Stonewalling
“Stonewalling” offers a collection of electroacoustic pieces taking as input the Mexican vernacular music from the golden age of Mexican cinema of the first part of the 20th century. In those films, music was used as communication due their poor verbal communication-skills. This is an album about communication, about the impossibility to do so to resolve conflicts. In the technical side, some of the sources used as layering in the tracks come from radio frequencies taken from explorations into t…
Provincial Electronics
The first Josh Landes solo full length! Released Thanksgiving 2020. He used a Molasses Industries Rat King, the Greenwood Electronics Limbs Box 2.0, a Boss DD7, and field recordings of a lake and a pig on this record. A sample is taken from Richard Kelly's "Southland Tales" (2006). Electronics recorded in Pittsfield, Massachusetts on 8/25/20. Pig recorded at the Hampshire College Center on 7/26/20. Lake recorded at Ward's Cover in Wilmington, Vermont on 7/30/20.
Artefact
*2022 stock. 200 copies limited edition* Codespira1 is the alias of the Stockholm based composer Mattias Petersson. After finishing several years of classical piano studies in the mid-nineties, he eventually ended up in the Swedish capital holding a diploma in electroacoustic composition from the Royal College of Music there. The Codespira1 moniker was inspired by a documentary about fractals in nature, and was originally conceived as a placeholder for electronic live performances recorded more …
Waanzintraan
*2022 stock. 200 copies limited edition* We are really happy and proud to present the second album by Bas van Huizen for Moving Furniture Records. After Kluwekracht he now returns with Waanzintraan where he goes further with his explorations in the harmony of noise. In his own words Bas had to say the following: "Waanzintraan is the first collection of music I produced in China. It even features some processed field recordings I made in Shanghai and Xi'an. I mostly explored noise though. Not as …
Poised at the Edge of Structure
Ana Fosca has emerged as presence to be reckoned with. Here stands a woman raging, wrestling, communing, and plainly preoccupied with the humanity's propensity for tragedy, violence, and blight. And it is with a particular strain of noise - one that is dour, miserable, frightening - through which she harnesses these conditions. While her catalogue of recordings is brief, Ana Fosca (born Linn Hvid) honed her craft by performing on a constant basis throughout Denmark, Sweden and Germany, especiall…
Deformation Of Tone
Joe Colley’s skeleton key is an intra-dimensional sense of humor. It exists in a place between and beyond dry, deadpan, and defeatist, and is not actually funny. He has a knack for unlocking the essence of the absurdly uncomplicated, elevating it to a place of near-iconic significance and leaving it there. Hovering in a void. Or mashed in the jowl of an insect getting doused with regurgitated chyme and rumen bacteria. Consistent with his past efforts, Deformation Of Tone contains no sturm und dr…
Unknown Legacies
Nazlo Records presents Unknown Legacies by If, Bwana and Emerge. Transparent recycled tapes and 2-sided printed j-card edition of 40.
Thallium
Nazlo Records presents Thallium by *L* and The Church Of Hate. Clear hifi stereo lathe-cuts in handmade fold-over covers with hand-printed artwork on photographic paper made from found glass negative from abandoned optics institute, with outer and inner plastic bags and handtyped info, hand-numbered to 20.
Ougonyu
Nazlo Records presents Ougonyu by Buffalomckee. New transparent red tapes, one-sided j-card numbered on the inside cover art by @agendatnetaim
Gymnast Of Gaps
Tip! Tanzprocesz presents Gymnast Of Gaps by O Reche Modo. Poetic Arte Povera. Blind landscapes. Cinemascope for mumps. Welcome to the magnetic forest.
Data Divinarum
Jean-Marcel Busson is controlling 6 altered/mistreated mac SE. Performative installation, organic technology, acoustic persistence, electrical ceremony, computer spectra. 6 mac SE are controlling Jean-Marcel Busson
Oh My God, And Yours
*Edition of 200. Mirror cover, transparent vynil* "Beautiful release on Yan Jun’s Sub Jam label. Toshimaru Nakamura was the first one that I ever saw using a no-input mixer, already in the 1990s. What exactly Yan Jun’s open-input feedback means, I am not sure, but I love the noise coming from both! Some sounds are as if they come from distorted guitar, I hear earth hums and glitches, there are a lot of different dynamics and small events in the pieces, but all in all it’s enervating music that a…
Fog Maps
The new album from Phil Mouldycliff has finally arrived. A full length CD in a digipack featuring his artwork. These are tracks that Phil has been working on for many years, mainly at IC Studio, using sampling, field recordings & sound manipulation An immersive journey from Z to A.
Meiosis
*2022 stock* Ferial Confine is an early Andrew Chalk experimental, somewhat noise-based project. Meiosis was originally released as a cassette on Broken Flag in 1985. You can certainly hear the influence of The New Blockaders and, to some extent, Whitehouse (no shouting, though), but Meiosis is a fine example of what was 'in the air' for a small amount of people scattered around the world at the time. I think the thing that keeps a lot of this music so relevant is the purity and uncompromising n…
Solitude
"David Jackman’s music, both as Organum and under his given name, is typically characterized by repetition, brevity and a deadpan aloofness. He’s made plenty of extremely short (sometimes one-sided) 7” singles, albums containing multiple slight variations on a single piece, and albums of compositional (if not sonic) minimalism. It’s Jackman’s typical move to provide very little information beyond a word, or sometimes an image. Lately, he’s been predisposed to not even providing an image; just as…
Aterblick
Over the years when listening to the diverse catalog of Altar Of Flies, the primate in me has on numerous occasions tripped across a selfish thought: it would be sick as fuck if AOF did a release that was, like, straight harsh noise. Nearly all of his releases are laced with masterful passages of blown out crunch, but always as a counterpoint to more delicate and introspective narrative sound. In 2020 as we worked on the Work Ethics CD together, I toyed with the idea of making such a suggestion,…
Fifty-Sixty
**Edition of 300 copies pressed to yellow vinyl with light green marble, in high gloss sleeve and black disco bag. ** Tip! The long-lost psychedelic album from the Incapacitants of the North! On Friday November the 13th, 2009, Lasse Marhaug and Tommi Keränen had an extremely productive day at a real-deal high-end studio in Helsinki, recording a 7” (Het Potati - released on A Dear Girl Called Wendy), a CD (Python In The Bowl - released on Freak Animal) and an LP (Fifty-Sixty - this one). An unnam…
Killing For Germany / Ragsved
The collaborative recordings of Sewer Election and Treriksröset throughout the mid-2000s are some of the most singular works of harsh noise orthodoxy ever created, holding a heavy position in the canon of noise music. The highly refined and counter-intuitive approach to layering, texture and dynamics contrasts miraculously with primitivism and minimalism, manifesting in several 30 minute slabs of exquisite crust recorded live to tape. "Killing For Germany" is perhaps their most static and straig…
Lacerations
Six international artists showcased across two compact discs of shredding sound, clattering depths, power electronics violence, and deafening discordance. Though a diverse compilation, Lacerations plays out like a cohesive extended nightmare. Twenty minutes each of essential material from Bacillus, Richard Ramirez, Rusalka, Interracial Sex, Vms Elit, and Cost. Mastered by Grant Richardson at extreme volume. Play loud.
Feast On My Body
"It’s not my normal Sunday morning post-liturgy music, but there is a gloriously horrendous feel to it, marking in some way, a societal collapse we all seem to be witnessing worldwide." - Music You Need To Hear