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Experimental /

Laced With Rumour: Loud-Speaker of Truth
Weaving an intricately detailed tapestry of meditative, spiritual jazz and dream electronics, Maxwell Sterling’s astonishing second album "Laced With Rumour: Loud-Speaker of Truth" blooms in the cracks between Alice Coltrane, Talk Talk and Kara-Lis Coverdale, gently coaxing us into a trance-like reverie where the real and artificial morph into one pulsating organism.
Ascua
**200 copies** Layered lowercase electroacoustic improv from the US / Mexico City / German trio of Chris Cogburn on percussion and electronics, Juan Garcia on double bass, and Ignaz Schick on turntables, sampler and electronics, eclectically informed by concrete sources and abstract electronics over Garcia's bass work and Cogburn's threshold-crossing acoustics & electronic percussion. Recorded by Ignaz Schick at Ausland in Berlin on August 7, 2018.Mixed & Mastered by Werner Dafeldecker in Berlin…
Anáhuac
**CD version** Layered lowercase electroacoustic improv from the US / Mexico City / German trio of Chris Cogburn on percussion and electronics, Juan Garcia on double bass, and Ignaz Schick on turntables, sampler and electronics, eclectically informed by concrete sources and abstract electronics over Garcia's bass work and Cogburn's threshold-crossing acoustics & electronic percussion.Recorded by Ignaz Schick at Anáhuac 33 in Mexico City on May 22, 2016.Mixed & Mastered by Werner Dafeldecker in B…
Luz Azul
**350 copies** "Luz Azul is a group started by LA-based vocal and performance artist Anna Homler (aka Breadwoman) together with musicians Marcos Fernandes and Robert Montoya in 2007. On this record they compose their own mesmerising cosmic universe where the hypnotic speaking in tongue voice of Anna Homler blends mesmerisingly together with the sound of her found toys, intensified by the shamanistic percussion of Marcos and the pulsating electronics of Montoya. As fellow percussionists and sound…
Moov Spot
As after the first Musica Genera Festival here goes the release from the 2nd edition. First performance together by Dörner, Fuhler and Noetinger gives to the listener an unexpectable approach to the electroacoustic improvisation. Sounds of acoustic, analogue and digital instruments form together unique amalgamat of micro details, quality and energy.Axel Dörner: trumpet, computerCor Fuhler: analogue synthesizer, linguaphonesJérôme Noetinger: tape recorder Revox B77Recorded on May 22nd 2003 during…
Ashvin
**100 copies** Daksina is a new label rising from the ashes of the glorious Kelippah. Run by Pat Murano a.k.a. Decimus, also member of the No-Neck Blues Band, it presents its first two releases which come as extremely limited vinyl LPs housed in beautiful covers silkscreened by Alan Sherry at Siwa Prints on 12"x24" folded cardstock. On 'Ashwin' Tom Carter and Pat Murano offer two long and mesmerizing suites built on guitars and keyboards in the best experimental tradition that we would expect fr…
Outgrowing The Wretched Cradle
Limited to 300 copies. A wild new collaboration from long time touring partners and Blackest Rainbow buddies Deas & Allett. The record comprises of two side long pieces both with the same approach in terms of playing; Deas plays guitar pulling together his classical sound and his stunning recent experimental approach from his Quadtych releases while Allett does live manipulations, taking advantage of his long experience as one half of Towering Breaker. Deas and Allett seem to consistently push t…
Homotopy To Marie
**Silver & black and silver & white vinyl edition of 300** 'Homotopy To Marie' is the fifth album by Nurse With Wound, originally released on United Dairies in 1982. The album is a step on from the Dadaist rock of 'Merzbild Schwet', with much use of tape manipulation and classical avant-garde techniques, using keywords including unsettling, volatile, eerie and nocturnal to describe the feel of the album which combined tape edits with resonating gong tones and disembodied children's voices to cre…
Novella
The CD album entitled Novella consists of two electro-acoustic, not-experimental pieces composed in 2002 and 2004, and an almost 50-minute long composition from 2007-2009. This is what I noted down in a digital form; it's time frozen, time which has acquired a certain shape which, however, is by no means an emotional rendering of those gone days, hours, and minutes.  Aquaforta is only a piece called Aquaforta; it's the result of the artistic relationship with Agata Zubel and Cezary Duchnowski. T…
Kenosis
300 copies. The result of a long period of study and retirement in a house in the Bologna countryside in the first three months of 2018, Kenosis renews the meeting between Stefano Pilia and Massimo Pupillo (already together on several tours of ZU and in the Zu93 project, together with David Tibet). A Greek word of Gnostic derivation (literally meaning "emptying"), Kenosis is the result of a process of composition that saw the two musicians move away from their usual writing methods and from the …
Explosions
Probably the first recording (1965!) of improvised jazz combined with electronic music, as well as playing inside the piano and other new music techniques. Bob James (piano); Barre Philips (bass); Robert Pozar (percussion). Also including Bob Ashley and Gordon Mumma (electronic tape collage). The recording is made of an assembly of estranging electronic sound effects, trite sports commentaries, and the music of a beautifully improvising jazz trio. Bob James has, through this convulsion of out-of…
Musica Contemporanea Puertorriqueña
A quartet of beguiling Electronic & Tape Music figures from Puerto Rican composer Rafael Aponte Ledée, one of few operating there during the "Golden Era", consisting of pieces completed in the island's first Electro-Acoustic studio between 1974 & 1978. Starting with the ring-modulated & spring reverb-laden "Elvira Gimenez (O Al Otro Lado De Tica...)" things get off to a great start, getting into the same junkyard-sphere as Xenakis' "Bohor" in in its aggregate form of clockwork-innards & shifti…
At The Door
Limited edition of 118 copies. Henning Lahmann on Ezra Buchla's At The Door: "Ezra Buchla creates immersive, intricate, and at times overwhelming soundscapes carried by masterful viola and synth renditions, broken up only by his dark yet soft, almost hushed voice."
