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*40 copies limited edition* Poems without Words brings together fourteen improvised guitar solos by Xu Cheng, recorded over twelve years. Xu Cheng first emerged in the Shanghai underground in the early 2000s, as an early member of the harsh noise project Torturing Nurse. He went on to become a versatile sound artist working across a wide-ranging array of influences, from Fluxus event scores to Buddhist sutras. The project originated in Xu Cheng’s attempt to restore a broken instrument he had pic…
Bill Nace turns a traditional two‑string instrument into a focused sound laboratory, contrasting a feedback‑touched, spiralling first side with a pared‑back, bodily repetition that slowly blooms into vast harmonic space.
Black Truffle is pleased to present Radis, the first recording by the Oslo-based trio of Andrea Giordano (voice and organetto), Kalle Moberg (accordion) and Jo David Meyer Lysne (guitar and snare drum). Now based in Norway, Giordano is a native of Cuneo, in the Piedmont region in the north-west of Italy and her exploration of the Piedmontese language provides the starting point and conceptual anchor of the trio improvisations heard on Radis, which make use of the words of 20th century Piedmontes…
Big tip! *2026 stock* Recording Kang Taehwan’s music, his underground practice room has been the place where he has spent the most time with his saxophone and remains his most familiar space. The concrete and brick finishes, high ceiling, and asymmetrical structure in all directions create a unique reverberation. Because the shape of the room is irregular, the acoustic balance shifts constantly from side to side and front to back depending on the pitch.
Although Kang’s performance is on a single…
Pieces for Broken Piano turns a weather‑wrecked 1916 Gebrüder Stingl grand into an accidental “prepared” instrument, as Miroslav Beinhauer navigates new works by Terry Riley, Philip Glass, Milan Knížák, Gordon Monahan, Elliott Sharp, Milan Gustar and Yoon‑Ji Lee written specifically for its fractured voice.
On Wunderkammer, Jan Bang, Michael Francis Duch, Erik Honoré, David Toop and Mark Wastell assemble a single 38‑minute live trance of electroacoustic chamber‑drift, where Moe‑Repstad’s disembodied voice moves through gongs, bass and quietly uncanny objects like a ghost cataloguing its own reliquary.
*100 copies limited edition* Confront Recordings announces the release of Tapsalteerie, Depicted in Echo, a mesmerizing duet between Kurdish cellist Khabat Abas and Scottish improviser Ivor Kallin. Captured in the resonant hush of live performance, this album weaves ancient strings into ethereal echoes, where tradition fractures into boundless invention.
Abas's cello—rich with microtonal bends and nomadic grit—collides with Kallin's viola. What emerges is a tapestry of taps, scrapes, and shimmer…
*100 copies limited edition* Confront Recordings proudly unveils Metalurgia, a riveting new duet recording from Irish drummer Francis Comyn and pianist Adam Fairhall. Captured several improvisation, this album forges a sonic metallurgy where acoustic strings clash and meld with the elastic breath of bellows, yielding a dense alloy of texture, tension, and unforeseen resonance.
Comyn's percussive work interlocks with Fairhall's piano expanses and interventions. The result is a living forge: metal…
Wewantsounds is delighted to announce the first vinyl reissue of Disappointment–Hateruma, the 1976 ALM Records release by percussionist Toshi Tsuchitori and Ryuichi Sakamoto. The album is notable as Sakamoto's first recording issued under his own name and represents one of the few occasions he explored fully improvised music during the 1970s. It provides a vital document for understanding Sakamoto's early development as a composer and performer, capturing a period when he was experimenting with …
Soufflements Cardinaux invites the listener into a cartography of breath: Ensemble In(dé)fini map the four directions through extended techniques, hushed noise and prismatic overtones. Winds, strings and electronics trace invisible weather systems, turning each exhalation into a fragile, shifting architecture of sound.
