Counterfeiting in Colonial Connecticut / a lot of tiles (trivial scan)
XI Records is very pleased to announce the release of a 2 CD set of Michael Winter’s music organized by guitarist Elliot Simpson. Each CD features a single composition, demonstrating different sides of Winter’s work. The first, Counterfeiting in Colonial Connecticut, is a socially-engaged piece written for Simpson and in honor of George Floyd. The second, a lot of tiles (trivial scan), derives music from a set of mathematical tilings (often referred to as tessellations). The album art features r…
Fernweh
Fernweh is the new tape by Danilo Ligato. Danilo Ligato is an Italian sound artist, musician and composer
Fernweh it’s passing musicFernweh it’s passing musicFernweh it’s walking musicFernweh it’s the noise of my memories Fernweh it’s the flaking of surfacesFernweh it’s a mysterious distant light Fernweh it’s the search for an intimate stillness Fernweh it’s a long nocturnal hugFernweh is it the nostalgia of the distance Fernweh it’s a fight in defense of silenceFernweh it’s a deep and shared sl…
For Trainspotters Only
Tip! As part of Ann Eysermans's For Trainspotters Only project, a vinyl record of the same name was produced on which various locomotives can be heard in different constellations.On the A-side are Prelude and Fugue for 4 diesel locomotives and harp. These compositions consist solely of locomotive and harp sounds. Both instruments were explored from top to bottom to extract their sonic qualities according to (often very strange) rules of counterpoint. Macro and micro sounds blend into melodies, h…
Schallschatten
Tip! “For the first duo release, Birgit Ulher stays close to her primary instrument, the trumpet. She plays that, as per usual, in combination with a radio, speakers and a voice changer. Early February 2020, she recorded a duet with Petr Vrba, also on trumpet and electronics, during a two-day met in Hamburg. Both musicians have quite a reputation when it comes to playing improvised music. Well, maybe improvised music covers only partially what they do. The addition of electronics and objects mak…
The Gratitude Of Sediment
An adventurous sonic exploration of the voice, cello and electronics.
A large component of Audrey Chen music is improvised, is completely un-processed and her approach to this is extremely personal and visceral. Her playing explores the combination and layering of an analog synthesizer, preparations and traditional and extended techniques in both the voice and cello. She works to join these elements into a singular ecstatic personal language.
Bleu (2Lp)
Following the first ever vinyl reissues of Aurore and Royaume, Aimant + Aimant - Penultimate Press is finally proud to make available the final part of this extraordinary trilogy. Etant Donnés's Bleu is the final gesture and culmination of this period of creation where poésie and la nature form a magical alliance that resonates as an alchemical wedding. Having the conviction that Bleu was the ultimate arc based on the purity of natural sound and poetry, leaning towards a mystical spiritual searc…
Meccanismi
Tip! ** 33 copies * Cristiano Carosi on tapes and samples, Devid Ciampalini on FM synthesizer and sequencer; each shape rolls into the next one with no previous plan, like skipping from a radio station to the other during a 40 minutes travel on the highway to planet earth year xxxx. Primo Tempo and Secondo Tempo were recorded live with no overdubs in February 2020, Terzo Tempo was remixed in April 2020
Album 1520
Tip! ** 33 copies * Cymbls's Collection of tracks spanning from 2015 to 2020. Recorded with analogue and FM synthesizers, drum machines, vocal samples, electric guitar, magnetic tapes and no hierarchies, mixing was close to the zero, shaping the sound is the sole purpose here. The result is a wild garden populated by shapes of surreal colours and species, previously unseen and strangely familiar. All sessions recorded on a 4 tracks tape recorder with no computer reprocessing
Cybernetic Defiance and Orgasm (2LP)
Henry Kawahara has been called “the Jon Hassell of Japan”, but upon closer inspection one finds that his work operates on very different terms. Like Hosono's forays into computerized Ryukyu folk “sightseeing music” or Tsutomu Ōhashi's Ecophony trilogy, Kawahara's world projected ancient musical traditions and notions of cultural identity onto the modern digital plane through a fusion of cybernetic thinking and pan-asian cultural introspection that makes Western attempts to do the same seem quain…
For Kounellis
The music on this recording was initiated when Grazia and Gianni Bolongaro, owners of La Marrana di Montemarcello asked me to record the sounds of Jannis Kounellis’ installation and make a piece in response. Kounellis’ untitled installation comprises 23 large church bells that appear to spiral out from a cylindrical chamber rooted in the Earth’s core. I was struck by the intensity of this chorus of silent tongues, facing the sky and projecting a colossal resonance that is felt but is not heard. …
