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What these performances then, and those in Impression Graz 1962, reveal is a great artist in a period of continued exploration and uncertainties, committed to integrating the exactness of order and the abandon of ecstasy, and reconfirming his improvisational quest as a spiritual discipline. But there were profound changes still to come. - Art Longe
The four tracks on this release have been selected from the 1962 concert tape which Hat Hut Records has licensed from ORF Stelemark, Graz, Austria. I…
Temporary Super Offer! Founded in 2005, Studio Dan is a flexible ensemble, operating on the borders between diverse subgenres of contemporary music: improvisation, new music, jazz, art-rock, and others. The ensemble tours internationally. Appearances include concerts at Wien Modern and Ostava Music Days, and venuse such as Kampnagel Hamburg, Kimmel Center Philadelphia, and the legendary Roulette in Brooklyn/NYC. Past guest soloist and collaborations with Studio Dan include also Vinko Globokar, E…
A live album at Kunstraum Walcheturm from Swiss double bassist Daniel Studer's quintet of strings and piano, with Harald Kimmig on violin, Frantz Loriot on viola, Alfred Zimmerlin on violoncello, and Philip Zoubek on piano, performing an inventive set of Studer compositions extending string improvisation to extremes through unorthodox structures and techniques.
The innovative string trio of Daniel Studer on double bass, Harald Kimmig on violin, and Alfred Zimmerlin on cello, develop focused environments of timbre, texture, dynamic and space, seemingly abstract yet incredibly concentrative and virtuosic interaction, here joined by Chicago trombonist and electronics artist George Lewis adding a 4th profound layer to their incredible conversation.
**100 copies** Zarabatana with Bernardo Álvares, Carlos Godinho, Norberto Lobo & Yaw Tembe . Recorded, mixed and mastered by Mestre André. ”The emotion flows from this improv, while maintaining a heterogeneous sound that makes its origins intriguingly difficult to triangulate."
Besom Presse announces Ask the Axes, the first collaborative release by the duo of experimental bagpiper David Watson and famed percussionist of The Necks, Tony Buck. Watson and Buck’s premiere recording documents two twenty-plus minute tracks featuring the hallucinatory sound palette of the Highland bagpipes, drums and percussion
"Here’s a duo called Cyanobacteria, consisting of Francesco Gregoretti (drums) and Renato Gricco (double bass), teaming up one day in September 2016 with Carl Ludwig Hübsch, a well-known improviser playing the tuba. The duo has a similar background, even if I only heard of Gregoretti before. The five tracks span fifty-two minutes and form an on-going exploration of ideas, textures and all of that within the world of improvisation. It is a meeting of like-minded people, with one foot in a more tr…
**300 copies** Duo recordings by Sven-Åke Johansson (vocals) and Simon James Phillips (piano), made in 2017 in Johansson's studio in Berlin. Phillips is an Australian composer and pianist working in the contexts of classical, experimental, and improvisational music. Johansson is a Swedish percussionist and performer in the circles of fine arts, new music, and free improvisation. Both live and work in Berlin.
