Water Above Sky Below Now
Morphine presents "Water Above Sky Below Now" from pioneering American composer Pauline Oliveros and Ione. An experimental musician and educator, Oliveros is the creator of the deep listening practice highly attentive full body audition. She is joined on the album by author, improviser of spoken word and sonic vocals Ione, artistic director of the former Deep Listening Institute founded by Oliveros.The three-part improvisation was produced using Oliveros' Expanded Instrument System (EIS), an ele…
Beaute Des Mirages
Mysterious French outfit The Dead Mauriacs return to Discrepant in full exotic wind force after their sell-out cassette, Cocktails Pour La Fin Des Temps (2016). Beauté Des Mirages picks up on the same themes of frantic, abstract exotica and concrete cocktails the French act is known for. Running for two, long 18-minute sides full of fake(?) vintage atmospheres and armchair jungle hallucinations, Beauté Des Mirages is an abstract journey into a beautiful (and sometimes scary) world of mirages. Al…
Silver Tongued Sisyphus
Recorded in Brooklyn, Germany, and Memphis, Silver Tongued Sisyphus followed Cloudland Canyon's well-received Requiems Der Natur 2002-2004. The album's secular calls to prayer with humming, looping, and loping ambient passages are interspersed with bursting rhythmic energy and agitated guitar lines. Pulling influences from the foggy ether of generations past, the band stakes their claim to the shadows of the cult musical culture of the late 1960s and early 1970s German underground scene. Live sh…
Endangered Species
Endangered Species states, restates, correlates, instigates, inflates and deflates, elevates, formulates, disintegrates, interrogates, percolates, granulates, germinates, Kiss Me Kates, Tom Waits, Norman Bates and W.B. Yeats, horripilates, adumbrates, prestidigitates, sophisticates, enumerates, integrates and contraindicates songs from the standard repertoire, Standards they were called. Old French, Frankish, estendard "place of formation." If you asked a jazz musician what he played, he'd proba…
Fanzine Ink Dries Like Black Blood
200 copies. Black vinyl, white cardboard sleeve with postcard attached, stamped white labels, insert. Plays at 33rpm. Two new tracks from the Newcastle-based improvisor Joe Murray and his Posset, known from releases on Mantile, Chocolate Monk, No Basement Is Deep Enough and more. 'Fanzine Ink Dries Like Black Blood' was recorded on 9th Jan 2016 at Bookshop in Sunderland City Library. Mainly mainly made up of vocal-jaxx loops, dry breath and child chatter. It's the final four minutes of a longer …
Kenosis
300 copies. The result of a long period of study and retirement in a house in the Bologna countryside in the first three months of 2018, Kenosis renews the meeting between Stefano Pilia and Massimo Pupillo (already together on several tours of ZU and in the Zu93 project, together with David Tibet). A Greek word of Gnostic derivation (literally meaning "emptying"), Kenosis is the result of a process of composition that saw the two musicians move away from their usual writing methods and from the …
No. 4
Christina Vantzou follows her role in the superb CV & JAB album for Shelter Press with the starkly haunting No.4 in her chrono-numeric series of albums for Kranky. No. 4 took shape across roughly two years, incorporating a diverse array of musical and conceptual collaborators, including fellow Kranky artists Steve Hauschildt and John Also Bennett (of Forma) as well as Angel Deradoorian (ex-Dirty Projectors), Clarice Jensen, Beatrijs De Klerck and members of Belgium’s Echo Collective. During the …
Visceral Underskinnings
35 years after the release of their critically acclaimed 1981 album, Vibrant Stapler Obscures Characteristic Growth (SR 428LP), the British dadaist group Hastings Of Malawi release their second album, an epic sound poem entitled Visceral Underskinnings. It is a 40-minute film without light that reflects on the human condition, on modern society, on the nature of telephony and electricity and an attempt to make sense of the world in which we live that provides no answers. It is a sound collage of…
Musica Contemporanea Puertorriqueña
A quartet of beguiling Electronic & Tape Music figures from Puerto Rican composer Rafael Aponte Ledée, one of few operating there during the "Golden Era", consisting of pieces completed in the island's first Electro-Acoustic studio between 1974 & 1978. Starting with the ring-modulated & spring reverb-laden "Elvira Gimenez (O Al Otro Lado De Tica...)" things get off to a great start, getting into the same junkyard-sphere as Xenakis' "Bohor" in in its aggregate form of clockwork-innards & shifti…
London Taximi
Taximi is the improvisation during the performance of traditional musical pieces, using soloistic folk instruments. It has roots in the eastern Mediterranean and Arabic culture and can be commonly found in Greek music and specifically in rebetiko. Taximi is a free rhythm melody, an author's imagination, alternating between various emotional paths with a passion respective to each one who carries it. The main prerequisite in order to play a taximi is not to have excellent technical knowledge, but…
The First Words (Recordings 1984-1987)
** Hand-numbered limited edition to 500 copies, contains 64-page book with credits, notes and photos. 200 copies in english version. Slight wear due to storage, reduced price ** Optical Musics is a pioneering Greek avant-experimental project, founded by Costis Drygianakis and a group of people, formed in Volos. They were early experimenting with musical forms like free improvisation and electroacoustic experimentation etc, creating a highly personal musical idiom. From 1984 to mid-1987 the gro…
Live at White Cube
In collaboration between Christian Marclay and the London Sinfonietta, some of the world’s most renowned contemporary musicians have been invited to stage performances, including new compositions and live improvisation sessions inside the White Cube. Each performance over the course of the exhibition will be recorded, pressed and screen-printed live inside the gallery. Side A: Elliott Sharp, 'The Hidden Variable'.Side B: Elliott Sharp and London Sinfonietta, 'Glass Call'
Popsongs
'Popsongs' is the new project by Underthesnow. A collection of thoughts and sounds about pop. The cd is attached to a 40 pages 8" booklet that includes eleven collages by Stefano Gentile, two exclusive drawings by Massimo Giacon, an exclusive card designed by Lapo Belmestieri and writings (in Italian and English language) by Vittore Baroni, Manuel Gentile, Paolo Cesaretti and Marco Pandin.
