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Richard Hronský’s “Pohreb” uses intimate soundscapes—wood, radio, bird songs—to evoke childhood memories and the grief of loss, transforming personal audio diaries into a universal meditation on change, tradition, and time’s passage.
Originating from a Lisbon residency, Joana Guerra and Yaw Tembe’s duo explores slow, tectonic musical landscapes on ‘Orogénese.’ Their blend of eclectic instruments and ethereal voices crafts mysterious, timeless soundscapes, revealing hidden sonic futures through organic collaboration.
Snakes & Thunder explores the coexistence of meanings and sound as motion, focusing on balance, connection, and similitude. The album reflects on proximity and rhythm, inviting wandering, myth-making, and embracing the strange.
Peachfuzz’s ‘Impeachment’ showcases innovative interplay among Lisbon’s João Pereira, João Almeida, and Norberto Lobo. Their music spans meditative drones to energetic bursts, blending acoustic and electronic elements with playful spontaneity.
Earth Ball’s ‘Actual Earth Music Vol. 1 & 2’ captures raw live energy and experimental collaboration, from Vancouver chaos with Wolf Eyes to a transformative, improvised London summit with Beresford and Corsano.
*100 copies limited edition* In 1984, Música Electroacústica Mexicana was released as the third volume in the series Colección Hispano-Mexicana de Música Contemporánea, co-curated by Antonio Russek and artist Ángel Cósmos. This anthology served as a tableau of the contemporary state of Mexican electroacoustic music, featuring works by Russek, Raúl Pavón Sarrelangue, Roberto Morales Manzanares, and Vicente Rojo Cama. It marked the first-ever electroacoustic music release from Mexico. Although exp…
Pat Thomas, Tony Orrell, and Dominic Lash, known as Bleyschool, here perform as Lifeline, swapping acoustic for electric instruments in a spontaneous blend of noise, dance, and rock—exploring new sounds while maintaining deep musical rapport.
Amosphère’s »Cosmogonical Ears« explores time, space, and perception via long-form, minimalist-electroacoustic pieces, merging myth, meditation, and quantum physics for immersive, transformative sonic experiences.
Giuseppe Ielasi & Riccardo D. Wanke’s debut duo album blends electric guitar and piano with reverb, showcasing shared improvisational artistry and a delicate sculpting of sonic space through careful interplay and mindful silences.
*Dubbed on new ferro tapes* One long composition for each side. Reminding me of an ultra-stretched version of the beautiful interplays on talktalk’s spirit of eden. Brittle percussive repetitions and muted trumpets slowly maneuvering into lovely tensions.
*Dubbed on new ferro tapes* Tape loops, wind-up gramophone manipulations, and other audio fascinations. All of these sounds share the fact that they didn’t fit into any other release. Collected throughout 2024 and 2025, they were set aside on my harddrive. This is a documentation of scrap material, assembled in rough form.
A collection of photographs of everyday life, just passing by, on a constant search for those minimal hidden details, mysterious, yet full of awareness, meditative yet bristling with fervor. Mira’s debut for Maple Death ‘Erica’ reveals the artist’s constant transformation, a dense collection of six melancholy vignettes that spin cinematic neo-classical minimalism into slow-tranced lullabies and ancient folklore chants. Based between Rome and Torino the violinist and composer is a beloved figure …
Yvan Etienne creates sound installations and performances blending composition and perception. His work explores acoustic and electronic spaces, memory, and psyche, often in site-specific contexts.