We use cookies on our website to provide you with the best experience.Most of these are essential and already present. We do require your explicit consent to save your cart and browsing history between visits.Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.
Ottomani is a project conceived by ADN and four of their friend musicians. Riccardo Sinigaglia, who had his debut album "Riflessi" on ADN. Ruggero Tajè, who made his first solo CD "Antologica 1976-1999) on ADN. Silvio Linardi & Matteo Uggeri who also had many releases on ADN. The concept was that all the four musicians had to create a basic track, that had to be enriched in three different passages by the other three musicians. After that the procedded track was returned to creator who was in ch…
This is the 3rd record of Ambienti Coassiali on ADN, this time officially shared with Riccardo Sinigaglia. Riccardo was already active on all tracks of "Spare Rooms" but here he is mentioned in the main titles. Side A consists of two long tracks and starts with "Guitambient 1" where a subtle treated guitar slowly crawls accompanied by small percussions, flutes and noises. Ten minutes wrapped in a calm climate evocating an ethnic eastern feeling. "Guitambient 2" proposes an intense interchange be…
Tip! Early acoustic guitar improv performances from the Bhutanese expat, who’d come to Asheville, NC to study in 2000 and discovered worlds of anarcho-punk and avant garde such as he’d only dreamed. Having made recordings of his newly-located improvisational conception, he intuited a desire to go deeper in his explorations of the recorded sound of the guitar, melding and colliding traditional music with his feeling for the range of textures within.
*200 copies limited edition* A series of electroacoustic/acousmatic perfomances by TeZ (known for his collaboration with Clock DVA and the works on 13/Silentes with Fabio Orsi), based on live processing of acoustic sounds and field recordings. The improvisation with hybrid DIY and traditional folk/ethnic instruments, environmental recordings and archive audio clips is expanded through a series of generative filters, delays, pitch shifters and harmonisers, orchestrated in ever changing feedback l…
Live At Loft Shinjuku Tokyo Japan 23 July '81 (with Totsuzen Danball) is a jazz related improv/composition music live album recording by Fred Frith released in 1982.
One of the most exhilarating shows he’d ever done, guitarist Chris Sharkey came away from his performance at the Fusebox in Leeds feeling alive. Just a few days before the world would slow, and two weeks before life in London would stop, keyboardist and 577 mainstay Pat Thomas, drummer Luke Reddin-Williams and Sharkey would go on stage to play for the first time together, having discussed and planned nothing. The improvisation, a gamble, worked. Recorded in one 50-minute track, one album, the pr…
On this album Lucie Vítková and Merche Blasco explore cyborgness through their relationships with their instruments. Lucie perceives the accordion as an extension of their body - sound, matter, and movement locked in a self-generating cybernetic loop. Merche built Anette, a 3D printer, as her interlocutor and companion in the performance space; in return, Anette printed thimble-microphones Merche wears on her fingers, which render the machine's unique electromagnetic voice audible to human ears.…
2023 repress. "In a trajectory full of about-faces, Music for Four Guitars splices the formal innovations of Bill Orcutt's software-based music into the lobe-frying, blown-out Fender hyperdrive of his most frenetic workouts with Corsano or Hoyos. And while the guitar tone here is resolutely treble-kicked — or, as Orcutt puts it, "a bridge pickup rather than a neck pickup record" — it still wades the same melodic streams as his previous LPs (yet, as Heraclitus taught us, that stream is utterly d…
2023 repress; LP version. "It's been ten years since Bill Orcutt released A History of Every One (EMEGO 173CD, 2013), a compendium of hacksaw renditions of American standards on acoustic guitar -- and since ten years is a blink of an eye, you are forgiven for not immediately realizing that we've gone an entire decade waiting for Jump On It, the next Orcutt solo acoustic record. As those of us of 'a certain age' will tell you (ad nauseam), a decade is a blink of an eye containing an infinity of e…
Throughout their legendary, decade-long run, The Shadow Ring were an enigmatic force on the international musical sub-underground. Before their disbandment in 2002, this shambolic rock outfit, formed by a group of rowdy teenagers in southeast England, left behind a mighty run of eight LPs, a handful of 7"s, and a spate of raucous live shows and cryptic zine appearances on both sides of the Atlantic, all which have bolstered their enduring word-of-mouth mystique. Beginning this year with the firs…
*2023 stock* The album ‘DnT’ shows a collaboration that shares pure rock energy and electroacoustic manipulation, amplified drums and distorted tape, feedback and re-injection, live processing and diversion. A large tape loop was also set up on two supplementary reel-to-reel tape recorders to create a random memory, delayed and unstable, acting like a distorting mirror. This recording is the result of two days’ work at Centre Culturel André Malraux de Vandœuvre-lès-Nancy, France, in July 2018.