Under The Snow is Gianluca Favaron: fields recordings, objects, mics, tapes, synth, analog and digital…
Collections I, Electronic Music With and Without Instruments
Second title in this 199-x series - itself dedicated to working through titles that had been languishing in limbo in the Creel Pone "nominations" sector for some time while specific "Golden Circle" Cabal members feud bitterly over their possible inclusion - offering the only LP by Scott A. Wyatt, following the fantastic "in Celebration of the 25th Anniversary of the Experimental Music Studios" set. Released at the tail-end of the 1970s on the Academic "University Brass Recordings Series" (UBRES)…
Jacques Bekaert (LP)
Continuing in the Igloo appreciation thread, here is a replication of IGL 008; Jacques Bekaert's 1981 eponymous LP - following 1979's "Summer Music" for Lovely - containing three tape pieces composed between 1969 & 1978, featuring contributions by a who's who of 60s & 70s Avant Garde & Fluxus figures - Takehisa Kosugi, Shigeko Kubota, David Behrman, David Rosenboom, Maggi Payne, George Lewis, "Blue" Gene Tyranny, Ryo Koike, amongst many others. The extended "Late Lunch" - at 28 minutes barely fi…
Silances
Continuing in the Creel Pone "6" Igloo program, here's a picture-perfect reproduction of one of the more obscure & bewitching entrants into the label's early discography, Henry Krutzen's 1981 "Silances" LP; IGL 006. Nestled somewhere between Ghédalia Tazartès' mutant Sound Poetry, Anton Bruhin's acoustic / Alphorn drones & the more "Private" sensibilities of Badouin Oosterlynck, Paul A.R. Timmermans, or latter-day channelers like Raymond Dijkstra, the largely quiet, humble multi-track constructs…
Musiques Vertes
Creel Pone replication of this fascinating, un-Google-able LP offering a largely acoustic take on historically electronically-assembled Musique Concrète, performed by the Collectif Musique Verte in 1982. An associate of Knud Viktor - who took the album's cover photo - and, by proxy, L'Oiseau Musicien boss Jean-Claude Roché, French "Composer and musicologist" Jean-Yves Bosseur was a member of the ensemble GERM - "Groupe d'Etude et Réalisation Musicale" - the same that realized that version of Ter…
Fustian Cutting
Phil Julian lives in London, and has been active in the experimental music underground since the late 90's under the alias Cheapmachines and lately under his own name. He is dedicated to analogue electronics as well as computer noise. Contact microphones, feedback and modular synthesizers are basic tools to what, after much work, could lead to the perfection of 2014's Trace LP or the excellent Quiet Trade tape. A wide spectrum from harsh noise to academic minimalism. An "anything can turn into a…
Still Life in Concrete
After a fruitful think-tank session (during which a selection of the european faction of the C.P. cognoscenti met in one of Berlin’s seedier bars to brainstorm new “candidates” for inclusion in the series, now in its 8th year) a couple of great titles were unearthed, the first of which is this fine outing, originally issued by the Columbia, MO -based Garuda label in the mid-80s consisting of a selection of “Imaginary Electroacoustics” by the composer Ed Herrmann, primarily composed utilizing the…
CMCD (Six Classic Concrete, Electroacoustic And Electronic Works 1970-1990)
This essential piece of history at last reissued, redesigned and repackaged. Keystone works from the various streams of musique concrete, electronic music, soundscape, electroacoustics and plunderphonics - including two masterworks from Eastern Europe, a territory traditionally overlooked in collections of this medium. It comprises: John Oswald's 'Parade', a complex work drawn and extended from Satie's celebrated ballet composition of 1917; Georg Katzer's monumental 'Aide Memoire' ('7 nig…