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*200 copies limited edition* Paul Jebanasam’s third studio album draws from a sonic exploration of ecological and material consciousness, bringing together narratives of human and geological time in the face of a planet traversing crisis and emerging cataclysm. The title mātr takes a dual meaning from the Sanskrit for ‘mother’, and a deviation of the Western word ‘matter’, positing the dialogue between human relations and material existence via a deep time centering of their duality. Through a q…
Devotional music most often gets distilled into earthy chants and ancient folklore, it doesn't always ascend to the sky like Julinko’s ‘Naebula’ an album that from the first organ note clearly trades in terrestrial dreams for ethereal visions. A feverish quality permeates the whole record, as if a ritualistic performance was being captured from start to finish, a collection of hallucinatory doom, synthetic neo-folk hymns and ghostly art-rock. Julinko, stage name for Giulia Parin Zecchin, has lon…
*2025 stock. 200 copies limited edition* Ecila is the pseudonym of Belarusian but Belgium-based Sveta Shlyachova. She has been active in electronic music for over 15 years, jusually with partner Nikita Chudyakov. Together, they spearheaded the politically-charged breakcore/dubstep project Streff and the more IDM-oriented Elements of Sci-Fi. Shljachova was also a member of the Kosmozo project that found success on the electronic circuit and released an album (Stories) in 2012 under the name Alice…
*100 copies limited edition* A stationary tone, a subtle swell, an up and down, a quiet and loud “deviation #1” is an audio journey through an imaginary landscape. At times gentle, as if a wide meadow lies before you. Sometimes dark and booming, as if a thunderstorm is announcing itself and discharging in the mountains. The sounds move from left to right, from top to bottom and circle around themselves. The four parts of “deviation #1” each generate a unique tension, creating an atmospheric spac…
*2025 stock. 100 copies limited edition* "shift #1" is a collaboration album by the two drone/ambient artists rsn and N. the album comprises three songs that deal with semitone shifts, creating an aesthetic depth of sound on the one hand and building up a long arc of tension on the other. "shift #1" is a musical colossus - sound, structure and length create an immersive sound experience. quiet, rather contemplative sounds gradually develop into an alert sound construct. sometimes, however, it re…
Dan Bean is one half of The Transcendence Orchestra, alongside Anthony Child (aka Surgeon). Together they've released three albums on Editions Mego as well as an album on their own Old Technology imprint. Dan has also previously released a solo EP on Eyeless Records. This debut solo album is deliberately composed and performed using only two instruments: a Roland TB-303 and a bass guitar. The point of this constraint was to try to force the creation of unexpected sounds from two very familiar ba…
Farewell to the Night by Ethan Syann is an immersive album released through the IIKKI label, offering a contemplative journey through ambient and cinematic textures. Spanning six tracks, it gently blurs the boundary between experimental soundscape and evocative minimalism, creating a space for reflection and nocturnal introspection. Its subtle layers and atmospheric depth exemplify Syann’s refined and measured approach to sound design.
Founder of KUMP and Meth.O tapes, Lyon’s Marc-Étienne Guibert (AKA Gil.Barte) awakens his new Mert Seger moniker for a shadowy Plaque excursion. Nine slow burners strike from the murk with venomous precision.
"I don’t keep photographs, old letters, keepsakes or memorabilia. I have sound-files, thousands of them, un-used, un-heard: folders of field recordings; sonic sketches; experiments that failed but weren’t deleted. The files are saved on hard drives or the cards of obsolete pieces of equipment replaced – bit by dusty bit – with something new, clean and shiny. A remnant is what’s left over when the greater part it once belonged to has been used up, removed, or destroyed. I think of my sound-files …
*200 copies limited edition* "Ensomheden Vi Deler" ("The Loneliness We Share") is the result of a dialogue between the collages and the music of øjeRum, initiated by IIKKI, between December 2024 and July 2025. øjeRum is Copenhagen based musician and collage artist Paw Grabowski.
