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Aidan Baker's (Nadja) Triptychs takes inspiration from Erik Satie's compositions Gymnopédies and his notion of "furniture music," which many consider a precursor to contemporary ambient music. Each "triptych" is based around a simple, slow-moving melodic line, which repeats three times with the addition of a harmonic line upon each repetition, culminating in a three part harmony. Various musicians from different ensembles and musical backgrounds -- Peter Broderick, Julia Kent, Leah Buckaref…
More music involving the seemingly always-at-work Wojciech Kucharczyk (does the man ever sleep?), this time in a quartet alongside B a ej Król, Jerzy Mazzoll and Radek Dziubek. The project's title Dwutysi czny translates as 'two thousand' - referring, according to a brief recent interview with Easterndaze, to the year when Król first came across the music of the other three players, a discovery that eventually led him to write to them to ask if they'd donate him some of their recorded sounds to …
Painting Petals On Planet Ghost is the project formed in 2004 by the brothers Maurizio and Roberto Opalio, better known as My Cat Is An Alien, along with Ramona Ponzini, after years of synergistic interaction. The idea behind the project is to combine the most lyrical and melodic MCIAA sounds with the peculiar research carried on by Ramona and focused on the use of ancient Japanese poetry as a privileged source of texts to be set to music. PPOPG is therefore a project that reflects an escape to …
2011 release ** All the recordings were made at home in Athens between June 2010 and April 2011. No electronic effects, overdubbing or processing used. Ambient noise from several parallel events taking place in Greece at the time of recording has deliberately not been removed. "On Stroke by Stroke, the windows in Dimitra Lazaridou-Chatzigoga’s house are thrown open; you can hear the streets of Athens enlaced in her apothegmatic pieces for a radically prepared and refashioned zither. Knowing this…
Long overdue overview of composer David First's drone works. This special and specially priced set (3 CDs for the price of 2) is comprised of nine works composed between 1996 and 2009. Featuring Chris McIntyre and Peter Zummo, trombones; 'Blue' Gene Tyranny, keyboards; and The Black Jackets Ensemble. 'This was something unexpected and truly different: pulsing electronic textures that derived their rhythm from the beating patterns of closely-tune pitches -- as if Alvin Lucier and Philip Glass had…
LP only. Limited Edition of 130 copies. These 37 minutes mark a turning point in Uhlig,s work. "Genmaicha: At the opal seashore (the last full length Aalfang Mit Pferdekopf-album on Mystery Sea, October 2005) was a already a vague hint of what comes now: Uhlig on the peak of low volume.
"VIVMMI is divided into five segments accompanied by a host of verdant birds and the melancholic and peaceful humming chords of an old droning piano (and without much doubt: completely out-of-tune). As if someone…
2009 release ** The third full-length CD by AREA C, released this time by Students of Decay: "Glacial harmonics drift in and out of each channel, skittering, modulated notes pulse and surge, sputtering suddenly to luminescent manifestation before disappearing just as quickly."
Yellow Swans & Birchville Cat Motel is the first collaboration between these two underground phenomenons. Both groups have amassed sturdy back catalogs and a great deal of critical acclaim. This collaboration was recorded entirely in New Zealand both live and in the studio.
The Echo From The Purple Dawn is a brand new full length from C.C.C.C. member Hiroshi Hasegawa's solo project, Astro. Using a battery of oscillators, ring modulators and field recordings, Hasegawa has created an engaging and versatile album that masterfully drifts between spaced-out analog dream drone and a more extreme form of harsher droning. As Astro, Hasegawa is able to combine some of the harsher influences of C.C.C.C. into the world of analog space music to create the signature sounds of A…
2007 release ** "Comprised of Brad Rose (The North Sea) and Keith Wood (Hush Arbors), The Golden Oaks features road show magicians springing forth candles from wooded sanctuaries. Composed via the postal system, Autumn Testament is a hymn to the season of red, gold, and orange. A canopyn of leaves shelters the proceedings from the fog that threatens to obscure these sounds. This is a glorious combination of organic grace, blessed by the forests of past centuries and those still in their infant s…
2006 release ** D"ouble CD set reissuing the acclaimed "The last night of the Angel of Glass, Vol.I", original soundtrack to the omonimous film by Roberto Opalio (released on the long-out-of-print DVD-R/CD-R set by Foxglove, USA), plus the totally previously unreleased "Vol.II" (entire disc 2), representing the second half of a unique recording session. The work here available for the first time in its entire and remastered version was recorded by the artist himself at home in Torino, Italy, on …
This is the companion release to the Tom Carter LP titled Shots At Infinity 2 being released on Important simultaneously. Shots At Infinity 1 (the CD) is comprised of recordings from various basements in the northeastern USA from late 2007. Steering away from the more delicate string environments and modal folk improvisations of previous CDs, the disk features maximum loop delay drone overload stretched over long, densely harmonic tracks, retaining the melodic content and flow of earlier release…
Born in New Zealand, currently residing in London England, Peter Wright has spent the past decade or more producing limited release recordings of drift-guitar space walks of mesmerising beauty. Desolation Beauty Violence is his third CD release proper, after Distant Bombs (Last Visible Dog, 2004), and Yellow Horizon (Pseudoarcana, 2005). Recorded in London, spring 2003 along with Yellow Horizon, Desolation Beauty Violence is a very personal take on environment and landscape. Peter Wright uses a …
This curious quintet makes sounds that recall the glory days of Nurse With Wound: long, shapeshifting collages of psychedelic murk interrupted by random outbursts of industrial clatter, nightmarish drones, deeply bizarre audio mutations and tangible masses of sticky audio goop of impossibly vague origin. The Sleeping Moustache consists of five ten-minute tracks interspersed with five brief interstitial tracks. Everything blends together well because nothing blends together well; forced juxtaposi…
2004 release ** "Over the last two decades, Ellen Fullman has been perfecting her Long String Instrument. This unique instrument of her own design is some 80 feet in length and played by literally walking through it. The resulting sounds are beautiful gliding tones with a rich harmonic content. The CD presents two works from her time in Austin, Texas in the late 1980's which beautifully display a sound you can get inside of. These long tracks envelope you in their cascading overtones. Even thoug…
“Noe’s Lullaby is a mysterious recording in several senses of the word. Portuguese composer David Maranha has chosen to be obscure regarding instrumentation, listing the performers (a septet) but not what they’re using to produce the sounds. From the aural evidence and what one can discern from past projects of his, it appears that such devices as stroked metal strings, wine glasses, harmoniums, guitars, and percussion (all with perhaps some electronic modulation) are among them. The music itsel…