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Electronic /

Infinity
Infinity is the new release by Melbourne-based Leo James, and the second Patience production. Leo scratches a longstanding itch and delivers two sidelong excursions that inhabit a similar sonic space but spin off in opposite directions on the continuum. Desert Nightflower hums with vitality in a seemingly lifeless landscape. Impressionistically tracing the lifecycle of a flower’s bloom in the desert night – from the searing afternoon sun through dusk’s chill, the midnight blossoming and symbioti…
Effenaar
* A masterpiece of DIY and the countercultural Dutch scene. Includes tracks by Rabbit Fun, Vovo Kai, Tubifex and Viva La Muerte, all remastered from the original tapes.* Discos Transgénero present the first ever vinyl reissue of the essential DIY Dutch compilation from Effenaar, a music venue located in Eindhoven, The Netherlands. It was founded in 1971 and has hosted many national and international concerts throughout its existence. Bands like Joy Division, Sex Pistols or Cabaret Voltaire have …
Instrumental
Swiss electro-acoustic artist Israel Quellet's fifth opus, Instrumental, is a new work focused on the Church organ. Complex and mysterious, secular and modern - it makes for another challenging listen. Born in Neuchâtel, Switzerland, 1972, Israel Quellet worked in the psychiatric field for several years. At 16, he discovers on his own some different soundworlds, such as Miles Davis's electric era, Sun Ra, Dub, German cosmic music, Magma, Zappa and many more. In 1997, he stepped into the action a…
Hyperbeatz Vol.1
dTHEd is Fabio Ricci (Vonneumann, Routine), Simone Lanari (Ask The White, Ant Lion, Walden Waltz, Sycamore Age), Isobel Blank (Ask The White, Ant Lion, Isobi, Vestfalia) and machines/AI. dTHEd was born in 2018: during the organization of the debut of Ask The White, Sum and Subtraction. Seeking some uninterested feedback, Fabio invited Simone and Isobel to listen to some of the hyperbeatz he had been working on after the release of vonneumann's album NorN. What he got back was an embryo of a very…
Il Ciclo del Vuoto
Neunau is an artistic project focused on sound research, started in 2015 in Valcamonica. This ancient name was found carved on a rock surface in the LOA area, an Iron Age sacred place of recent discovery. The project is carried out through an archaeological and musicological approach to the sound research. In 2017, under a commission by Comme des Garçons, Neunau produced the music track 'Concrete', also working along with Vice France on the creation of the video documentary 'Sound of Concrete', …
The Blue Horse
2025 stock ** Sholto Dobie is an artist and performer born in Edinburgh and living in London. His solo output is marked by live performances that are characteristically delicate, evocative, and absurd. He uses his own instruments, crudely assembled from materials such as reeds, whistles, bin bags, fans, and air compressors, alongside loose performative structures, to respond to places and situations. He plays in Al Fresco (with Lia Mazzari and Tom White) and regularly collaborates with Ben Pritc…
Quiet Ends
The penumbra diffuses mysterious textures and a melancholic hypnotic atmosphere conductive to introspection. Another absolutely gorgeous recording from Timo van Luijk
A New Beginning
**100 copies, 2019 stock** Recorded in 2012, 'A New Beginning' documents the latest phase of the ongoing collaboration between Celestino and Jams P Valentine, a partnership that also yielded 2009’s 'Sky Burials'. The compositions on this Secret Courts album were created through a staggered, elastic process, with Celestino weaving sonic backcloths on which Valentine could embroider a response. The production is conversational and complementary, but yields a panoramically conceived sound world – t…
Traveller
**250 copies** Love All Day follows up last year’s Planetary Peace reissue with Warren Sampson’s little-known ambient masterpiece 'Traveller'. Hailing from Minnesota and inspired by the early work of Brian Eno and Jon Hassell, Sampson infused their compositional modes with a self-effacing and distinctly Upper Midwest approach that is equal parts isolated and expansive. 'Traveller' was recorded in a bedroom closet studio on a four-track TEAC reel-to-reel between the late 1970s through the mid 198…
Dry Lake
**300 copies** Il Grande Silenzio is a project by Japanese artists Atsuo Ogawa and Minoru Sato. On 'Dry Lake' they offer two minimal compositions that feature banjo, field recordings and electronics.
