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*2022 stock. 40 copies limited release* "In the Spring of 2021 we were finally able to travel outside of 5km from home. To take much needed breaks from being in the city, my colleague and I would drive to the seaside, choosing a new beach, a new town each trip as we were both foreigners in a new city, observers to the landscape. Walking and listening, we would take in the fresh air, the smell of saltwater, the call of gulls, and the drone of the ocean. The field recordings on this album are fro…
Madeleine Cocolas’s Spectral is a reimagining of the familiar. It is an attentiveness to the inciden-tal, and a reaching out towards the unheard. Taking these acoustic microcosms as a source of focus, she unpacks these transient flickers and memories, and repositions them; exploding them outward and shifting perspective. Spectral, celebrates the shadows of melody and the after-thoughts of rhythm. It breaths with a sense of calculated intensity that reflects on Cocolas’s focus throughout the proc…
Yui Onodera’s work is patient. He invites a sense of dwelling with his pieces, an encouragement to pause and to allow sound to swell up around you. On Too Ne, he charts out a very specific sonic exploration. Across these five works he creates a lilting passage of sound, a liouidous flow that confirms the adage of Ambient music existing as constant, but never solid. Too Ne also invites a sensing of the self, in that the works ask us to examine our own memories as a way to unlocking a deeper reson…
*2022 repress* Sublime, smudged and looped ambient/pop layering from Jake Muir (Further Records, Touch), the third release on Sferic following Space Afrika’s excellent Somewhere Decent To Live album. Huge recommendation if you're into Jan Jelinek, Pinkcourtesyphone, Conjoint, Studio Pankow, Andrew Pekler, Fennesz... Sferic cruise the best coast with Jake Muir, an artist and field recordist hailing from Los Angeles, California, where he’s previously recorded and released albums under the Monadh m…
2015 release ** "It is a work of electro-acoustic nature, of computers, of field recordings, found sound and instruments. The four pieces here can be seen as “a map of different territories”, Robert writes, “But the mapped territories are not contiguous: I am the tunnel that links these places and times, I am the border that keeps them together.” Robert tells us stories about these places, but he leaves out stuff, very much like if one would make a map: there is always “scaling, removing, enhanc…
*In process of stocking* Music For Listening, the sophomore album by Michael Scott Dawson. The album is comprised of twelve ambient works for guitar. It follows his 2020 debut Nowhere, Middle Of which was built around generative synths. Not wanting to repeat himself, Dawson entirely abandoned the synthesizer, his primary instrument, on Music For Listening. The resulting guitar pieces lean heavily on tape loops and manipulations, and are accompanied by field recordings and spare piano elements. T…
*300 copies limited edition* ' t Geruis is a discreet musician from Belgium, working in the field of ambient, with a grainy texture from some lo-fi recordings. This is his third solo release on a label but coming from his first works (recorded between august 2020 and march 2021). His words on Bain D’Étoiles below: "This album is about searching for wonder. Stories that give a sense of adventure. A vague memory of a discovery, something that lurks in the forest. The night falls over you like a wa…
*300 copies limited edition* Andrew Tasselmyer is a musician from Baltimore, MD currently living in Philadelphia, PA. He utilizes samplers, field recordings, and lo-fi recording techniques to make textured and tactile sounds. In addition to his solo catalog on labels such as Seil Records, Eilean Recs, Constellation Tatsu, Home Normal, and more, he is a member of Hotel Neon, Gray Acres, and Mordançage.
