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Bocian Records presents Bass to Bass by Nina De Heney & Slawek Janicki. Recorded at Mózg Studio, on November 29th 2019. Sound Recording: Janusz Czado, Maciej Maciejewski. Sound Mixing and mastering: Michał Kupicz. Cover Artwork: Peter Jacquemyn. Design: ZbyZiel. Executive Producer: Mózg Foundation, Bydgoszcz Poland 2020. Co-Producer & Distributor: Bocian Records. Realized thanks to the financial support of the City of Bydgoszcz.
Bocian Records presents Umwelt by Lucio Capece (Gema): on bass clarinet, slide saxophone, cardboard tubes, analog synthesiser and filter, and Ben Vida (Bird Show/ASCAP): on Synthesis, sampling and digital arranging. Recorded in Brussels, Berlin, New York, 2016-2020. Mastering: Joe Talia. Graphic design: Ania Witkowska / Fontanna.
Bocian Records presents Polyptyque by Nimitta. Performed by Massimo Pinca - Double bass, and Christophe Berthet - Soprano saxophone. Recorded in July 2017 at Studio de Agostini, Geneva by Marie Delorme. Mastering: Christian Gugenbuhl. Design: Renaud Goudal. Mixing by Marie Delorme. Cover art: Philippe Reymondin. All Compositions by Massimo Pinca and Christophe Berthet.
Christian Kobi is one of the leading names on the improv scene in Bern, Switzerland. His work includes collaborations with Phill Niblock, Jürg Frey, Taku Sugimoto, and Keith Rowe. His new album, “Cathedral”, closes a trilogy for saxophone solo that started with “Canto” (2010) and “r a w l i n e s” (2013), and which was recorded in the former Swisscom high-bay warehouse - probably the largest underground space in Bern.
That space serves Christian as a place of exploration of sound, silence and ac…
* 2020 Stock * Remst8 is an experimental computer musician whose on-again/off-again affair with sound began in the early '90s, using tracker programs on his Amiga 500 and later a PC to create soundtracks for his friends' creations (computer games and an independent film). Following a 7 year hiatus to focus on his software engineering career, remst8 has returned to tracking music for creative exploration focusing on deep drone and dark ambient tracks with a smattering of noise and experimentation…
* 2020 Stock * 'There is no silence left' is a collection of remixes and reworkings by Mkl Anderson of Drekka, released under various monikers between 1996 and 2012. Contains 13 previously unreleased or rarely heard tracks, including mixes for Aube, lovesliescrushing, Racebannon, Soul-Junk, and many more.
* 2020 Stock * One can be a discontent – that is, an insurgent or a revolutionary – but there is also that more literal, personal meaning of the word which may be in most cases equally applicable to those to which we refer here and, in either case, there is a sort of disruption implicit, as in a hypnopompic state.» A non–linear mix by Michael Anderson / Drekka, with portrait interludes by Mark Trecka. Performed and mixed live 21 October 2015 at The Artifex Guild, Bloomington, Indiana by Michael …
"Beings of ImberIndus" was commissioned as a hexaphonic sound installation to accompany the "Beings of ImberIndus" solo soft sculpture show by Carrie Weaver; presented at the I Fell Gallery, Bloomington, IN throughout December 2018 and culminating in a winter solstice ritual of cleansing. The piece began an intensive six month period of heavy deep listening and drone work for Mkl Anderson's ritual ambient industrial project, Drekka (Dais Records, Auris Apothecary, Bluesanct).
The initial session…
Inspired by the philosophy of George Gurdjieff, whose mystic meditations surely linger in the magick of their work, Smirne was born as a open minded experimental project. Generated by the fusion of different realities, the line-up at the time of the debut is composed of Andrea Reali and Tiziano Doria, members of Lavorazioni Carni Rosse, together with Anna Vezzosi and Cesare Lopopolo, from the electro-acoustic duo Rosso Polare. A thin line between improvisation, electronic exploration and Aegean …
In a rain forest of moments. the eye hears what the ear sees. through each moment of Karin Johansson’s and Finn Loxbo’s music runs the firm conviction that all points and layers of sound – in true democratic spirit, carry the same weight. Or lightness. as precise as scattered bird calls may be crucial to the totality and the outcome of the drama as a whole, as cautiously do they take care of the phrased line by being extremely exact with the gaps and the charged rest, where that very thing appea…
Lucrecia Dalt presents No era sólida, an introspective path to unworldly surroundings where self becomes sound, and a compass for the searchers of musical possession.
