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2024 stock. "Decibel is a fundamental point of reference for the preservation and refurbishment of the rock in opposition genre in Latin American lands. Originally released 20 years after the excellent, challenging debut effort "El Poeta del Ruido" (and soon afterwards rereleased with bonus tracks), "Fortuna Virilis" happens to be the ultimate statement of decibel's musical vision. This album, unlike its distant predecessor, does not give preferential room to sound processing and tape effects, b…
This album was recorded at Liu Ying Studio in Shenzhen. An improvised session on acoustic guitar from start to finish, it nonetheless demonstrates a highly original, coherent artistic conception: a distinct “Oriental” aesthetic redefined by Mamer’s own creative vision. In tracks like “Sleepless”, “Man from the East”, and “Backyard”, Mamer ingeniously deconstructs and deploys traditional Han Chinese music scales to serve his own purpose, adding artful ambivalence and rich subtleties to an unmista…
This series of reel-to-reel tape recordings, to be jointly released by Old Heaven Books and Liu Ying Studio, aims to offer to our listeners the best quality of sound we can achieve so far. Whilst a small part of these releases come from historical archives, the majority are freshly made by musicians we invite to our studio. We record these studio sessions − some of which free-improvised, others more composition-based − on reel-to-reel tapes. With high-quality studio equipment, we make a small nu…
“Eighty minutes of trumpet/electronics and alto sax. Here, the length works in its favor. An advantage, oddly, to listening at home (and reading the back of the sleeve): You know it's 80 minutes long so you "read" it as such, as it's happening, sitting back a bit, seeking a wider focus. Wright gets nicely strident here and there, Coleman generally staying with breath tones early on, getting more vociferous later, Kasyansky hither and yon, doing a fine job integrating and coloring. There's a brea…
Three extended improvisations recorded at the church of St. James the Great, North London, September 2007 - the first convocation of this unexpected quartet crossing different generations and playing styles. Max Eastley (arc - electro-acoustic monochord), Graham Halliwell (computer & electronics), Evan Parker (soprano saxophone) and Mark Wastell (tam-tam, metal percussion & harmonium) document a meeting of three generations of London free improvisation.
Parker has had a venerable presence as bot…
Duo improvisations recorded at Goldsmiths College, London, July 2007. Angharad Davies (violin) and Tisha Mukarji (inside piano) - two of the most distinctive young improvisers on the UK scene - unite for their first recording as a duo. An entirely acoustic affair impossible to ignore the heritage that goes before such a recording of piano and violin: the slow pace of Feldman and the New York School, the grey austerity of the Wandelweiser collective echo through these five improvisations.
Davies …
Four compositions by the US-Chinese composer:
'Of Monsters' - Ingrid Lee, piano Merima Kljuko, accordion'Cells' - Ingrid Lee & Rowan Smith, amplified snare drums'Bead Spit' - Ingrid Lee, piano, Max Kutner, electric guitar, Tony Gennaro, percussion'Another' - Eric KM Clark & Andy Studer, violins, Heather Lockie, viola, Meldoy Yenn, cello, Jake Rosenzweig, bass & Tony Gennaro, vibraphone
Wade Matthews (software synthesis, manipulated field recordings) and Stéphane Rives (soprano saxophone) recorded these four pieces in Madrid in July 2008, creating music that speaks to transformation, identity, and the improviser's paradox. The album takes its name from Ovid's tale of Arethusa—a nymph fleeing the river god Alpheus who, in attempting to escape change, becomes water itself. As Matthews writes in his liner notes, "in her quest to remain herself, she has become exactly what she fled…
Moonutatud Muundused / Distorted Conversions can be seen as an auditive synthesis of Kris Kuldkepp’s various musical activities over the last few years. Comprising a 40-minute exploration of musical entanglements, the album explores the double bass as a solo instrument with a rich timbre quality guiding the musical journey, being simultaneously not always visible or discernible. The double bass is like a trickster, taking many different forms over the course of the musical journey; its pure deep…
*300 copies limited edition* "One of the first things you notice about Dennis Tyfus is that his lips are too small for his mouth. This becomes especially obvious if you go out to eat with him late at night in Antwerp. He has to really grease up whatever sausage he chooses with a lot of mayonnaise in order to slide it through the taut sphincter that guards his mouthly cavern. This physical fact has made Dennis’s speaking voice a thing of horror for many years, but we have only just realized he is…
*150 copeis limited edition* Recorded at "Dei Suoni" event, as unique track, splitted in two parts for the cassette release. Limited edition of 150 hand-numbered copies. Comes with an original polaroid.
*150 copeis limited edition* Recorded at "Dei Suoni" event, as unique track, splitted in two parts for the cassette release. Limited edition of 150 hand-numbered copies. Comes with an original polaroid.
*150 copeis limited edition* Recorded at "Dei Suoni" event, as unique track, splitted in two parts for the cassette release. Limited edition of 150 hand-numbered copies. Comes with an original polaroid.
*150 copeis limited edition* Recorded at "Dei Suoni" event, as unique track, splitted in two parts for the cassette release. Limited edition of 150 hand-numbered copies. Comes with an original polaroid.
Joëlle Léandre and Lauren Newton have been performing together for nearly 30 years, having met in the mid-1990s in Paris. Throughout that time, they have always favored exploring the textures of music that are not arranged conventionally but rather are scattered, diffused, and dispersed through layers of sound. The voice’s high notes forge a variety of color fragments, while the low notes of the double bass create substance and depth. These two components remain inseparable as the sound settles …
*200 copies limited edition* Eight pieces of free vocal improvisation by the duo of Jason Kahn and Alice Hui-Sheng Chang, who have been working together since 2015. "I Smile When the Sound Is Singing Through the Space" is their second release and was recorded during Jason Kahn's one-month artist residency in September 2023 at Ting Shuo Hear Say in Tainan, Taiwan.
*300 copies limited edition* "Interplay" is performed by five singers, from tenor clef to treble clef, recorded in different places at different times. Each singer had not listened to what the others had recorded before. They actually did not sing words, but produced sounds, reacting to the voice on certain situations given by the author. Afterwards the five tracks have been combined together into a single track. The final result is an interplay of voices, an abstract sonorous space, disembodied…
*300 copies limited edition* Penultimate Press is proud to unveil a global collaboration that harnesses earth with combined members and atmospheres of Santiago, Chile, Salsipuedes, Argentina, Melbourne, Australia and Berlin, Germany. El Jardín de las Matemáticas (The Garden of Mathematics) was written and recorded by Alvaro Daguer (Glorias Navales/A Full Cosmic Sound/ETCS Records), Pablo Picco (Bardo Todol/Bolinga Everest Records), Tomás Salvatierra (Glorias Navales) and Mark Harwood (Penultimat…