(60) Project
A single 60-minute piece assembled by Monty Adkins at the Ina-GRM in 2008 from sounds sent by 66 composers and sound artists, from François Bayle and Francis Dhomont to Fennesz, Tim Hecker and Christina Kubisch, for the 60th anniversary of musique concrète.
Rivages sur l'antipode
* 250 copies, hand numbered * Composed on a special request from ini.itu, “Rivages sur l'antipode” (shores on the opposite side of the earth) is his first vinyl LP and is based on similar archival material as the one used by Francisco López in his stunning “untitled #228”. Nonetheless, D'incise (aka Laurent Peter) has achieved radically different results, combining digitally-processed textures, microsamples and humming harmonics rippling out over broken rhythms. He has collaged the least obvious…
Devil's Music
2025 Stock. EM Records presents the CD and vinyl reissue of Nicolas Collins' Devil's Music, originally released in 1986. The New York-based experimental composer and circuit bender created this work through live radio sampling techniques that anticipated developments in electronic music production by several years. Collins developed his practice through collaborations with Christian Marclay, Elliot Sharp, David Shea, David Tudor, and John Zorn, establishing himself as significant figure in expe…
The Early Tapes Period
Astonishing Box-Set of Giancarlo Toniutti’s 3 early works “Wechselwirkung", Metánárkôsis and Das Todesantlitz which have all been published by Toniutti on cassette tapes in 1982-83 in a very limited numbered edition. The Box also includes a 10" vinyl EP with previously unreleased tracks from that same very early period (1981-84). This work represents his early musical-work as solo composer. 1982-83 was the period, and experiments with early electronics, found objects, rough percussion and noise …
Schauzeichen
This 10" is the most condensed kind of a summary of the sound of [multer] in its whole variety from 1997 to 2003. From abstract soundscapes with added field-recordings to hypnotically looping song-derivates or even shorter running proto-tech. ………and everything fits.The three-piece out of Dortmund, Germany produces timeless music, that may appeal to fans of Labradford, with its swirling, timestretched guitar-chords. But, also connoisseurs of home electronica and avantgarde music may like to give …
The Everything And The Nothing
*Limited edition of 300 copies.* Celer is a husband (Will) and wife (Danielle) duo from California that use a variety of strings as the basis for their sound. Cello, viola, violin and the sounds are mixed in with field recordings, choir, live theremin and then tape spliced and re-assembled in varying lengths to create a loop base. Those sounds are then sampled, layered and processed. The result is a shimmering orchestra. Periods of silence between the notes only enhance the sound. Though at time…
Atlas saltA (Map Lies, Border Lies...)
2005 release ** "On his third release for Dekorder Didac Lagarriga is opening his sound towards a more open, less formal and repetitive style, mixing field recordings, instruments from Africa and South East Asia and surreal voices into a floating freeform sound. Including the most beautiful love song I have ever heard."
The Flight of the real image
2006 release ** Packaged in an oversize gatefold cardboard sleeve with five postcard-sized prints. "Reissue of 'The Flight Of Real Image' MCD, released on Hic Sunt Leones (1993), with six bonus and exclusive tracks. The classical sound of Alio Die is harmoniously combined with his newer musical experiments with zither, salterio,flutes, bells and other instruments. All original material has been carefully re-mastered. Additionally this release comes with 5 art-cards showing installations by Itali…
Sparks
2007 release** "«Sparks», like the marconimen who occupied radio stations on ships at the beginning of the twentieth century. And this extraordinary album was essentially born on the radio, in the well-deserving Rai studios of Audiobox in 1995. Brooded over for over ten years, contaminated by subsequent experiences, these sound materials now return on CD, in a sedimented and coherent object, where cultured experimentation goes hand in hand with Central European popular music and new ethnic cross…
Ikon and other Early Works
This CD comprises the text-sound works (1974-1980) on which Ingram Marshall concentrated throughout the seventies and falls into two parts: the works from the Fragility Cycles period (Cries Upon the Mountains, SUNG, Sibelius in His Radio Corner, and IKON) and the earlier works (Cortez, Weather Report, and The Emperor’s Birthday).
“Cortez, Weather Report, and The Emperor’s Birthday
form a kind of trilogy representing my work with “text-sound” in the
early seventies. The techniques used to gener…
Centre Bridge: Electroacoustic Works
First complete disc of Frances White's electroacoustic works, five first recordings for electronic sound alone or with viola, double bass, shakuhachi and string quintet, inspired by a bridge over the Delaware River.
s/t
**Released in a limited edition of 500 numbered copies** A compilation of live recordings specially released for a Die Stadt label night feat. All artists, at Argos in Brussels on 18. October 2007. The John Duncan recording was made at The Compound , San Francisco on 21 July 2007. Kontakt der Junglinge (Asmus Tietchens & Thomas Koner) 'Montreal Solution 1' is an excerpt from their live performance at Mutek Festival, Montreal on 28 May, 2003. The final track on this CD is by C.M. Von Hausswolff a…
Musiques Naïves
Six works from 1986 to 1994 in which Yves Daoust turns everyday sounds and borrowed classics into music: Chopin recorded note by note, Schubert under Radio-Canada archives, Montréal church bells and dripping icicles.
Bruits
Yves Daoust's portrait of Montréal through its noise, the three-part Bruits (1997-2001), with Impromptu 2 on Chopin's Fantaisie-Impromptu, the 1981 analog-synthesis piece La gamme and Ouverture, a GMEB commission on Québec history.
Délirantes
Nine works by the Havana-born composer Sergio Barroso from 1982 to 1995, most for microtonal Yamaha FM synthesizers he plays himself, with oboe, violin, viola and bassoon soloists and echoes of charanga, flamenco and Cuban street music.
Tangram
Five multitrack works by Robert Normandeau from 1990 to 1993, his “cinema for the ear” period, built from a child's voice, four teenagers, Mozart's chamber music and the elements, each recorded as a live diffusion over eight loudspeakers at The Banff Centre.
Lieux Inouïs
Robert Normandeau's early acousmatic works from 1984 to 1989, his “cinema for the ear”: the many meanings of the word jeu, a requiem made only of requiem fragments, and music first written for Georges Dyens' holosculptures.
Puzzles
Five 16-channel works by Robert Normandeau from 2001 to 2003, concert pieces reworked from his theatre music for Brigitte Haentjens, including StrinGDberg for hurdy-gurdy and cello and the Fribourg prizewinner Chorus. 2017 reissue of the 2005 album.
Clair de Terre
Three acousmatic works by Robert Normandeau from 1999 to 2001: Malina, made only from Claire Marchand’s shakuhachi, Erinyes, frozen onomatopoeias of actors from a staging of Electra, and the 36-minute Clair de terre, which translates the grammar of cinema into sound.
Sondes
Six works by the Toronto composer Randall Smith from 1995 to 1999, three for tape alone and three mixed pieces for cello, accordion, double bass and alto flute, remastered by Ernest Cholakis.