An Ascent
Scanner (British musician Robin Rimbaud) has been inventively active in Electronic Music since 1991 and been involved in a bewildering range of musical activities covering sonic art, concerts, installations, recordings and dance scores. His impeccable sonic credentials have seen him work with such luminaries as Bryan Ferry, Michael Nyman & Laurie Anderson. His debut DiN solo album comes at a rather strange time for many people. The onset of a global virus has shut down much of the world around u…
The Flow Across Borders - The Remixes
The idea for a remix LP came about following the incredibly positive reception that greeted “The Flow Across Borders” upon its release in may last year. After the services of The Orb and Richard Norris were secured by the label, Frazer and Ali asked some of their favourite artists on Castles in Space to contribute remixes for the project, which subsequently grew into a wonderful overview of both the scope and diversity of the band’s output and the skill and sensitivity of the remixers. Frazer: “…
Incunabula
Incunabula, the debut full-length offering from Autechre finally made available again on vinyl, having been out of print on vinyl since 2001.
LP5
* 2 x LP in die cut card inner sleeves, in wide spine outer sleeve with thumb cut and embossed cover. Postcard sticker insert plus download card insert. * The untitled fifth studio album by English electronic music duo Autechre was released in 1998 by Warp. No title was printed anywhere within the artwork, so it is commonly referred to as LP5, in line with the later EP EP7; it has also been called Autechre, as well as Album, as listed on promotional copies Landing in 1998 between the endlessly…
Chiastic Slide
Marking their fourth studio album, Chiastic Slide saw Autechre exploring dark, glitched-out sonics, harsh sounds, and mechanical rhythms. Chiastic Slide - the glitch blueprint - endlessly imitated, deconstructed and worshipped, now a quarter of a century old and still capable of shaping the narrative. We’ve said it before, but the period that followed Chiastic Slide was a weird one in electronic music, there were just no other records that shaped IDM in quite the same way. This rubs people the…
Icons
Composer and percussionist Eli Keszler has very likely been a vital force behind some of the 21st century’s most forward-facing music. Among his CV highlights are collaborations with the likes of Oneohtrix Point Never, Laurel Halo, Kevin Beasley and Rashad Becker, as well as a hand in crafting the nightmarishly psychedelic score for Uncut Gems. Now, Keszler returns with a solo album of beguiling fourth world jazz.
Icons begins with an ambient synth swell, where the only hint of rhythm comes in t…
Shit Forest
** Edition of 300 ** For his second escapade under the Danse Musique Rhône Alpes banner, Loup Gangloff, half of Deux Boules Vanille, digs in solo the furrow of an artisanal dance music made largely from percussions and electronic treatments. From 2011, Gangloff reconciles his past as a visual artist with his ambitions as a musician, and launches himself and Frédéric Mancini into the elaboration of drums connected to home-made analogue synthesizers allowing to introduce melodies, textures, random…
Riddled with Absence
** Edition of 250 ** Dalibor Cruz's debut LP traces his families bloodline to the mountain town of Siguatepeque and the native people of Honduras, teaming these ancient rhythms inside the framework of the midwest's noise scene. The artwork is an original piece by Gabrielle K. Brown.
Motto of The Wheel
Teresa Winter returns with a definitive new album of lush, feverish rave mutations, dream-pop and ambient noise that’s highly recommended if yr feeling Cosey, A.R. Kane, A Guy Called Gerald, Laila Sakini.
Tri Repetae
Tri Repetae (stylised as tri repetae.) is the third studio album by English electronic music duo Autechre, released on 6 November 1995 by Warp in the United Kingdom. The album was released on 16 March 1996[1] by Wax Trax! Records and TVT Records in the United States as a two-disc set named Tri Repetae++, which included the Garbage and Anvil Vapre EPs constituting the second CD. In Japan, it was released with the bonus track "Medrey".
In contrast to the duo's previous albums, Incunabula (1993) an…
Amber
Gatefold 2LP reissue. Unavailable on any format for far too long. Includes download code for the album and a bonus live set. Autechre's classic second album from 1994, reissued for the first time in 15 years... At bleeding’ last, Warp reissue one of their rarest gems, which Autechre themselves have referred to as conceiving as their “Warp record” - written to complement the label’s early ‘90s ambient/AI catalogue. Depending your perspective, Amber is quite possibly the most beautiful Autechre …
Plus
The nine-track Plus comes just 12 days after Sean Booth and Rob Brown released Sign, their first "traditional"-format album since 2013's Exai. This is the second of two new albums that Autechre teased in their lockdown live-stream sessions on Mixlr earlier this year, in addition to their latest batch of live recordings. You might call Sign Autechre's ambient album. The percussive sounds are few and far between, and they create rhythms that are even less legible than the norm for recent Autechre—…
Shelley's on Zenn-La
For 'Shelley’s on Zenn-La,' Oliver Coates designs a complex of bending truths and reverse walkways to vernal states. Open ears can peer down hidden aux channel corridors, while melodic patterns present two-way mirrors to rooms of other retinal colors. An endless euphoria is just beneath the dance floorboards of 'Shelley’s,' and an inquisitiveness unencumbered by the institution of knowledge surrounding its frame and inhabitants.
Between No Things
MFM048 sees the release of a special collaboration between two unique voices within the ambient landscape, Suso Sáiz & Suzanne Kraft, with their collective debut album ‘Between No Things’. Whilst having first connected at a Gaussian Curve release show in Amsterdam back in 2017, in which both musicians also performed, the two really got to know each other during a three day recording session that followed immediately after; “We would have good chats and laugh setting up and in between long takes …
Magari
* Edition of 300 * Master synthesists Colin Potter (NWW), Alessio Natalizia (Not Waving), and Guido Zen reprise their supergroup for Ecstatic with a seductively serpentine follow-up to their superb debut from a couple of years ago.
PNZ’s pulsing, twanging, expansive ‘Magari’ was recorded between 2018-2020 in the slipstream of ’Shut Your Eyes On The Way Out’, which is surely one of the strongest new kosmiche-related albums of recent years. Where that album refreshed classic styles of European syn…
Sign
‘Sign’ is Autechre’s first new album-album proper since ‘Elseq’ and contains some of their most emosh compositions in eons, perhaps since ‘Tri Repetae’. Practically pocket-sized in comparison to their sprawling torrent of live material and radio recordings in recent years, ’Sign’ is a return to the sort of concision found circa ‘Exai’ and their earlier albums. Effectively they’ve gotten better to grips with their live set-up, and the hyper ideas found in their work-in-progress demonstrations on …
Leaning
**300 copies** Kaspi & Stride is a new project from Justin Tripp, best known as one half of the Georgia equation. Leanings has its origins in rigorous yet laid back studio sessions, dual personal practice sensibilities that seem to get at Tripp’s creative ethos as well as any descriptors might. The material here was born out of collaborative studio sessions with multi-instrumentalist Jimy Seitang (Conga Square / Stygian Stride) - the “Stride” of K&S. The music from these sessions has been rework…
Hyperbeatz Vol.1
dTHEd is Fabio Ricci (Vonneumann, Routine), Simone Lanari (Ask The White, Ant Lion, Walden Waltz, Sycamore Age), Isobel Blank (Ask The White, Ant Lion, Isobi, Vestfalia) and machines/AI. dTHEd was born in 2018: during the organization of the debut of Ask The White, Sum and Subtraction. Seeking some uninterested feedback, Fabio invited Simone and Isobel to listen to some of the hyperbeatz he had been working on after the release of vonneumann's album NorN. What he got back was an embryo of a very…