“I first met Jerry Blue when he left Oregon for northern California’s East Bay 25 years ago. He’s recorded and performed in numerous collaborations and iterations over the years, including guitar contributions for my Porest project. Naturally, in the USA, one must resort to unthinkable crimes in order to carve the time and space required to create art or music. Among other crimes, Jerry makes loads and loads of home-studio recordings. At age 42, he had a pacemaker installed and finally decided t…
*250 copies limited edition* A site-specific recording sporting a straightforward approach that i’ve grown to love in the works of Gonçalo Cardoso. An album of modern day exotica, a genre i usually pretty much dislike, yet Cardoso steers his vehicle easily aside the trapdoors and potholes. Combining found sounds, sparse playing and field recordings he creates a world that both invokes Treasure Island, and An Essay On Exoticism. Indeed questions are raised. But especially certain emotions are sha…
*200 copies limited edition* Third work for Richard B. Lewis, who, with "The Blue Horizon", takes us on a journey through the whirlpools of mental disorder that blur the unreachable blue horizon like a thick fog. Sounds that penetrate inside and leave you naked in a bond between nature and dream. Drones and noises that keep you suspended in an oppressive limbo but let you see the light... You can't touch it, but it seems to be there waiting to welcome you. With "The Blue Horizon", Richard B. Lew…
Austin's Andrew Anderson has released a number of solo cassettes (as well as an album with Thor Harris - see their duo, THAA's excellent 2020 album, Against Permanence). Vagrancies, Anderson's debut for Elevator Bath, however, is arguably his most ambitious and accomplished work to date. Each of Anderson's primary concerns is represented fully in this new collection. Mangled tapes, unidentifiable instruments, electronic wizardry, and wide-ranging found sounds / field recordings join forces here …
«Tolerance can be used to describe how things fit together. Another term is allowance. Situations do not always run smoothly alongside others. People are not always able to accept new situations presented to them. With this work, I have stated “Many borders crossed, communities welcomed by, moments shared, ideas exchanged. Everyone on the planet should have this basic human right.” I truly believe this and have grown in every way through my own experiences, here combined in a way to reflect both…
"What I remember … a car on fire alongside the highway in the middle of the night. Waking in someone else’s bed in London with an entire poem spilling into my head, and then recording it with Tim in the kitchen after breakfast. Seemingly endless car, bus and train rides full of the country side splintered and refracted through glass and fatigue, always the same, always different. The screaming woman at the airport who pulled the fire alarm, evacuating the terminal. Some guy in Brooklyn talking t…
On Music is Not a Copy Kink Gong turns crystal pop into syrup musak, a skippy glitch digital re-configuration of Chinese popular music, sounding like a broken unrelenting CD player under Beijing’s main underpass. We can’t think of anyone else making music like this, being it destructive or celebratory, dive in, never come back.
The first Josh Landes solo full length! Released Thanksgiving 2020. He used a Molasses Industries Rat King, the Greenwood Electronics Limbs Box 2.0, a Boss DD7, and field recordings of a lake and a pig on this record. A sample is taken from Richard Kelly's "Southland Tales" (2006). Electronics recorded in Pittsfield, Massachusetts on 8/25/20. Pig recorded at the Hampshire College Center on 7/26/20. Lake recorded at Ward's Cover in Wilmington, Vermont on 7/30/20.
*200 copies limited edition. 2022 stock* Line Spectrum is the new project by Oleg Puzan from Ukraine, who also released some excellent works on the Cryo Chamber label as Dronny Darko. Line Spectrum is a sound art project that is created to expand sonic boundaries through sound manipulations, often in a form of severe minimalism using a vast palette of microscopic sounds forming an immersive auditory monsoon. Slowly evolving textures mixed with field recordings and synthesized particles suits as …
**2022 stock. 200 copies limited edition** The album 'untitled (2019)' by Francisco López was entirely created in 2019 and composed of a variety of very different pieces. Even though the pieces have very different origins, they all come together in a fascinating sonic trip, with the supreme quality and attention to detail you've come to expect of Francisco López. He himself humbly refers to this album as 'a killer'. Couldn't agree more. Francisco López is internationally recognized as one of the…
Tip! ** 2021 stock ** Vidna Obmana (whose real name is Dirk Serries) evokes the sunless wet gloom of his native Belgium in this CD which, as its name says, is music composed by Obmana as background sound for an aquarium installation. It has seven sections of his atmospheric (or rather, aquatic) ambience, dating from '92 and '93. Obmana stays with his familiar repertoire of long, floating electronic drone tones over percussion and sound effects. When he uses tonality, he favors somber open eleven…