"Simon arrived in my studio with songs by Jean Sibelius to try out. However, being bad a…
Canadian private press mega-rarity/obscurity from the artistically schizophrenic Bob Bell. Recorded in 1978, Bell splits the difference between his love of basement psych splatter/pummel and squalling free jazz ramble, the former occupying side A with a stunning four-part suite of wasted guitar scuzz and churning Krautrock-like drama with an akin to German Oak, Roland Kirk, Albert Ayler, DNA, Melt Banana (minus the vocals) and Guru Guru. The latter represents Bell as a saxophonist on side B, and…
Killer! 300 copies packaged in a double gatefold ruby recycled cardboard sleeve with silver embossed text on front, including a 32-page booklet. Archival and live recordings from Australia’s premiere prepared acoustic improvising trio. Formed in 2002, Melbourne’s Pateras/Baxter/Brown toured heavily between 2004 and 2008, playing a regular residency at the Empress in North Fitzroy in between extensive European tours. They performed multiple concerts in classical, electronic, jazz, grindcore and a…
Probably the first recording (1965!) of improvised jazz combined with electronic music, as well as playing inside the piano and other new music techniques. Bob James (piano); Barre Philips (bass); Robert Pozar (percussion). Also including Bob Ashley and Gordon Mumma (electronic tape collage). The recording is made of an assembly of estranging electronic sound effects, trite sports commentaries, and the music of a beautifully improvising jazz trio. Bob James has, through this convulsion of out-of…
2017 release ** Void Transactions is the most recent album of Alterations, released in 2017. Recorded at Cafe Oto during the live performance at Alterations Festival 2016. Peter Cusack: acoustic guitar, field recordings. Steve Beresford: piano, electronics, objects; Terry Day: drums, percussion, objects, balloons; David Toop: electric guitars, bass, flutes, objects.
Trost continues its Trost Jukebox Series of 7"s. Okkyung Lee - cello; Lasse Marhaug - electronics. Recorded at Lasse's studio in Oslo. No overdubs, minimal editing. Mastered by Martin Siewert. Artwork by Lasse Marhaug.
This is the third album by Norway's Bushman's Revenge (Even Helte Hermansen, Gard Nilssen, Rune Nergaard). Like great records from Elephant9, Scorch Trio, Supersilent, In The Country, Spunk, Fire! and others, Jitterbug was recorded in the old fashioned way, meaning the musicians played together and interacted live in the studio with few or no overdubs. With classic recording studios closing down all over the world, this way of recording could indeed soon be a thing of the past, and the world …
2014 release **
"The three pieces presented by Borg (piano) and Nørstebø (trombone) are spellbinding explorations of the low tone. Three pieces but they segue into one another effortlessly and, with the possible exception of slight variation in pitch (and I'm not even sure of that) are pretty much indistinguishable from each other unless I missing some subtle pattern shift. The sounds are all low and sustained--bottom of the keyboard piano and extremely low trombone (the disc says, simply, "trom…
2008 release ** Limited edition of 25 copies: 3" CDR affixed to a 5" square piece of 1/4" plywood with twine. the plywood is sprayed and stenciled on one side. disc is also sprayed/splattered. "Nearly 17min of solo electric guitar. three, almost equal length pieces. The middle, lighter one, is sandwiched in between two slabs of thick heavy guitar throb, ala Alasehir/Alumbrados".
2014 release. More solo percussion from Weighter Recordings, this time from Tim Feeney, whose work I had been unfamiliar with up to this point. The long, drawn-out drum rolls from which the album's two tracks are formed invite immediate comparison with the work of Weighter director-in-chief Nick Hennies, with whom Feeney performs in the trio Meridian. However, much as artists of the Sixties and Seventies explored the shared format of monochrome painting with very different concepts in mind…
A double CD featuring two extended live performances by the electroacoustic quartet of John Butcher (sax), Angharad Davies (violin), Rhodri Davies (harps) & Lee Patterson (amplifed devices)
"Although it might sound perverse to say so, Music for Piano may well be my favorite Gary Wilson record. Most people who dig Wilson are very into his lyrics, but I actually find them to be a bit taxing after a while. Those early records all sound and feel amazing, but what I really wanted was to hear the music without the words. I had high hopes when I found a copy of Another Galaxy, the 1974 Gary Wilson Trio LP, but it had a very different heft than that which Gary displayed on You Think You…
Jean-Noël Cognard is a big initiator of projects and collaborations both in the studio and on the stage. With his label, Bloc Thyristors, he documents these musical sparks. One recalls the great epoch of Soixante Étages, which, at the instigation of Dominique Répécaud, attempted crossing genres in studio recordings for the benefit of the music. Tribraque, is Jean-François Pauvros (guitars and voice), Patrick Müller (electrosonic), Jean-Noël Cognard (drums & percussion). A surprising trio which e…