves
**300 copies, 2019 stock** "With its ability to deliver both thick melodic lines as well as enveloping harmonies, the cello is a natural choice for artists looking to create a mood of tranquility. Over the course of his recording career, Aaron Martin’s knack for using the instrument to generate mournful tones, disquieting harmonic undercurrents, and the unwinding of melodies has opened up a world of nuance to a series of striking solo pieces.That being said, there’s an argument to be made that M…
Orbit
**300 copies, 2019 stock** "Orbit titles the intersection of bassist / composer Scott Worthington and Italian photographer Renato D’Agostin. Worthington’s minimal approach to sound, like D’Agostin’s to image, reveals the hidden complexities of interaction between bodies and the contexts of their transit. With an atmosphere that recalls the self-refractions of Stephan Micus, A Time That Is Also a Place fleshes out the flute of Rachel Beetz like vanes to a feather’s shaft, funneling into a quill h…
Tao Of I Volume 2
**Strictly limited yellow vinyl edition of 300 copies** Beautiful, highly unusual arrangements for synthetic bass & traditional Chinese strings on this spellbinding second volume of Iona Fortune’s ’Tao Of I’ series, the first volume of which was one of the standout albums of 2017 and still on heavy rotation here. Fortune once again re-frames three-thousand year old Chinese text and instrumentation within the context of hyper-modern bass music, stripped bare. There’s really nothing else quite lik…
Decouple ][ Series
**300 copies** Experimental solo cellist Oliver Coates (Rvng Intl., Prah) and techno-dub minimalist Spatial (Infrasonics) coalesce with the new installment for the Decouple ][ Series by subverting -through subliminal interventions and refined focus changes - pre-packaged music forms and textures in favor of new self-organizing tendencies. Surprisingly enough, two producers of such different DNAs converge to a similar systemic approach, delivering a set of music that flows with solid and endearin…
Himalaya
Following his critically acclaimed collections Electronic Music from the Seventies and Eighties and Electronic Music from the Eighties and Nineties, Carl Stone quickly follows-up Baroo with a double-LP album of recent works, including the final section of Fujiken, his epic journey through southeast Asian field recordings and street cassette culture.On all six tracks, composed between 2013 and 2019, Stone’s pan-global playground of looping synths and Asian pop culture remains as fertile as ever, …
Baroo
"I have always been searching for a way to articulate the intangible area between the recognizable and the unfathomable, a feeling perhaps informed by some long-abandoned experiments with psychedelics. This has been a continued pursuit starting with my tape experiments in the 1970’s until the present, with technological evolution driving new ways of expression.With the exception of Xé May, which is performed on an Elektron Octatrack, these pieces were constructed for live performance using a lap…
Make Visible the Ghost
**350 copies** Packaged in 6-panel fold-out stickered poster-sleeve, audioMER is happy to announce the release of a new LP,  Make Visible the Ghosts, with music by Aki Onda and images by Paul Clipson. This album is the follow-up of Aki Onda's Cinemage project Lost City with Loren Mazzacane Connors and Alan Licht released in 2015.On Make Visible the Ghosts, New York-based musician Aki Onda composed the soundtrack for the images of the San Francisco experimental filmmaker Paul Clipson, who suddenl…
Love Waves Ecstatic Charge
Love Waves Ecstatic Charge uses visual material to construct sonic architecture. The visuals are one hundred and six still images taken from an experimental video which was initially shot when Rob Mazurek was in residency at Abbaye Royal de Fontevraud, France, 2005. Upon his return from the residency he discovered the camera broken and barely operational other than the fact of being able to extract frame by frame 106 distorted still images and fragmented skipping sound that would on occasion bur…