Iowa Ear Music
This one’s certainly a mold-breaker; closer in spirit to Cage / Tudor’s “Indeterminacy” than the sort of bedroom solo composer / producer / performer LPs that have been the Creel Pone archetype thus far. Improvisors were set up in 4 different isolation booths in the studio in Iowa State University’s recording studio during the ‘67 - ’75 seasons; these simultaneously-ocurring sound-events captured in real time, then collaged via tape & electronic processing by the studio-head Michael Lytle after…
Collections I, Electronic Music With and Without Instruments
Second title in this 199-x series - itself dedicated to working through titles that had been languishing in limbo in the Creel Pone "nominations" sector for some time while specific "Golden Circle" Cabal members feud bitterly over their possible inclusion - offering the only LP by Scott A. Wyatt, following the fantastic "in Celebration of the 25th Anniversary of the Experimental Music Studios" set. Released at the tail-end of the 1970s on the Academic "University Brass Recordings Series" (UBRES)…
Silances
Continuing in the Creel Pone "6" Igloo program, here's a picture-perfect reproduction of one of the more obscure & bewitching entrants into the label's early discography, Henry Krutzen's 1981 "Silances" LP; IGL 006. Nestled somewhere between Ghédalia Tazartès' mutant Sound Poetry, Anton Bruhin's acoustic / Alphorn drones & the more "Private" sensibilities of Badouin Oosterlynck, Paul A.R. Timmermans, or latter-day channelers like Raymond Dijkstra, the largely quiet, humble multi-track constructs…
Yogurt
Yogurt is the second release of the collective Blutwurst. Produced by Tom Relleen and Valentina Magaletti (Tomaga) the LP takes its title from the project Yogurt, started in 2013 and focused on the electro-acoustic exploration of unisons and drones. From its earliest stages the influence of new American music was essential to define the sonic identity of the collective: the music of La Monte Young and Alvin Lucier, as well as Europeans Giacinto Scelsi and Eliane Radigue, has represented and repr…
Jemh Circs
Edition of 300 copies Cellule 75 is a new label set up by Black To Comm's Marc Richter to release Black To Comm related music and a few select retrospective issues. The first release is the debut LP by Richter's somewhat arcane Jemh Circs alias, primarily working with voice samples culled from YouTube videos of modern-day pop music and the odd avant-garde curiosity, crafting seemingly simple loops and samples into minimal yet haunting songs, tunes, miniatures. Compared to his previous outings, …
Volume Two
2000 release. The second of two CD anthologies of the Organum/David Jackman back catalog, following Volume One (ROBOT 017CD). The series is not exclusively limited to reissuing early vinyl releases in their entirety, but is rather a "collection" series that also includes alternate mixes as well as previously unreleased material. Meticulously mastered for truly maximum fidelity, Volume Two includes material primarily culled from theIn Extremis and Horii sessions (12" titles originally released on…
Cuts
After Riccardo Dillon Wanke's 2008 highly-lauded solo debut, Wanke continued his interests in digital & analog manipulation of sound & its application into musical compositions. His work with guitars & keyboards (piano & rhodes) has started from pure radical improvisation & has drawn to the investigation of drones sounds, static music. "I explored for years the use of repetitive structures within different perspectives. in many cases, these figures involved long developments. 'cuts' is the effor…