Blue Abstraction compiles a selection of Jessica Williams’ lost prepared piano recordings. These recordings document the beginning of a vital, solitary phase in her career: a period of intense sonic experimentation that began with physically altering a 6’4” grand piano—creating a new instrument, and from there, creating a new music. The results are breathtaking; from melancholic soundscapes with Satie-esque lyricism to forcefully controlled cacophony, always grounded by the distinct emotional vo…
"I have been fascinated by the sound and potential of gongs since I first heard Stockhausen's Mikrophonie 1 in the late 1960s. When I moved to Oakland in 1999 I discovered the work of Karen Stackpole, one of the few percussionists in the world specializing entirely in gongs, and attended several of her performances. I always tried to imagine how I could combine my own sonic vocabulary with her incredibly rich array, and we enthusiastically agreed to a musical meeting which somehow kept being pos…
Bassist and composer Joseph Franklin returns to NM for a wildstyle heat exchange, actioned live in collaboration with synthesist, composer and improviser Ben Carey. Modestly, this one does what it says on the box, however ‘a thousand tiny mutinies live’ revises motifs and prompts from Franklin’s solo bass and extended technique LP for NM in 2024 with spectacular license, captured in stunning high resolution audio.
Surrounded by an encircling audience, Franklin’s fragmented acoustic cycles issued…
*Edition of 100* K/S/R (Ben Kujawski, Abigail Smith & Justin Rhody) have been performing and recording together since 2022. Recorded by the band themselves during a full week of day-long sessions - violin, percussion, lap steel, accordion, flute, guitar, harmonica, and rhodes piano were each stretched, damaged & made to sing through various extended techniques. The trio's non-concentric approach to collective improvisation mirrors the dark harmonic density and symbiotic formal structures of the …
October Flowers for Joe McPhee is a luminous solo work by Ken Vandermark, recorded in tribute to his longtime friend and mentor. Released by Corbett vs. Dempsey in March 2025, the album unfolds as a suite for reeds—melding lyricism, memory, and improvisation into a deeply human meditation on influence and kinship. Each piece, named after flowers, resonates as both homage and renewal.
That Wolf At The Door is a collaborative 2 CD between Henry Kaiser (Califonia, USA; guitar) and P.ST (Prague, Czechia; electronics). The first CD That Wolf At The Door is a solo baritone guitar disc that pays a heartfelt tribute to the late science fiction author Gene Wolfe (May 7, 1931 - April 14, 2019). The album is a testament to the decades-long friendship and mutual appreciation between Wolfe and Kaiser, two creative minds who shared a passion for pushing the boundaries of their respective …
Jonas Kocher returns to solo work with Archipelago, his third solo album, following Solo (2011) and Materials (2009). Across seven improvised pieces, Kocher explores the tension between control and unpredictability, between the organic and the mechanical. The result is a captivating music where precision meet raw physicality, and where each moment unfolds with striking immediacy. Rich in contrasts and textures, Archipelago navigates through resonant chords, fragmented melodies, sharp attacks, ha…
*300 coipies limited edition* This very special and wonderful solo performance by Oxford based Pat Thomas was recorded in Dublin during the first ever Reception Weekend event at the Complex. The piano Pat was playing had been very unique as it had copper plating on the interior giving the piano and strange and magical resonance. Nyahh Records is very grateful and excited to be able to share this performance with the world and to have Pat Thomas added to our list of artists.
Pat Thomas (b1960) s…
Composer, harpist, improviser, and educator Zeena Parkins has been a mainstay of the Downtown scene since 1984, performing with Fred Frith, John Zorn, Bjork, Ikue Mori, Yoko Ono, Pauline Oliveros, and countless others. Her newest project, years in the making, pays tribute to the fearless American visual artist Jay DeFeo. Zeena captures DeFeo’s bold experimentalism and love of beauty with a lush, exotic extended work for harp and percussion. Performing with her on a unique instrument built by leg…
‘Learning’ - Sophie Agnel’s first solo LP, feels like the dark, physical inversion of her excellent ‘Song’ which came out on Relative Pitch earlier this year. Sinking her unique sound into vinyl for the first time, the LP arrives as Agnel recovers from a brain tumour - a shocking discovery that will require Agnel to start again with the piano. It’s a terrifying prospect, but Agnel has been here before, having reorientated herself almost entirely away from her early classical training over the la…