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Electronic /

Innemuseum
Innemuseum is the debut album by Danish composer, singer and multi-instrumentalist Cisser Mæhl. The 10 fragile compositions for vocals, sparse electronics and a myriad of instrumentation illuminate a hushed charm unlike few other Sonic Pieces releases to date.
N-Plants
*2023 reissue* Early February 2011: Decided to make an album inspired by the Japanese post-war economic miracle. While searching for more information I found an old photo of the Mihama nuclear plant. The fact that this futuristic-looking plant was situated in such a beautiful spot so close to the sea made me curious. Are they safe when it comes to earthquakes and tsunamis? Further reading revealed that many of these plants are situated in earthquake-prone areas, some of them are even located nex…
Empty Room
On "Empty Room" David Granström works with slow transformations, cyclical and isometric patterns as well as just intonation as a way to create harmonic stability, allowing his long-form pieces to develop their own unique temporal and spatial qualities. A prolific figure in stockholm's experimental drone scene and a collaborator of Hallow Ground Label Mates Maria W Horn and Mats Erlandsson, the swedish composer navigates through moments of quietude and crushing volume on these five tracks. Sonica…
Roxy 22​.​05​.​83
O. Gudmundsen Minde is proud to present a lost chapter in Norwegian experimental and post-punk music – Autentisk Film. In the early 1980s the twin sisters Åshild & Anne Grete Kolås formed Autentisk Film. Inspired by both the new experimental electronic music of the time and arthouse cinema, the two set out to make a crossover project that worked with sound, performance and 8mm film. The music was often a mix of song-based, electronic and acoustic noise sections. In a short, but intense, burst of…
1983
O. Gudmundsen Minde is proud to present a lost chapter in Norwegian experimental and post-punk music – Autentisk Film. In the early 1980s the twin sisters Åshild & Anne Grete Kolås formed Autentisk Film. Inspired by both the new experimental electronic music of the time and arthouse cinema, the two set out to make a crossover project that worked with sound, performance and 8mm film. The music was often a mix of song-based, electronic and acoustic noise sections. In a short, but intense, burst of…
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