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“Stonewalling” offers a collection of electroacoustic pieces taking as input the Mexican vernacular music from the golden age of Mexican cinema of the first part of the 20th century. In those films, music was used as communication due their poor verb…
The first Josh Landes solo full length! Released Thanksgiving 2020. He used a Molasses Industries Rat King, the Greenwood Electronics Limbs Box 2.0, a Boss DD7, and field recordings of a lake and a pig on this record. A sample is taken from Richard K…
*2022 stock. 200 copies limited edition* Codespira1 is the alias of the Stockholm based composer Mattias Petersson. After finishing several years of classical piano studies in the mid-nineties, he eventually ended up in the Swedish capital holding a …
*2022 stock. 200 copies limited edition* We are really happy and proud to present the second album by Bas van Huizen for Moving Furniture Records. After Kluwekracht he now returns with Waanzintraan where he goes further with his explorations in the h…
Ana Fosca has emerged as presence to be reckoned with. Here stands a woman raging, wrestling, communing, and plainly preoccupied with the humanity's propensity for tragedy, violence, and blight. And it is with a particular strain of noise - one that …
Joe Colley’s skeleton key is an intra-dimensional sense of humor. It exists in a place between and beyond dry, deadpan, and defeatist, and is not actually funny. He has a knack for unlocking the essence of the absurdly uncomplicated, elevating it to …
Nazlo Records presents Thallium by *L* and The Church Of Hate. Clear hifi stereo lathe-cuts in handmade fold-over covers with hand-printed artwork on photographic paper made from found glass negative from abandoned optics institute, with outer and in…
Tip! Tanzprocesz presents Gymnast Of Gaps by O Reche Modo. Poetic Arte Povera. Blind landscapes. Cinemascope for mumps. Welcome to the magnetic forest.
Jean-Marcel Busson is controlling 6 altered/mistreated mac SE. Performative installation, organic technology, acoustic persistence, electrical ceremony, computer spectra. 6 mac SE are controlling Jean-Marcel Busson
*Edition of 200. Mirror cover, transparent vynil* "Beautiful release on Yan Jun’s Sub Jam label. Toshimaru Nakamura was the first one that I ever saw using a no-input mixer, already in the 1990s. What exactly Yan Jun’s open-input feedback means, I am…
The new album from Phil Mouldycliff has finally arrived. A full length CD in a digipack featuring his artwork. These are tracks that Phil has been working on for many years, mainly at IC Studio, using sampling, field recordings & sound manipulation A…
*2022 stock* Ferial Confine is an early Andrew Chalk experimental, somewhat noise-based project. Meiosis was originally released as a cassette on Broken Flag in 1985. You can certainly hear the influence of The New Blockaders and, to some extent, Whi…
"David Jackman’s music, both as Organum and under his given name, is typically characterized by repetition, brevity and a deadpan aloofness. He’s made plenty of extremely short (sometimes one-sided) 7” singles, albums containing multiple slight varia…
Over the years when listening to the diverse catalog of Altar Of Flies, the primate in me has on numerous occasions tripped across a selfish thought: it would be sick as fuck if AOF did a release that was, like, straight harsh noise. Nearly all of hi…
**Edition of 300 copies pressed to yellow vinyl with light green marble, in high gloss sleeve and black disco bag. ** Tip! The long-lost psychedelic album from the Incapacitants of the North! On Friday November the 13th, 2009, Lasse Marhaug and Tommi…
The collaborative recordings of Sewer Election and Treriksröset throughout the mid-2000s are some of the most singular works of harsh noise orthodoxy ever created, holding a heavy position in the canon of noise music. The highly refined and counter-i…
Six international artists showcased across two compact discs of shredding sound, clattering depths, power electronics violence, and deafening discordance. Though a diverse compilation, Lacerations plays out like a cohesive extended nightmare. Twenty …
"It’s not my normal Sunday morning post-liturgy music, but there is a gloriously horrendous feel to it, marking in some way, a societal collapse we all seem to be witnessing worldwide." - Music You Need To Hear