Standing Water
** Edition of 80 ** T.D. is the personal sound project of Thomas DeAngelo, based in Philadelphia, USA. Thomas is a self-taught musician, music critic (this period writes regularly for FreeFormFreakOut podcast's blog) & publisher (Crisis Of Taste music label). He is very active in the avant garde DIY cassette movement of our days and until now he has collaborated with Allen Mozek (as Association Copy), Jim Strong (as Melkins), Stewart Skinner etc. His work is published on Vitrine, Regional Bears,…
Blizzard Amplification
* Originally released as a private edition 6 cassettes box, instantly sold out * Sewer Election at their finest. Double-CD reissue of the six-tape-box. Improvised harsh electronics & feedback. Recorded & mixed at Studio Malign early 2020. "Sewer Election is a name to be held in the highest regard. While initially hooking audiences on one of the most hard-hitting takes on harsh noise available, he also proved to be the master of an unsettling and emotive tape music style which has come to be wide…
Rings
Fortunately for us, Dmytro Nikolaienko agreed to open up the jewellery boxes of his tape-loop archive for his debut album on Faitiche. What came to light was a collection of dreamy glittering gems, masterfully presented using the compositional possibilities of analogue tape machines. Some may consider a tape machine to be limited as a musical instrument, but Rings makes a convincing case with its sure-handed use of the available parameters – moving tape over the tape head mechanically and manual…
1 / 3 + 2 / 3 + 3 / 3
This special bundle collects all three Deadline Paranoia albums released by Ongerhoord between 2018 and 2021:
1 / 3 (LP, 2018)2 / 3 (LP, 2018)3 / 3 (LP, 2021)1 / 3 (LP, 2018)
When it comes to music, time and geography can have a strange effect. Divisions form and dissolve. Things which were heard can be forgotten. Things which were not are often remembered. As many of us know, this is increasingly the effect of the reissue market, with its radical reappraisals for history, pulling the lost and o…
3 / 3
** 300 copies only, no repress ** DIY cassette culture - flowering across the globe during the late 1970s and 1980s - has proven, from a distance, to be among the most fascinating contexts of music to emerge during the last half century. Taking the form of reissues and archival releases - taping this astoundingly rich vein of exploration and covering a vast field of distinct creative territories - incredible artefacts have fallen, one after another, into our hands. Among the most striking of the…
Nature Morte
* Edition of 200 12" Gold Vinyl. Hand numbered. * Joni Void & N NAO are the respective monikers of surrealists Jean Néant and Naomie de Lorimier from Montréal, Québec - who found each other in 2016 through a poetry-reading/performance by Naomie in Jean’s home at the time, a DIY loft-venue known as The Plant. This would lead to numerous events involving both, there and in many other Montréal underground spaces, until both finally worked on a collaborative piece for Joni Void’s album “Mise en Abym…
An Anthology of Greek Experimental Electronic Music
**Double-CD version includes 20-page booklet. Sold out at source** An Anthology of Greek Experimental Electronic Music 1966-2016 aspires to map the heterogenous landscape of Greek experimental electronic music in all its contextual, sociopolitical, geographical and aesthetic disparity. With a single exception: it zeroes in on post-80s music. It comprises works of very different kinds by composers of all sorts of backgrounds that, still, can be thought of, as both "Greeks" and "experimentalists".…
Anthology of American Pop Music
Six great pop standards remembered: five pop songs are dissected by sampler, stretched, compressed, and re-collaged. In this way, their identity is lost. What remains is a vague concreteness: flashes of déjà vu and remote echoes that evoke the original. GES (Gesellschaft zur Emanzipation des Samples) active members: Helmut Schmidt, Jan Jelinek Founded: 2009 Headquarters: Federal Court of Justice, Karlsruhe, Germany.
