BääFest: 1stand2ndyeardiary
2006 release ** Limited edition of 500 hand-numbered copies in cardboard sleeve. This record is a diary of the first 2 editions of BääFest (2004 and 2005). The bands offered thier tracks for this CD: the songs are unreleased studio or live contributes (from BääFest or other locations). Thanks to all the artists for thier performances at the festival and for their tracks. Thanks also to ControProgetto for their kind help all over these years. Featuring: Tasaday, OVO, Pin Pin Sugar, Freetto Meesto…
Classical Works II
*In process of stocking. 2022 stock.* In the 1990s David Shea was a regular on the downtown scene working with Anthony Coleman, John Zorn, Zeena Parkins, Shelly Hirsch and many others. Since 1998 he has been living and working in Brussels collaborating with some of Belgium's finest classical musicians, and performing his exciting solo concerts. Classical Works II, his third release on Tzadik, is the definitive document of Shea's new musical direction, bold integrating sampling technology into th…
stots
2005 release ** "The music contained in this awesome CD could be defined as an outsider's version of electro-acoustic composition, using improvisation & field recordings as the main material to build the pieces with. The point of departure for making the whole song cycle was the conscious misunderstanding of language; coming from the idea that you can never say exactly the same thing in a different language (so 'i love you' means something else then 'je t'aime'). 'Stots' and all the song title…
The thing like us
2008 release ** This CD is a realisation of the music written for the 2002 Veenstudio production Spinoza : I am not where i think myself to be. It is in two parts: Affectio and Epistola, based respectively on the definitions of the emotions from the third part of Spinoza's Ethics, and on a letter about free will Spinoza wrote to G. H. Schaller. Ayelet Harpaz - alto, Tatiana Koleva - percussion, Anne Falbourn - harpsichord, Carola Arons & Bert Luppes - voices, Paul Koek - director, Yannis Kyriaki…
Vox Ex Machina
2005 release (RARE) ** Curated by Jaap Blonk this is volume 15 in the Leonardo Music Journal CD series. Selections include ‘Kana’ by Tomomi Adachi, ‘O Som Que Circula Nas Veia’ by Americo Jorge M. Rodrigues, excerpt from ‘Mushroom Clouds’ by Christian Bok, ‘Vielleicht’ by Sprechakte X/treme, ‘OOA’ by Vincent Barras and Jacques Demierre, ‘… due Giorni Dopp’ by Ricardo Dal Farra, ‘Al Amin Dada’ by Jelle Meander, ‘En Do’ by Jorg Piringer, ‘Eighteen Earrers’ by Kenneth Goldsmith, ‘Voix Imprrsonel’ b…
Territorium
2005 release ** Hand-numbered edition of 300 copies. "Territorium will not play the game of a hermetic work and will immediately reveal the topography of its ambitions: to draw an incomplete and fragmentary map of field recording and ambient music. By bringing together five artists and six compositions. A doubly geographical project, since while the album as a whole reveals a committed geography of the genre, each piece is the anomalous and reconstructed geography of a place, a type of terrain, …
Compromize
1992 release ** Ten years ago the Wahrnehmungen label from Mainz, Germany, founded by the group PD was renamed Selektion (and PD changed to P16.D4). In 1984 artists joined Selektion to form a new kind of artistic project for music (S.B.O.T.H.I., SLP) as well as for visual arts. In this very recording, almost all members have, in various combinations, made their approach to an organization of sound. It is the state of things of Selektion's audio productions.Selektion are: M. Caspers, G. Lörcher, …
buda_rom
2002 release ** "This album features the Swiss three-quarters of the Swiss-French electro-acoustic improv group poire_z. It consists of live recordings from Budapest and Rome in late 2000. There are three "buda" tracks, each one lasting over ten minutes, and four "roma" tracks of three minutes and under -- the latter have also been remixed by Günter Müller and Norbert Möslang to serve as bridges between the main pieces. Müller has been performing with Voice Crack (Möslang and Andy Guhl) since 19…
Wireless_Within
2026 stock Together with the album Oystered of Ambarchi - Müller - Voice Crack on Audiosphere, wireless_within are the very last recordings of the legendary Voice Crack. Together with Müller and Melbourne-based Philip Samartzis they create stunning atmospheric soundscapes -- recorded one day after they visited together a rain forest in South Australia.