Ascent
**200 copies** Roberto Crippa is an italian sound-artist based in London and here is his third album. The refined work of "Ascent" is a deep dive into a dense and gloomy mixture of boulder rhytms, distressing atmospheres and sinister clangors. Although it could be easily ascribed to the industrial genre as well to more sleepy, nebulous and crumpled drifts of (post)techno realms, there’s something strongly personal and idiosyncratic that flows as decisive detail through the grooves of this record…
How Deep Is Our Love?
** 525 copies ** Paul Régimbeau, aka Mondkopf, joins the Hands in the Dark ranks with a new album, "How Deep Is Our Love?". For more than a decade now the prolific Parisian producer hasn’t ceased to surprise us with his compositions, constantly treading new ground with artistic bravery and curiosity. At times extreme, at other times méditative and always complex, his music is never easy-access. In recent years his work has taken a clear turn towards a more ambient, intimate, less abrasive style.…
Dozen
**300 copies**. Kiev-based label Muscut opens 2018 with an LP from St. Petersburg musician Eugenii Fadeev (Flaty). Raising the attention of the musical community with his work for the 12th Isle and GOST ZVUK labels as AEM Rhythm Cascade, he's also recently released on Udacha and his own label ANWO as Dada Ques. In addition to the aforementioned, Flaty also adopts such aliases as Ocurob and Wrong Water. Under the name Wrong Water, he presents this current release of a dozen tracks, most of which …
Time Profiles
2018 release ** "INERT/E is Lars Åkerlund (electronics) and Kasper T. Toeplitz (bass and electronics). After years of navigating in similar musical idioms - somewhere between noise, contemporary or “experimental” music – using traditional instruments as well as electronic or digital devices (Åkerlund used to be a classical guitarist, Toeplitz composed many orchestral or ensemble pieces), now they both make a large use of computers. They have worked with Dror Feiler and Zbigniew Karkowski, among …
Music as a second language
2019 Repress. Speech melodies extracted from sources as various as language instruction recordings, hypnotists and televangelists are re-synthesized and applied to digital musical instruments, becoming eerily beautiful, "the singing of voices more ancient than language." Performed by Paul DeMarinis Hidden beneath speech's words and music's melodies I hear the singing of a voice more ancient than language.  Brain's secret convulsions making muscles articulate, shaking the world with a song now lo…
Weapon Design
The very latest from Ramleh's Anthony Di Franco, whose long-running solo JFK project has been dedicated to the kind of concrete-mixed rhythmic pummel countless others would almost kill for since the cassette network culture of the 1980s. It's an immersive sound that, naturally, shares a little common ground with Ramleh yet emphasizes the monstrous chasms that can be drawn from a sturdy combo of bass-churn and galvanized beats. Whilst the labyrinthine textures beamed in from steelworks remain ver…
Vlf
Alex Barnett (Champagne Mirrors, Oakeater, SCRAPES Recordings) and Faith Coloccia (Mamiffer, Mára) developed a friendship based on a fascination with the world just outside the limit of our understanding - the world where magic and mystery hold equal footing with science. On their third collaborative album VLF, the duo draft a soundtrack to the mapping of the unknown realms in both their private lives and the communal world around them. It’s a premise embedded in the album title, an acronym for …
Selected Tracks 2. 1995-1998
**700 copies, 2020 stock** Selected Tracks 2. 1995-1998 is a double album with a new selection of tracks recorded by Esplendor Geométrico between 1995 and 1998. This is the second part of Selected Tracks, the first one was published in 2015 (GR 2136LP). Ten of the thirteen tracks appear for the first time on vinyl, and some rarities only released in very limited CDR editions during the '90s and without distribution, are also included. Esplendor Geométrico are pioneers and masters of rhythmic ind…
Ikona
Lola V.Stain was a not so typical band formed in 1987 in Skopje, Republic of Macedonia. They took inspiration for the name from a Marguerite Duras novel.  Their music can be described as avant-garde, electro-acoustic ambient with Macedonian ethno influence. They released two albums, Ikona (1990) and Mansarda (1992), both for the Croatian label “Blind Dog Records”. The group ceased work after its second album.  This is an historical masterpiece from Europe. The music on this record is a great doc…
Illustrations For Those Who
Polish producer Tomasz Bednarczyk returns to Room40 with Illustrations For Those Who, his first full length edition in almost a decade. Across the late 2000s, Bednarczyk created a series of acclaimed ambient recordings that married the unsteadiness of archival technologies with an extensive palette of pastoral timbres. These recordings quietly set a particular tenor of work for a new generation of Middle Eastern European ambient composers. Following these recordings, however, Bednarczyk's energi…