Foreign Correspondents
In 2013, Noid and Matija Schellander travelled from Vienna to East Asia to meet up with Ryu Hankil and other musicians from Japan, Hong Kong, China, South Korea and Europe. Carrying compositions, sound art pieces and workshop preparations in their luggage to be tested by changing social and artistic settings, by everyday tour life and to be used as starting points for debates in various forms.
The first CD - “Tokyo Office” - is a trio of Noid, Schellander and their main collaborator on this tour…
SQID
Formed in 2011 by Angélica Castelló, Mario de Vega, Attila Faravelli and Burkhard Stangl, the Austrian-Mexican-Italian quartet SQID focuses on live sound art and sound performances that push the bounds of the conventional formats of the concert and recording situation. In July 2012 SQID performed at the Nickelsdorf Konfrontationen festival and played a four-hour installative concert entitled “240” in the protestant church. The sound performance was so well received by the audience and critics th…
Blage 3
Exploration of time, perception and place is the recurring theme of the work of Simon James Phillips. Blage 3 was an extended installation and performance piece curated by Phillips — a one-off five hour uninterrupted improvisation with an ensemble of six of Berlin’s most visible experimental artists – Tony Buck (drums and percussion), Werner Dafeldecker (double bass), BJ Nilsen (electronics), Liz Allbee (trumpet), Arthur Rother (guitar) and Simon James Phillips (piano).
The ensemble was placed i…
Glück
The international quintet Glück combines percussionists of diverse stripes and their individual pronounced ways of playing. The five musicians are internationally renowned as soloists and with various musical outfits. An extremely sound orientated, fragile and transparent approach to their idiosyncratic percussion sets is what they all have in common. From diverse conjoint long-term projects (Vorwolf, Malatesta/Wolfarth, Misiiki) arose the shared wish to put the musical experiences made within t…
Nachtlieder
Walking through the night. I’m not even supposed to be here today, and so is Silent Bob.New news of dying migrants. No attention for the paperless, what can the sailors do when the captain feels mean? Meanwhile Guy Maddin tells us his tales of amnesia, incest, death, and transfiguration decked out in low-rent expressionism and dime-store surrealism. Such a joy, joy, joy to meet somebody new. The insonnia of the homeless in the Termini train station addressing Heinrich Heine, trying to convince u…
Live in Morden Tower
Rhodri Davies was commissioned by the London Musicians’ Collective to put together an ensemble and present a new work for each of the five nights of the 14th LMC Festival of Experimental Music in 2005. Since then the group has invited a number of musicians to join the core members of the ensemble. The current full line up consists of the trio heard on this CD as well as Angharad Davies and Lina Lapelyte.
Morden Tower is one of Britain’s best-known cultural landmarks. For the past 45 years, hundr…
I Hope It Doesn't Work
“…for it feels like being overwhelmed by an external force, entering an alien world, but full of glorioles, and this doesn’t happen anytime but dependent on specific preconditions, and it takes a special nature glowing from inside, that’s that. A strange occurrence breaking off the everyday chest, and it is a copulation of mind, an excess, a secret…” - Friederike Mayröcker. Und ich schüttelte einen Liebling.
A veritable mind excitement is taking place when Tamara Wilhelm, Kazuhisa Uchihashi and …
A Quartet For Guitars
Can you say something about a quartet for guitars?
Hmm. Where to start?
Well let’s start with why “Affetuoso e sostenuto”? And what about those track tittles: “Ineptitude”, “Awkward”, “Gaucheness”, “Underwhelm” and “Failing”?