Tocsin - 6 Thru +2
Following their maxi CD »Tinnitus Vu« on Touch in 2004 »Tocsin« is the first full lenght album produced together by these two renowned sound artists. Whereas »Tinnitus VU« was mostly the result of Z'ev reworking material by Jackman, »Tocsin« is the result of the artists agreeing to meet and work together in the studio. They created and recorded sounds from a piano (which can be found at RMS Studios London) and a stainless steel instrument (built by Z'ev circa 1989), over the course of several ho…
Gyromancy
Mnemonists eventually evolved into the incredible Biota band. Before they did they released a series of LPs, including the art work that surrounds and informs their approach to improvisation. As Mnemonists their work is darker and more ominous than that of Biota, but the process was still the same: post-processing live improvisation to construct larger works that stood on their own two feet as compositional pieces. Think AMM, Organum, Faust; Mnemonists embraced their strategies but created somet…
M’Uoaz
1997 release ** "Japanese bassist Tetsu Saitoh stands out as a new hope from across the ocean. He's the new ray in the sea of bodies that play the same standard fare. These two recordings, released on his own Scissors label, outline the here and now in his present body of work. On "M'uoaz", Tetsu is surrounded by an all-star cast, which includes saxophonist Michel Doneda and percussionist Alain Joule. [Vocalist Antonella Talamonti joins the trio on one track.] The music is rather sparse. Joule i…
The seasons: Vermont
1998 release ** The Seasons: Vermont is a soundscape of Vermont as charted through the changes of its yearly soundings. It is a composition in four parts (Summer, Autumn, Winter, Spring) for magnetic tape collage with an unspecified live instrumental/vocal ensemble. Though the actual composing of the music was completed between 1980 and 1982, it is the realization of a ten-year composition project. Goldstein listened closely and became attuned to what was the particular sound quality of each sea…
Poire-Z
1999 release ** "Released in 1999 as a wave of electronic-based free improvisation was slowly overtaking the world of avant-garde music, Poire_Z appeared as the first such record by a supergroup of sorts. The duo Voice Crack (Andy Guhl and Norbert Möslang), Günter Müller, and ErikM's proposition was of a highly introspective, slowly building shroud of electronically derived sounds: the popping of M's vinyls, the clicks and crackles of Voice Crack's electrical devices, Müller's cheap electronics,…
Accidental
Fred Frith has been heard in all possible contexts, from solo improviser to composer of orchestral music, but he remains at his best when trapped in a studio, alone or with a few musicians, building layered pieces. This process previously yielded stunning albums such as the delicate Middle of the Moment or the avant rocking Speechless. Accidental features Frith performing all instruments and voices, mostly guitars, violin, junk percussion, and random radio tuning. This music was commissioned by …
Noe’s Lullaby
“Noe’s Lullaby is a mysterious recording in several senses of the word. Portuguese composer David Maranha has chosen to be obscure regarding instrumentation, listing the performers (a septet) but not what they’re using to produce the sounds. From the aural evidence and what one can discern from past projects of his, it appears that such devices as stroked metal strings, wine glasses, harmoniums, guitars, and percussion (all with perhaps some electronic modulation) are among them. The music itsel…
Agents At Midnight
2006 release ** "Agents at Midnight, eh? Sounds like the kind of film noir title Barry Adamson might like. But the music doesn't: it's a collection of raw, powerful improvisations for saxophone (Chang) and electronics (and harmonica) (Howard), a fine example of how the fences that used to separate Noise and Improv have been bulldozed into the dirt by the younguns across the pond (and a few of them here in Europe too). Chang's playing – alto sax, is it? not always easy to tell for sure – is rough…