New York Nuts & Boston Baked Beans
Violinist/vocalist C Spencer Yeh & unrivaled saxophone elder-titan Paul Flaherty team up without the assistance of acclaimed drummer Chris Corsano for the first time.Along for the jamz is bonkers Boston trumpeteer Greg Kelley. After performing numerous times and honing a distinct group dynamic as a trio over many years with celebrated percussionist Chris Corsano, Yeh and Flaherty decided to try it out one-on-one. The record comprises of the best from two live sets from a short duo tour in the No…
(un)sentimental
Though each member of the 13th Assembly is acclaimed in their own right this group is very much a singular musical experience. A planned NPR piece should help raise exposure for this sublime recording.
The Thirteenth Assembly began as a touring collective made up of four musicians and four musically distinct small ensembles: Tomas and Taylor's duo; Mary and Jessica's duo; Taylor's trio with Mary and Tomas; and the collaborative quartet featured on this recording. The group is a microcosm of an e…
(Another) Stunt
The second in a series of 3 EPs by Giuseppe Ielasi focuses on the use of one turntable and vinyl records as the source for raw material, with pulses as the main organizational principle. Short segments and loops or longer and more complex improvisations were collected via "turntablism" rather than through traditional sampling. Mastered and cut to lacquer at Dubplates & Mastering, Berlin. Pressed on 200g virgin vinyl and packaged in a full-color gloss-varnished jacket printed on heavy stock. Phot…
Hasardi
For their second official CD release (after a handful of cassettes and CD-Rs) this Helsinki quintet of horns, guitars, drums, and vocals forsake any sense of live atmosphere by mashing four years of recordings into a disorienting, rude collage of over the top takes on multiple forms of extreme music. More early 90s, Bad Vugum-damaged rock than 00s Fonal psych-folk, Hasardi is a tangent of the punk/hardcore continuum that veers wildly and often into free jazz, noise and just general weirdness. Ha…
For Hugh Davies
A unique celebration of the work of Hugh Davies, one of the great pioneers of improvised music who died three years ago. Solo recordings of Hugh from three decades ago are played back to a trio of musicians whose work has been influenced by Hugh, and they improvise around his music to create a living homage to his memory. Beautiful, strange and challenging music.
Dun
Matt Davis (trumpet & field recordings), Matt Milton (violin) and Bechir Saade (bass clarinet & flute) recorded in North London, november 2007. Exquisite music by a trio described in The Wire as 'three young musicians re-inventing improvised music'. Matt Davis and Bechir Saade, who are quietly building reputations for themselves as two of the rising stars of the improv world, are joined by newcomer Matt Milton whose quiet, careful violin playing underpins these three beautiful pieces.
The Act Of Observation Becomes The Object Itself
Over the many years of their existence, Australia's Machine For Making Sense have had many members. They play hurdy gurdy, vocals and electronics and wind instruments and electronics. Here they are together with Amanda Stewart (voice and text) and Rik Rue (analog and digital manipulation). As a 'band they explore relations between linguistics, poetry, speech, music, notions of sound, science and politics.' To that end the conversation is important - be it the conversation between instruments, th…
Organic, Playco 1969
The stable Quartetto that pianist Davide Mosconi, saxophonist Enzo Gardenghi, percussionist Marco Cristofolini, and cellist and violinist Gustavo Bonora brought to life beginning in the late '60s constituted the core of what would, in the early years of the next decade, become the larger improvising ensemble NADMA. The group was also an elegant and accomplished expression of the musical objectives of its members. This music expresses the rich yields that Davide Mosconi cultivated from his explor…
Spacecraft / Unified Patchwork Theory
Originally released in 2001. In the fall of 1966 a group of composers that included Frederic Rzewski, Alvin Curran, Allen Bryant, Jon Phetteplace, Giuseppe Chiari and Richard Teitelbaum organized "Avanguardia Musicale I," a festival of several consecutive nights at the Accademia Filarmonica Romana. The program included tape music, Fluxus performance art pieces, and live electronic works. It was also the beginning of the group MEV.