For her follow-up full-length to 2018’s Anticlines, Dalt relinquishes control of the corporeal to reach imagination’s outer realm. Where Anticlines framed the physical processes of matter changing state, No era sólida observes a transition in Dalt herself through the emergence of Lia: an apparition, or second self, of the artist as…
* Edition of 300. Lacquer cut at SST. Featuring cover artwork by Natália Trejbalová. * Riccardo La Foresta is a percussionist, composer and improviser based in Modena (Italy) whose interests range from improvisation and composition, sound performance and sound art. His research led him to use the drum as a wind instrument, drastically moving away from traditional drumming.
Recorded by Lorenzo Abattoir’s microphone in a former industrial hangar now base to the OvestLab cultural center in Modena (…
Seventy years ago, computers were as big as swimming pools and were programmed by country girls. ENIAC, the world’s first fully electronic, vacuum-tube-based universal computing machine, sported a weight of 27 tonnes and used 18,000 vacuum tubes for calculating. And, each day, at least two of those vacuum tubes gave out. When this machine was presented to the world public in 1946, six young women, most of them maths students from the rural Midwest of the USA, had spent three years inventing a me…
Murmer is the pseudonym for Patrick McGinley, a man with several passports which have taken him to many a foreign land in search of found sounds of the unsettled, the forgotten, the mysterious, and the beautiful. His field recordings of activated environments (e.g. resonant industrial spaces, windswept telephone lines, bowed branches, gasping ventilator systems, etc.) originate from all of the locations where he has traveled; yet, the documentation of these sounds is not the terminus of McGinley…
Not Fire is the first album from Berlin-based songwriter Dean Roberts in 12 years, and his comeback arrives during apocalyptic times. It’s not an album about someone who’s found hope or love despite everything; Roberts sounds exhausted, and his album is as ugly and as bleak as life often is. For those who’ve been in the pits and succumbed to self-destructive nihilism, Not Fire is a reminder of how hellish it all can be.
Sonically, Not Fire is murky and battered and melancholy. Guitars clang ince…
David First likes to use the phrase "the virtuosity of slowness" to describe his musical philosophy. In The Consummation of Right and Wrong, he and his eight-piece ensemble, The Western Enisphere, practice this virtuosity to great effect in closely examining the universes that fall between the cracks of convention, reflecting a wide continuum of complex relationships, all the while creating music that is simply ravishing to listen to. This is "drone music" as dynamic organism, moving from compac…
**Edition of 300** Ambient tone loop collage by Mike Adams (Crossroads of America, Burnt Toast Vinyl, Sounds Familyre, Joyful Noise)... special one-time LP that can be played forwards and backwards. Original source tapes provided by MklAnderson (Drekka, Dais Records), Jared Cheek (Flannelgraph), Tyler Damon (Thee Open Sex, Tashi Dorji, Darin Gray), JohnDawson (Thee Open Sex, Magnetic South), Greg Dixon (Quixod), Phil Elverum (Mount Eerie, Microphones, K Records), & Rachel Yoder (Madera Wind Quin…
**Edition of 350 copies on transparent vinyl** La Scie Dorée presents a new album by Mirror (Christoph Heemann and Andrew Chalk) recorded at the Loft, Cologne. Christoph Heemann, with co-founder Achim P. Li Khan, was active in the celebrated group Hirsche Nicht Aufs Sofa in the 80's. In the mid-90's, Christoph concentrated on his solo career while collaborating with artists such as Jim O'Rourke and Edward Ka-Spel (Legendary Pink Dots) in the Mimir project. He also worked with Masami Akita (Merzb…
**250 copies** The sound of the violin is a product of tension and release; the hair of the bow pulls back the violin’s string over and over again and, when the tension gets too great, it releases. The resulting vibration disturbs the air around it which travels in waves, exciting our ear drums and becoming sound. This confrontation of energy with air—the alternation of potential and kinetic energy—occurs over and over again in microcosm: catching, holding, tensing, and releasing. As listeners, …