Sonance for the Precession
The electroacoustic composition Sonance for the Precession was commissioned by Williams College Museum of Art (WCMA). The piece furthers Neil Leonard's practice in large scale sound installation, with recent commissions by documenta, Venice Biennale, and Fujiko Nakaya of Experiments in Art at Technology. The original composition, created for the quad adjacent to WCMA, played from the dome of the historic Hopkins Observatory, the oldest working astronomical observatory in the United States. The …
Work Ethics
White Centipede Noise presents Work Ethics by Altar of Flies. A new album recorded in summer of 2020, marking a fresh phase of creativity and passion from this virtuosic artist. An eclectic assortment of bumping, scratching, fluttering sounds blend seamlessly together with his signature heavy tape manipulations. The melancholic and emotionally charged elements found on many Altar of Flies releases are less present here, creating a more ambiguous dry atmosphere, as if sitting wide awake in the ey…
Batlahatli
Batlahatli starts where Drookitarlùp left off. Giancarlo Toniutti and James Wyness developed two electroacoustic compositions out of sound materials collected during their European travels in search for drookitarlùp. Exploring different relational morphologies, opening their systems to timbrally charged forms, from two points of the universe, it is true that, albeit the "archaic" descriptor was not entirely apt, they extended their theoretical investigations in music.
"Clustering on the geometry…
See Creatures Too
** A brand new Double cassette featuring one tape of studio recordings and one tape of live recordings! First pressing of 250 with artwork by Jaime Zuverza. ** Brand new sprawling double cassette document from Lisa Cameron & Sandy Ewen! "Sea Creatures Too" features one tape of newly recording studio tracks and a second tape of live tracks recorded on their Texas tour of 2019 (to celebrate the initial release of "See Creatures"). Almost 2 full hours of evocative soundscapes that expand upon their…
Winter
Kleistwahr is the solo project of Gary Mundy, the legendary power electronic and noise-rock musician who is a founding member of Ramleh and runs the highly influential Broken Flag label. Solemn drones and elegiac long-form passages gird Kleistwahr’s Winter, which often chimes, glistens, and glows through a unhurried constructs for organ, synth, guitar, and electronics. Yet Mundy pivots throughout with triumphant explosions of shrill noise, redlined overload, and harrowingly anguished vocals from…
49 Days - Music for a Transition
***80 copies*** The inspiration for this work came out of a tragic loss. I felt an overwhelming pull to create these two pieces following the sudden death of my father-in-law. In the tradition of the form of Zen Buddhism that I practice there is a ritual that is performed for 49 days following the death of a loved one. During this period the grieving chant the name of Ji-Jang Bosal, “the bodhisattva of transitions,” everyday for an extended time during meditation. The Buddhist mythology of this…
Cat Guarding Geese
Cat Guarding Geese is composed of field recordings and performances on Roosevelt Island, and a studio recording in Brooklyn, NYC. Tucker Dulin plays bells, bowl, can, cymbal, lentils, mallet, whistle and Ben Owen: paper mic, speaker boxes, op amps, cassette. Recorded by Billy Gomberg on Roosevelt Island, NY in January 2015, April 2015, March 2016 and in Brooklyn NY in February 2015. Mastered by Taku Unami
Drookitarlùp
Giancarlo Toniutti and James Wyness met several times in various European places to compose drookitarlùp, a 23' piece for 42 players with mostly folk, extraeuropean, or self-built and unusual wind, string, friction and percussion acoustic instruments. An orchestra of specialised players, The Kafkian Cladistique Claque, gathered with the authors at Andrej Bagar Theatre in Nitra, Slovakia.
They rehearsed time and again, then both composers conducted one performance each with their specific interpr…
Les Transports
One third of the France sauvage crew concrete musique made of field recordings, synths, drum machines & heart 3 super narrative works to be listened whenever you can technology and pebbles reconciled think Luc Ferrari & Lionel Marchetti bingo.
Composé, monté, mixé entre 2014 et 2015 Merci à Guillaume Dubreu pour les "crikaka", à Henri Michaux pour la "Grande Garabagne" et à Jo.
Mangé Par Les Oiseaux
Solo electronic improvisation using feedbacks, fields recordings and electromagnetic fields. New proposal fromthe man who hides behind Somaticae. Naturalism & noise electro-acoustics. Microscopic assembly and electron swirls.