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*43 copies limited edition* 'On his first solo album 'Onomat', Bill Harris, from Pittsburgh, who lives in Chicago, who is also the founder of the collective Amalgam, limits himself to his drum kit, microphones and amplification, producing a collection of striking sound sculptures. A good example where this approach leads is 'Mangosteen', in which the percussion movements are creatively distorted into an alienating stream of gritty sounds. We also find it in pieces like 'Razbliuto', only here it …
Original 1984 copy of self produced studio album from 1984. Recorded and mixed at Conny’s Studio. Insane instrumentation, expanding the boundaries of percussion. Michael Ranta is an american percussionist based in Cologne since early seventies. Known for his one off collaboration with Toshi Ichiyanagi, Takehisa Kosugi, live performances with Hartmut Geerken and his own improv group Wired. This one is a solo recording of Ranta playing Sha-tik, Mu-yu, Mok-eo, Mu-ban, Bamboo Tubes, Bungkaka, Tongat…
Limited edition of 200 copies.* Aonghus McEvoy is an Irish, Dublin-based experimental guitarist, who has played with musicians such as Annette Krebs, Ricardo Jacinto, Adam Pultz Melbye and Damo Suzuki. Aonghus’ long-term projects include a duo with chaotic synthesist Tristan Clutterbuck and he is a member of pioneering exploitation folk-rock group Woven Skull and the brutalist punk quintet Worst. Likewise, he counts among his many inspirations Eva-Maria Houben, J.S. Bach, Cornelius Cardew, Rhodr…
*2022 stock* Oscar Jan Hoogland is the sound of Amsterdam in person. He plays in the Muziekgebouw (Amsterdams main hall for modern composed music) as well as in the Bimhuis (Holland’s main jazz venue) that is literally attached to it, as in its parking garage. He is an instant composer, pianist and inventor of his own instrument by putting a clavichord, a keyboard instrument from the 17th century, on 220 Volt electricity.
As the last student of the late pianist, composer and improvisor Misha Men…
Amidea Clotet's Trasluz is the result of research into the sound and textural possibilities of the electric guitar treated as a source of sound amplification. Clotet creates spontaneous, raw and vivid soundscapes, which call for the importance of the present moment, of knowing how to listen to what surrounds us and to ourselves.
The Industrious Tongue of Michael Foster is a 2-part work probing the most intimate and sensitive glands of the saxophone's internal architecture. This work is dedicated to several filmmakers whose work explores the erotic extremities and complexities of contemporary intimacy which has served as a focal point of inspiration for this album: Hisayasu Sato, Takashi Ishii, Naomi Tani and Jacques Rivette.
*In process of stocking.* Paul G. Smyth is an Irish pianist who has worked with such innovative free improvisers as Evan Parker, John Russel, Peter Brötzmann, Derek Bailey and Keiji Haino, and runs the Weekertoft label. John Wiese is an American electronics musician, known for the Sissy Spacek project as well as his work with Sunn O))), Wolf Eyes, Merzbow and Evan Parker. The duo of Smyth and Wiese was recorded at the National Concert Hall in Dublin in February 2015.
"The Outlier" is a 54-minute…
“Terror Iridescence” is the 4th full length release by the latter-day, New York City based reincarnation of the seminal Punk Jazz/No Wave/Brutal Prog unit The Flying Luttenbachers, and the 17th album since 1992. After all of this, longtime fans tend to expect notable creative twists to be pulled by the band with each release, and this one will not disappoint. This time around, our heroes have issued forth a boldly abstract haunted-house salvo of dizzying surrealism, loaded with exceptionally biz…
The legendary Lebanese trio of trumpeter Mazen Kerbaj (Karkhana, Johnny Kafta), guitarrist Sharif Sehnaoui (Calamita, Karkhana, Johnny Kafta ) and bassist Raed Yassin (Praed, Praed Orchestra) celebrates their 20th anniversary with The Binding Third on Unrock.
