In all her forms (sound meditations vol. 2)
IKSRE (I Keep Seeing Rainbows Everywhere / Phoebe Dubar) presents "in all her forms (sound meditations vol. 2)", a deeply immersive one-hour sound bath album where water functions as both physical element and guiding metaphor for transformation.Across the work, water is understood as constant change within continuity. It moves through states of solid, liquid, and gas, yet always returns to itself as H₂O. This cycle becomes the conceptual foundation of the album, reflecting on how we as humans mi…
Sorround
The first-ever official reissue of the pioneering 1986 ambient work, produced in full cooperation with Hiroshi Yoshimura’s estate!
Corps Perdu
Ten pieces built around Aimé Césaire's 1950 poetry collection Corps Perdu: processed hand-played melodies, field recordings and static, a companion to Works in Metal.
Impressions
Six acousmatic works by Julien Guillamat from 2010 to 2026, from Birmingham pieces built on the dismantling of the BEAST loudspeaker system to recent soundscapes of the Aure Valley in the Hautes-Pyrénées, recorded in its ski resorts and mountain villages. CD-R.
Sillages
Roxanne Turcotte’s “sonic archeology”: electroacoustic works mixing everyday objects, field recordings from Tokyo, the Seychelles and New Zealand, and sounds of Jean-François Laporte’s invented instruments, dedicated to her late colleagues and mentors. CD-R.
Soulignement_
Adrian Moore’s works from 2019 to 2024: five wt_ pieces each built from one source (a ceramic pot, a bird whistle, a wine glass, metal sheets, voices) with the same Pure Data toolkit, plus two Sheffield-area site pieces on industrial noise and change. CD-R.
L’Ombre du Pont
Eleven fixed-media works by Elsa Justel from 1995 to 2021, several of them homages built from the sounds of Ferrari, Parmegiani, Bayle, Dhomont, Ferreyra and Vande Gorne, alongside a COVID divertimento and a dialogue with pianist Ana Foutel. CD-R.
Espaces Lointains
Six works by John Young from 2017 to 2023, from New York subway preachers and Oberlin crickets to Mahler’s composing hut and a setting of Simon Perril’s poem after Lévi-Strauss, including the Klang ! and Akousmatique prize winners. CD-R.
IV
Christian Bouchard’s fourth album, five works from 2013 to 2022 that alternate abstract pieces with Montréal soundscapes: eight-track recordings from his car with police radio, a collective 15-minute recording, Canadian bird songs and a bank of oscillators.
Fulgurances
Six works by the Montréal composer Vanessa Massera from 2015 to 2018, made in Sheffield, Estonia and Sweden: English bonfire nights, an abandoned factory with accordionist Tuulikki Bartosik, the Stockholms Saxofonkvartett, and her grandmother’s memories of the Resistance.
Post Dub Cities
Ten tracks of dark, slow-motion dub by Ravenna photographer and field recordist Adriano Zanni, built from delays, reverb and recordings of abandoned places, from Pripyat to Craco. Limited grey vinyl on Bronson Recordings.
Moho Abyss
Maurizio Bianchi with P.U.M.A. (Luca Valisi and Monica Calanni Rindina): ten pieces of drones, synths, field recordings and voice titled after THX 1138, Eraserhead, Stalker and other dystopian films. CDr, 100 copies.
Qurmami
Maryos Syawish (b. 1993, Iraq) is a Chaldean Iraqi artist and musician based in Naarm/Melbourne working fluidly across visual art, sound and curatorial practice. His creative work spans more than 15 years and is defined by a lawless, unorthodox approach that resists traditional genre boundaries. His Research Records debut is an introspective and meandering exploration of place, legacy and personal history. It’s a marked change of pace for the Melbourne-based producer, who has carved his name int…
Noon
On either side of the globe, two seminal experimental artists collaborate for the first time: UK composer Richard Skelton and Australian artist Lawrence English meet for Noon, a devastating study of greyscale landscapes, deep sonics, and long-distance unity. “When we first started speaking together, back in 2021, it was a moment of contemplation,” writes Brisbane-based Lawrence English. “The world had quietened, the throws of a pandemic had hushed the ambient noise floor and in doing so had some…
Synthetic Water Music
"In the dream, people didn't need water any more. People's minds became computer chips made of stone." (August in the Water, dir. Sōgo Ishii, 1995) There is a pivotal scene in “August in the Water” where the surface of a pool turns into a stone wall. The water that gave the protagonist's life its meaning becomes a threat. As you fall through this stone wall, you appear in a set of underwater coral-reef corridors, and one of the most beautiful musical themes begins to play: Aquatic Ambience, comp…
Talisman
*35 copies limited edition* Written during a time of fracture and crisis, this album is about looking for a wonder in the cracks. It’s about embracing the flawed and the frail, positing that if re-enchantment is possible, it will sprout from the small things. Built from gentle field recordings and analogue synthesizers, it offers music as a talisman; a warm, homespun garment for uncertain days.
Fioritures
*35 copies limited edition* On Fioritures, Lamasz offers his debut for Le Mont Analogue, transforming fragments of classical music into a quietly immersive work. Rooted in material drawn from thrifted cassettes, the six pieces unfold through looping motifs that drift and dissolve, gently enriched with drones, field recordings, and tape textures. The result is a cohesive, meditative reverie, where each moment slowly erodes into a suspended, near-weightless state.
Butugichag
*2026 stock* The Siberian cold ambient project Stuzha - “severe cold” in Russian - returns with its second full-length release, Butugichag. As on the previous album, the sound is filled with field recordings from Siberia. Butugichag tells the story of a single day in one of the deadliest labor camps of Kolyma. If you are into Northaunt or the releases of Glacial Movements, give this one a try - I believe you will not be disappointed. Stuzha is mercilessly cold. Perhaps too cold for life itself.
Quiet Forest
"My encounter with the Hoh Rain Forest, located inside Olympic National Park across the water from Seattle, felt like seeing a whole new world for the first time in my life. Long green fronds draped along the branches, like a scene in which fairies could be heard whispering to one another. But when you try to listen, no sound can be heard. Amidst the mysterious silence, in which no birds or insects make a sound, every living thing seemed to have stopped in its place, only to start dancing when s…