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Jonas Kocher returns to solo work with Archipelago, his third solo album, following Solo (2011) and Materials (2009). Across seven improvised pieces, Kocher explores the tension between control and unpredictability, between the organic and the mechanical. The result is a captivating music where precision meet raw physicality, and where each moment unfolds with striking immediacy. Rich in contrasts and textures, Archipelago navigates through resonant chords, fragmented melodies, sharp attacks, ha…
*300 coipies limited edition* This very special and wonderful solo performance by Oxford based Pat Thomas was recorded in Dublin during the first ever Reception Weekend event at the Complex. The piano Pat was playing had been very unique as it had copper plating on the interior giving the piano and strange and magical resonance. Nyahh Records is very grateful and excited to be able to share this performance with the world and to have Pat Thomas added to our list of artists.
Pat Thomas (b1960) s…
Sonde is a group of Montreal electroacoustic composers and performers. Their compositions were generally conceived for live performance on original sound sculptures. Through meditative improvisation, the group’s aim was to produce new music with sounds revealed by electroacoustic amplification and transformation.
Very active from 1976 to 1986, the members of the group included Andrew Culver, Charles de Mestral, Pierre Dostie, Chris Howard, Robin Minard, Michael O’Neill and Linda Pavelka. Since t…
*2025 stock* ET\OU arose from the convergence of two giants of current Canadian music: Martin Tétreault, a dazzling turntablist of international renown; and Michel Langevin, the famed drummer of the legendary progressive metal band, Voivod. For this promising duo’s first LP and CD, Oral and Minute have teamed up to introduce this unique partnership to all lovers of thundering sounds and electrifying performances. The intensity of their studio compositions and wide-open dialogues are unique and u…
*2025 stock* This CD is the re-edition of an LP made by Music Gallery Editions in 1978. It is (still) dedicated to the composer Mario Bertoncini who was the band main inspiration at the start for Sonde, a Quebec band active from 1976 to 1986. For most of the tracks in this recording the band was Andrew Culver, Keith Daniel, Charles de Mestral, Pierre Dostie, Chris Howard and Linda Pavelka. The notes on the back of the original cover mentioned: 'Live concert improvisations. Some of the pieces are…
“The body’s relation to the social is inseparable from, and of the same relation to the world, not a relation of objectification but a carnal intertwining prior to any reflective judgement.” -Rosalyn Diprose
Conversation No. 1/ Collecting Rocks from the Places We’ve Been is a solo for bass clarinet which can be performed as a duo, trio, or maybe someday with many, many bass clarinets, or in collaboration with other artists. Katie Porter is interested in creating systems of music that she can exist in together, for herself and others, music that collapses and expands on itself, where we are free to choose the phrases, iterations, and lean into the occurrences of overlapping tones, vibrations, multi-…
Lao Dan's innovative approach to music seamlessly intertwines elements of rock, free jazz, and noise with textures of Chinese folk music, creating a unique tapestry characterized by improvisational and aesthetic tension. His fearless transgression of genres, infusing Chinese folk-tinged free jazz with the raw energy of punk, results in a compelling and dynamic listening experience.
"How and why do we continue to make art in this bizarre time? Let me try here to offer a small break from insanity. I do believe that for listeners in our small pond, focused attention on sonic expression might help the individual keep a connection with their humanity and reinforce positive human endeavors—love, empathy, and truth-seeking. These seemingly obvious pursuits now need support as they are so unbelievably at risk. I offer this music as an aural refuge for mind and body. Such small bre…
Echo of Being / Grace in Rot is a powerful sonic meditation on grief by the duo Neti-Neti, composed of vocalist Amirtha Kidambi and percussionist Matt Evans. The project originated from improvisation sessions born out of personal loss, evolving from an intimate exchange into a practice that bridges the personal and the political.
1994 release ** Cardboard sleeve. The album features fragments of concerts organised in 1999-2004 as part of the Ujazdowski Castle Centre for Contemporary Art's "Strefa" Program. The recordings come from collections of Dominik "Wolfram" Kowalczyk, Jarosław Żwirblis, Jarek Guła, Marcin Witkowski, and from the artists' archives - thanks to them for making them available. Featuring: Andrzej Załęski, Pavel Fajt, Anna Zaradny, Polwechsel, Bartek Qźniak, Robert Piotrowicz, Burkhard Stangl, Ruins, Ceza…
*2025 stock* "Macrodose" marks Bill Harris's third solo record, following "Blinking Glue" (2022) and "Onomat" (2021). Harris's unique approach to solo drumming combines acoustic and electronic elements, utilizing feedback and timbral manipulation to create a distinctive auditory experience. Where Blinking Glue was a single-take, live performance which represented a snapshot of his live solo set, Macrodose returns to a similar format of Onomat, encapsulating shorter sonic spaces in a number of di…
The legendary double bass master is not appearing in our catalogue for the first time, but for the first time we have the honour of publishing music that has not appeared on Paul Rogers' albums many times before. A recital for solo double bass! If one could wish for the bass to speak, we believe that it does so most fully and poignantly when played by this wonderful master.
"Garden Variety" explores interdependence and intimacy through the emergent behavior of percussion instruments. Inspired by Anne Carson’s concept of Eros, the series blurs sonic identities, creating a composite instrument from motion. Amplification invites listeners into a tactile, resonant sound world.
"The beauty and power of Meshes of the Evening doesn’t come from isolated passages or specific exchanges, no matter how exciting and satisfying they may be. What has riveted me each time I’ve listened to the music is how Davies and Beins occupy a single space together, totally aligned and in a zone that makes time irrelevant. It would be wrong to say they’re in a shared trance because music that’s so detailed and subject to constant transformation requires a heightened awareness. Yet Davies and …
In the ongoing battle between technical virtuosity and authentic expression, most guitar "shredders" have chosen the wrong side - trafficking in overwrought drama while remaining devoid of soul, viewing music as competitive sport rather than spiritual exploration. Enter Cyrus Pireh, whose latest Palilalia release Thank You, Guitar represents nothing less than a revolutionary approach to "transcendental shred electric guitar music" that upcycles the despised 32nd-note neck sprint into something g…
Earth Ball’s ‘Actual Earth Music Vol. 1 & 2’ captures raw live energy and experimental collaboration, from Vancouver chaos with Wolf Eyes to a transformative, improvised London summit with Beresford and Corsano.