Whitney K and band are back with an electric live album that captures the best from their classics ‘Two Years’ and ‘Hard To Be A God’, including a few nuggets from the back catalog and the unreleased tune aptly titled ‘Dire Straits’. If ‘Two Years’ was the thunder, the rawness and the spirit, a combination of outsider folk, modern psych, grit, humor and everything in between, ‘Hard To Be A God’ was the sophistication, the dedication, the mind traveling far and beyond… ‘Vivi!’ is the hot sauce mi…
"For the ear hears sounds from various combinations in accordance with the character of the melody and the instrument.” ─ Abraham Abulafia
Eight collective improvisations based on small musical ideas extracted from modern classical guitar works that make a beautiful suite of music; evocative, spiritual, hypnotic... The pieces found here are the consequence of a de-composing/re-composing process where each musician previously immerses into the music, transforming and combining the notes and rhyth…
Rick Potts is a founding LAFMS member, active in experimental music since the early 70's, and enormously influential on five decades worth of musical practitioners with a penchant for outer/freakdom sounds. Don't Think is a 2CD compilation of rare and unreleased recordings, spanning 37 tracks and 2.5 hours, and covering the entire range of Potts' musical output - from song-based new wave/art rock to more abstract loop-based noise (note the lowercase 'n') and mutant disco (disco of the Dennis Duc…
Magnetic pickups, analog electronics, and consumer detritus (springs, styrofoam, metal sheets, motors, magnetic tape, wood, dental floss) generate evolving/shifting/mutating sound-textures. Born in Canada, currently residing in Kobe, Tim Olive's discography includes releases on BISAD, Caduc, Chocolate Monk, Copy For Your Records, Dasa Tapes, EM Records, Hard Return, Humanhood, Intonema, Kirigirisu, Korm Plastics, Minimal Resource Manipulation, Notice Recordings, Pilgrim Talk, Steep Gloss, Tsss T…
**120 copies limited release. Pro-pressed CD in blood soaked white cardboard envelope. The blood is real. Assembled with red paper obi and thin inner- and outer sleeves. All signed and numbered on the backside of the blood soaked envelopes.** Tip! The Sunday lunches with his South-Austrian parents, the thick nearly rare beefsteaks accompanied by heavy red wine and uplifting Humpa and Schuhplattler music have carved an impression into Rudolf's mind, that still keeps burping up at times, but was e…
A note from Valerio Tricoli: "It is always very, very difficult for me to write about the music I was personally involved in making. As a matter of fact, a good reason for me to make music is precisely that I don't want to be a writer, and also to be able to shut up... for once. Yet, once a record is finished, invariably arrives the request from the publisher - in this case the great Lawrence English -- asking for a 'press sheet', a very weird, but apparently necessary form of literature in whic…
"After two and a half years of refining, calibrating, and reconceptualising their approach, pianist Darius Heid, cellist Emily Wittbrodt, and double bassist Jonas Gerigk are now releasing their debut CD. With great enthusiasm, the trio met frequently for playful and dedicated rehearsals, improvising freely then observing and discussing the resulting phenomena, delving further into the depths of their music. A long and involved process - creating trialogues that weave through constant re-examinat…
"Kuden is a method of communicating information verbally in Japan. The word also refers to the knowledge of secret techniques traditionally passed on orally, be it from martial arts or from music and the performing arts. An apt title for this exceptional, non-arranged meeting of three musical experts who tell each other about the rich vault of their sound treasures in order to enrich it with something new through this musical dialogue, which is immediately passed on to the spellbound, amazed aud…