One year later, the group was in Rome, Italy, but also involved i…
stots
2005 release ** "The music contained in this awesome CD could be defined as an outsider's version of electro-acoustic composition, using improvisation & field recordings as the main material to build the pieces with. The point of departure for making the whole song cycle was the conscious misunderstanding of language; coming from the idea that you can never say exactly the same thing in a different language (so 'i love you' means something else then 'je t'aime'). 'Stots' and all the song title…
Modulation with 2 electric guitars and amplifiers
This is Otomo Yoshihide's second guitar solo release on doubtmusic. The concept of this work, however, is complely different from that of the first. Here, feedback sound issues from two amplifiers, each connected to one of two guitars placed on a tabletop. Due to this stereo effect, the feedback mutually interferes, producing beatlike fluctuations, creating black holes into which the sound suddenly disappears, sounding completely different depending on the position of the ears, creating the illu…
Episodes at 4AM
Bob Downes is most often thought of as a jazz flautist, composer and group leader, but throughout his varied career that has included such diverse musical activity as working with the John Barry Seven and playing on Egg's second LP, he also had his own fluid conceptual group Open Music with principle bass player Barry Guy and drummer Denis Smith. Other players that passed through Open Music include Chris Spedding, Kenny Wheeler, Ray Russell, Ian Carr, Henry Lowther, Harry Beckett, Harry Miller, …
Seventh May 2001 - Freedom of the City
Matchless Recordings presents a double selection CD of recordings from "Freedom of the City - festival of radical improvised musics", London, England on 7th May 2001.
CD 1 features:
Bark! with Rex Caswell - electric guitar, Phillip Marks - drums and Paul Obermayer -electronics.
Eddie Prévost - perussion solo.
Seymour Wright - alto saxophone, Yann Charaoui - snare drum, vocals, John Lely - piano, electronics.
CD 2 features:
Eddie Prévost Trio with Tom Chant - soprano saxophone and John Edwards -…
AMPLIFY 2002 | Balance
2003 release ** Featuring: Thomas Lehn, Toshimaru Nakamura, Tetuzi Akiyama, Günter Müller, Christof Kurzmann, Taku Sugimoto, Keith Rowe, Marcus Schmickler, Otomo Yoshihide, Burkhard Stangl, Sachiko M, Cosmos. "A document of the 2002 Amplify festival in Tokyo curated by Erstwhile's Jon Abbey. Disc 1 and 7 are smaller club shows that took place outside the Festival proper, disc 2 is a studio session that took place around the time of the festival and discs 3-6 feature eight of the twelve sets that…
Undistilled
Sakada is: Mattin (computer feedback), Rosy Parlane (computers and radio) and Eddie Prevost (percussion). "Undistilled was recorded at live performances in London and Rotterdam in 2002. Components are a restricted range of percussion (Eddie Prevost), electronic sounds confected earlier for intuitive, tweaked release (Rosy Parlane), and nervous hyper-attention to every noise present, allowing spontaneous digital transfiguration of some (Mattin). The product is a formidably dense mesh of textures …
Crow Country
Australian Ross Bolleter's new disc features five compositions. Four of them are solo works: "Unfinished Business" for ruined piano; "Under Rookwood" for double bass; "Labyrinth Tango" for accordion; and "Piano Dreaming" for ruined pianola. "That Time (Simulplay II)" is for a duo of prepared piano and double bass. Of course, with Ross, this thumbnail description tells not much of the story. So we'll let Ross say a few words. Step on down.
"During the drought that never ended at Nallan Sheep Stat…
Silver Pyramid
Matchless Recordings presents an historic recording. Eddie Prévost's Silver Pyramid performed by Music Now Ensemble directed by Keith Rowe in London in 1969. Includes Cornelius Cardew, Lou Gare, Keith Rowe and others. The music is continuous. Time codes have been inserted at intervals to assist retrieval. Pre-Scratch Orchestra Ensemble formed by / for the occasion of the four day 'Music Now' event at the Roundhouse, 1969. The motley crew perform Eddie Prévost's 'composition' 'Silver Pyramid'. En…
Metal Box
Mike Cooper: For the past 40 has been an international musical explorer, performing and recording, solo and in a number of inspired groupings and a variety of genres. Initially a folk-blues guitarist and singer songwriter his work has diversified to include improvised and electronic music, live music for silent films, radio art and sound installations. He is also a music journalist, writing features for magazines, particularly on Pacific music and musicians, a visual artist, film and video maker…
M’Uoaz
1997 release ** "Japanese bassist Tetsu Saitoh stands out as a new hope from across the ocean. He's the new ray in the sea of bodies that play the same standard fare. These two recordings, released on his own Scissors label, outline the here and now in his present body of work. On "M'uoaz", Tetsu is surrounded by an all-star cast, which includes saxophonist Michel Doneda and percussionist Alain Joule. [Vocalist Antonella Talamonti joins the trio on one track.] The music is rather sparse. Joule i…
The seasons: Vermont
1998 release ** The Seasons: Vermont is a soundscape of Vermont as charted through the changes of its yearly soundings. It is a composition in four parts (Summer, Autumn, Winter, Spring) for magnetic tape collage with an unspecified live instrumental/vocal ensemble. Though the actual composing of the music was completed between 1980 and 1982, it is the realization of a ten-year composition project. Goldstein listened closely and became attuned to what was the particular sound quality of each sea…