They still create acoustic improvised drones that range from insistent, chiming resonances with emergency alarm bells to low, thrumming hums but with growing intensity. Avoiding conventional technique, A Trio manages to create sounds like m…
*In process of stocking. Limited edition of 100 copies.* Headlights Recordings presents Manuel Mota's new work Lux. Manuel Mota is known for the personal vocabulary he has developed for the guitar. His music draws inspiration from a multitude of references loosely rooted in the blues tradition to craft a sound which was highly regarded by Derek Bailey. Actual but transmitting an enigmatic sense of timelessness. The moment of creation- composition, and the instrumental execution- playing, are to …
*In process of stocking. Limited edition of 100 copies.* Headlights Recordings presents Manuel Mota's new work Via. Manuel Mota is known for the personal vocabulary he has developed for the guitar. His music draws inspiration from a multitude of references loosely rooted in the blues tradition to craft a sound which was highly regarded by Derek Bailey. Actual but transmitting an enigmatic sense of timelessness. The moment of creation- composition, and the instrumental execution- playing, are to …
*In process of stocking. Limited edition of 100 copies.* Headlights Recordings presents Manuel Mota's new work Hieme. Manuel Mota is known for the personal vocabulary he has developed for the guitar. His music draws inspiration from a multitude of references loosely rooted in the blues tradition to craft a sound which was highly regarded by Derek Bailey. Actual but transmitting an enigmatic sense of timelessness. The moment of creation- composition, and the instrumental execution- playing, are t…
'An investigation into some smaller sounds and interactions from this new trio, plus a few excursions into more expansive territory. All of the music was improvised and performed as heard, apart from the coda of the closing track Rotten Star which is a collage. Heartless, Heartless…… / Rotten State edits together, in alternation, parts of two separate longer improvisations. Pat plays grand piano interior and keyboard simultaneously for much of the album, while Johnny responds with sounds from a …
Bagman, an imaginary character dreamt up by this experimental jazz trio, roams around in the figurative soundscape, collecting sonic debris. From a piano played on the inside and outside, electronics, saxophones, drums and junk objects shape a frenetic musical environment. Captured live at Cafe Oto in London, Pat Thomas (Piano, Electronics), Raymond Strid (Drums) and Sture Ericson (Tenor, Soprano Saxophones) assemble fragmented sounds in haphazard, creative and thrilling directions. After years …
*In process of stocking* Jean-Jacques Birgé and Lionel Martin decide one day to improvise from sentences of Fictions by Jorge Luis Borgès taken at random… This record testifies to an alchemy, two musicians who have never played together, plug in the microphones and tell, tell, find each other… A testimony engraved on vinyl of a short but intense moment. Silk-screened and numbered sleeve signed Ella & Pitr.
Lionel uses two loopers and effects pedals, his Keilwerth saxophone being sounded by a cel…
'This is a powerful live recording without any arrangement by Japanese independent music icon Keiji Haino, who has been active in avant-garde activities straddling rock and free music in the underground realm since the 1970s, and Musqis, a performance group with an indefinite number of members led by multi-instrumentalist Hidenori Noguchi. Keiji Haino has been active since the 1970s, playing voice, guitar, hurdy-gurdy, polygonora, and various other instruments in solo performances and in bands su…
Full recording of one of the most engaging and beguiling Late Junction live sessions we’ve ever heard - the one off first meeting between Korean multi-instrumentalist Park Jiha and writer and performer Roy Claire Potter. Park Jiha plays the saenghwang, a Korean mouth organ which she blows in long multiphonics to set pace for Potter’s words. Together they unfurl a scene slowly in front of you, rich and focused, shifting your field of vision and drawing you in, elsewhere. It’s impossible not to f…
*In process of stocking. Limited edition of 100 copies on clear vinyl.* New self-released album of Bertrand De Lamalle (sax alto) & Pierre Gerard (cello) Recorded & improvised under a bridge 2020.
*In process of stocking* Tip! 'When our friend and inspiration Peter Rehberg passed suddenly in July 2021, I felt like I had to do something, and what I’m good at is something Peter deeply loved, producing records. so I put together this project with some of his longtime collaborators and friends, Lasse and Jérôme, Marcus Schmickler mastering and Tina Frank designing.
it’s titled Top for multiple reasons but one is that Top was often Peter’s entire reply to a message you’d sent, both concise an…