With his collages, the distinctive feature of øjeRum's works is their ability to combine different historical and artistic periods, such as ancient sculpture, medieval frescoes, classical painting and photography, and to…
Poiesis by o[rlawren] deepens his exploration of sound as organic process, merging modular synthesis and field recordings into a meditation on creation and renewal. Released in 2025 by Dronarivm and Fonodroom, the album extends his dialogue between the natural and the artificial, sculpting an emotionally resonant landscape at once fragile, tactile, and alive.
On The Intimate Overlap, o[rlawren] refines his immersive approach to ambient electroacoustics, weaving field recordings and digital textures into a delicately crafted soundworld. The album unfolds with understated depth and resonance, inviting careful listening into the nuanced emotional spaces that lie between nature and technology.
*200 copies limited edition* The series of double albums by Gianluca Becuzzi for St.An.Da/Silentes, which began in 2020 with "In Between", continues. Like its predecessors, "American Requiem" combines drone guitar with sacred themes, creating compositions with a dark and captivating mood. This time, the theme of faith and death in the land of capitalist materialism par excellence, the United States, is placed at the centre of the work, with the use of a mix of traditional country-blues and avant…
Casimir Geelhoed’s Processing Music is a probing exploration into the subtle, elusive boundaries between software-driven sonics and fragile acoustic realities. This album intensifies recurring themes of transiency and overstimulation, inviting listeners into a shifting landscape where memory and perception interact with innovative digital processing techniques.
R. Seiliog returns with Dispatch All Gods, his fifth full-length release and a compelling evolution of his distinct approach to experimental electronics. Weaving field recordings, granular synthesis, and fractal sound design, the album forges immersive sonic landscapes, extending the post-genre explorations of his previous works while grounding them in the tactile textures of the Welsh countryside.
Big tip! *2025 repress* An early ‘80s ambient jazz gem from the archive of Manchester’s Kevin McCormick & David Horridge. In 1970, Kevin and David met whilst they were working in the Labour Exchange Office on Aytoun St, Manchester. Both played guitar and had been searching for other musicians who played atmospheric music. Kevin had been playing in small clubs in Manchester and David performed in a few local bands. One evening, they jammed together at Kevin’s family home, and quickly realized tha…
"Two years after he first appeared on Balmat with 1977, Mike Paradinas returns with 1979. The sense of continuity between the two records is clear, and not just from their titles. Both capture the Planet Mu head venturing into the wilderness, seeking something—half-formed memories, thoughts caught in midair—in some of the most abstract, searching music he has released. Just like 1977, 1979 surveys a synth-heavy array of ethereal soundscapes, ominous crevasses, and strange, psychedelic fugues. Li…
Akhira Sano is a Tokyo-based artist working across sound, drawing, installation, and video. His practice finds generative potential for music in life's fleeting incidents, etching meaning from unassuming spaces and resonances. With releases on 12k, LAAPS, IIKKI, and The Trilogy Tapes, Sano has steadily carved out a distinctive voice within minimal and experimental music - one that privileges attentiveness and patience over spectacle.
"To Material Past", Sano's debut for SWIMS, carries this threa…
*100 copies limited edition* Dutch artist Sander van der Toorn returns to Kit Records, following his much-loved work with analogue-decayed folk duo Love is Yes, in 2024. While Sander's signature haze of tape-smeared synthesis and motorik guitar is ever present, "kom-kom" represents a departure from the elysian warmth of Love's debut. The industrial throb of tracks like 'FIVE' and 'Rainhum' bear the deconstructed hallmarks of krautrock pioneers Neu!, and even the dystopic glow of artists like Pla…
*200 copies limited edition* This release combines two live performances recorded during a live video streaming event during the early covid-19 pandemic. Now in remastered version they come together as one release.
As with most of his music, with these live recordings Orphax explores the themes of time and spatially through minimalism. In this exploration, the listener is submerged in the sound in such a way that the essence of time and space are forgotten. Both performances were improvised live…