Google “Affetuoso e sostenuto” and probably a reference to Haydn will appear on the screen, a nine minute section from his String Quartet Op. 20. No. 1 ( the third movement). For the musicians on this recording after an examination of the score their very first instruction …
Why Is The Sea So Blue
In Why Is The Sea So Blue Margareth Kammerer continues to explore songs in experimental music contexts, elaborately interweaving lyrics into nine wistful soundscapes. Originally recorded in 2006, with the band consisting of Christof Kurzmann (voice, saxophone), Axel Dörner (trumpet), Burkhard Stangl (vibraphone), Werner Dafeldecker (double bass), Big Daddy Mugglestone (percussion) and Marcello Silvio Busato (drums), the album’s final shape emerged with the production of Valerio Tricoli in 2011, …
Vtoroi
The first Mikroton release featuring Russian musicians Ilia Belorukov, a saxophonist from Saint-Petersburg, and Kurt Liedwart, an electronic and computer musician from Moscow who also runs the label. It’s their second longplaying work following Obwod which was released on Copy For Your Records. On the new CD the duo goes even further into the realm of unknown contriving to work with silence, space and chance with their traditional means like sinewaves and saxophone’s long tones. Saxophone prepar…
Shifting Currents
The recordings for the piece were gathered over the course of a year from Huddersfield, Stirling, Aberdeen (United Kingdom), and s’Hertogenbosch (The Netherlands). These were used to create an installation consisting of over 100 tracks that were remixed in real time during each performance. The set up varied from show to show, sometimes playing through 6 speakers and 3 subs, and at other times, through 12 speakers etc. The performers were positioned at the centre of the audience, who in turn, we…
Bloody Imagination
Ten years ago, a week before Christmas in 2002, Teruto Soejima, a Japanese experimental/avant-garde music critic, organized a festival at a small live venue called Knuttel House, located in the east side of Tokyo. Named as “Independent Underground Music Festival”, it was held with the following message by Mr. Soejima:
“Today in the advanced improvised music scene, new artists keep coming up one after another. In there, free jazz, contemporary music, techno, prog, traditional music, experimental …
Stodgy
eRikm first met Norbert Möslang in December 1998 at the festival More Scratch in Nantes when they first played together as part of ad-lib quartet gig which later became known as poire_z, a prominent electroacoustic improvisation quartet which existed until the split of Voice Crack in 2002.
Norbert Möslang has been playing in Voice Crack duo with Andy Guhl since 1972, they’ve been working with “cracked everyday-electronics”, modifying and recontextualising the use of home electronics. After the s…
A Floating World
The French WPB3 trio explores areas between abstract minimalist contemporary concrete instrumental improvised music and energetic noisy free jazz with an uncompromisingly totally free approach.
Nusch Werchowska has been involved in improvised music since she met Barre Philips in 1993. A pianist who is able to translate a conversation between Debussy and Cecil Taylor as well as John Cage using all kinds of prepared techniques. She played with numerous musicians in the field of improvised music su…
Limmat
Limmat is the second CD from Günter Müller, Jason Kahn and Christian Wolfarth, following their first album Drumming released in 2005 on Creative Sources. Recorded during one afternoon in Kahn’s Zürich studio, “Limmat” features three unedited improvisations melding microsounds, percussive mastery and swaths of noise and static into a mesmerizing whole.
Originally from Los Angeles, Jason Kahn has lived in Europe since 1990. He has performed or recorded with musicians such as Günter Müller, Norbert…
Klingt.org: 10 Jahre Bessere Farben
The ever progressing sophistication of the Internet brings with it not only many positive aspects but also a more and more tangled convolution of data threads, a twisted web that can, like bundles of tangled fishing net, make trawling for and distributing useful and meaningful information difficult or even impossible. Good thing there’s klingt.org, a clear, straightforward forum that for the past ten years has provided a community of musicians and artists with an Internet platform free of charge…
Planes
Over three decades Jason Kahn developed his unique sonic language, now exploring the interaction between sound and space using a compact setup of percussion and analog synthesizer. He has performed and recorded albums with Günter Müller, Norbert Möslang, Kim Cascone, Arnold Dreyblatt, Steve Roden, Dieb13, Richard Francis, Ryu Hankil, Jon Mueller and many others. He ran his own Cut label from 1997 to 2008, releasing 25 albums.
Asher is one the most interesting new composers in the United States, …
Palmar Zahler
It is now 5 years that I travel to Latin America. My home base in Buenos Aires; and from there to almost all the other countries. When I arrived there first, I did not know much about the music scene, especially about any scene committed to “New Music” or “Improvisation”, but with the time i encountered a lot of movement, a lot of interesting music (of any form or genre) and I encountered musicians, that if they had been born in the so called “civilized West” would be within the most important p…
Cym_Bowl
Cym_bowl is Günter Müller’s fourth solo CD. On cym_bowl he follows even more consequently the idea he already realized on his last album reframed; focused on the sound of one cymbal and one singing bowl; he feeded his iPods with dozens of variations of processed sounds. Afterwards he conceived with recorded material from sessions he improvised with processed cymbal and bowl sounds only the 4 pieces for his new album. cym_bowl could easily go as a symbol of getting lost in time.
Smegma
**Original edition of 100. About 20 copies left from the original pressing** The only Russian release for legendary Smegma!