From the GES Glossary:
Sampling: Compositional practice whereby recorded music i…
Easy Listening For The Hearing Impaired
Easy Listening For The Hearing Impaired is the full length debut album by danish composer and producer Andreas Pallisgaard. The album is released under his solo alias Son Ash. The album is a collection of calm explorative timbral studio experiments for analog synthesizers, sequencers and reel tape. Parts of the material stems from free improvisation, while other parts are composed from more strict organisational principles. The collection of tracks form of a cycle of poetic sonorities. The liste…
Lydglimt
An otherworldly blend of ethereal ambient, new age with inherent discofied undertones - reissued! Pressed at Pallas in a 500 copy run only & comes with a beautiful booklet ! Frederiksberg Records is proud to announce 40th anniversary LP reissue of Lydglimt, done in close collaboration with Klaus Schønning. At odds with the loud musical landscape of jazz, rock and punk which dominated the Denmark at this time in the late 70's, Schønning saw before him a different path. A path leading to the…
Gateway Summer Sound: Abstracted Animal and Other Sounds
**2020 stock** Ann McMillan did not record prolifically, but she was at the vanguard of electronic composition in New York in the 1970s. A student of groundbreaking composer Edgard Varèse, McMillan’s primary medium was magnetic tape, which she manipulated to create surreal soundscapes. On Gateway Summer Sounds, her debut album released on Folkways in 1979 and recorded at the legendary Princeton-Columbia Electronic Music Center, she sources sounds from the natural world – frogs, insects, field re…
Eight electronic pieces
**2020 stock** Chance combinations, accidental themes, chaos in general—these are the musical modes that Tod Dockstader uses in composing electronic pieces. Blending oscillating electronic sounds with natural sounds is like being "confronted with a potential orchestra of thousands of instruments," he says, and the task becomes one of "improvising."
This CD is a custom made copy from Smithsonian Folkways collection. Every effort has been made to preserve its historical and aural integrity. The or…
Reed Streams
Long awaited reissue for Terry Riley's 1966 debut album, and one of the greatest pieces of minimal music ever created on Philip Ornstein’s iconic MassArt imprint, which also brought us Max Neuhaus & John Cage’s Fontana Mix-Feed and Allan Kaprow’s How to Make a Happening, is among the most sought after in Terry Riley vast discography. It is also the first recordings Riley made using his two personal Revox reel-to-reel tape machines (or "Time Lag Accumulators") later heard on his groundbreaking re…
Sonus Ruinae
**12inch vinyl LP with handprinted covers by Lorenzo Mason Studio, Venice** Tape loops are a closed path, a cyclic river, a ring around a far planet. They’re similar to our memory, continuously reenacting an artefact that belongs to a precise point in time, brought back in a process of recall where that artifact slightly and slowly becomes imprecise and shifted. An unrested repetition carved into an old pavement, in a city where every generation leaves a new mark, a new incision and maintains an…
The Musical Legacy of Karlheinz Stockhausen: Looking Back and Forward
Karlheinz Stockhausen was one of the most influential and prolific composers of the twentieth century. His legacy extends far beyond his extensive catalogue of musical works to his achievements as a pioneer of electronic music, as a writer and thinker on music, and as a teacher. In this volume, various aspects of Stockhausen“s legacy are discussed, including his influence on the creative work of others, and the influences he likewise derived from some of his closest associates. Central theoretic…
Process and Form: Selected Writings on Music
Gottfried Michael Koenig (* Magdeburg, 1926) collaborated intensively with Karlheinz Stockhausen in the 1950s in the Electronic Music Studio of the WDR in Cologne, where he himself also produced several landmark pieces of electronic and serial music. He moved to the Netherlands in 1964 to become the artistic director of Utrecht University“s Studio for Electronic Music, which in 1967 became the Institute of Sonology. Under Koenig“s supervision, the institute played a pioneering role in the develo…
Kassettmusik
"Originally released as two private edition cassettes and then reworked for a CD release on iDEAL in 2008, Kassettmusik still stands out as one of Dan Johanssons' most confounding and bold moments. Upon its release, the extremely minimal and restrained approach on the recording took a quite unexpected turn compared to the brutish harsh noise and Killing For endeavours Sewer Election was known for at the time. Crude cassette loops of sparse electronics and body sounds with the fidelity of the dis…
Hear After: Matters of Auditory Paranoia
**200 copies** "Francisco Meirino's work in my humble opinion speaks for itself. I'm just incredibly honored to be able to put this out for him and help promote it. If you really need a description to go on though, here is my brief thoughts on it. Masterful pacing and layering of eurorack textures, vertigo inducing frequencies, immersive field recordings, broken electronics and reel-to-reel tape. Francisco has a technique that I like to call "slow cuts" where he will make you zone out on a certa…
Farewell Islands
Slow Reels combines Ian Hawgood's love of reel-to-reel tape machines and vintage synthesizers with James Murray's melodicism and richly textured digital sound design. Their Morr Music debut, "Farewell Islands", is an arresting, fluorescing album that blends full-frequency dronescaping with a slow-burning ambient minimalism.
Echos+
From Lawrence English: I’m not really sure when I first heard Beatriz Ferreyra’s music. My best guess would be in the early to mid 2000s when I was working alongside the curatorial team at Liquid Architecture. Given the focus of the festival at that time, GRM and musique concrète more generally was very much a point of focus. That said, it wasn’t until this decade that her work was sharply in focus for me (and I am guessing a great many others). In 2017, I had the great pleasure to meet Beatri…