New York Nuts & Boston Baked Beans
Violinist/vocalist C Spencer Yeh & unrivaled saxophone elder-titan Paul Flaherty team up without the assistance of acclaimed drummer Chris Corsano for the first time.Along for the jamz is bonkers Boston trumpeteer Greg Kelley. After performing numerous times and honing a distinct group dynamic as a trio over many years with celebrated percussionist Chris Corsano, Yeh and Flaherty decided to try it out one-on-one. The record comprises of the best from two live sets from a short duo tour in the No…
(un)sentimental
Though each member of the 13th Assembly is acclaimed in their own right this group is very much a singular musical experience. A planned NPR piece should help raise exposure for this sublime recording.
The Thirteenth Assembly began as a touring collective made up of four musicians and four musically distinct small ensembles: Tomas and Taylor's duo; Mary and Jessica's duo; Taylor's trio with Mary and Tomas; and the collaborative quartet featured on this recording. The group is a microcosm of an e…
(Another) Stunt
The second in a series of 3 EPs by Giuseppe Ielasi focuses on the use of one turntable and vinyl records as the source for raw material, with pulses as the main organizational principle. Short segments and loops or longer and more complex improvisations were collected via "turntablism" rather than through traditional sampling. Mastered and cut to lacquer at Dubplates & Mastering, Berlin. Pressed on 200g virgin vinyl and packaged in a full-color gloss-varnished jacket printed on heavy stock. Phot…
Brombron 12: six strings
Korm Plastics is proud to present the eleventh release in the Brombron series. Originally a co-production between Staalplaat and Extrapool, it is now hosted by co-curator Frans de Waard. In the year 2000 Frans de Waard and Extrapool started the Brombron project. Two or more musicians become artists in residence in Extrapool, an arts initiative in Nijmegen, The Netherlands, with a fully equipped sound recording studio. These artists can work in a certain amount of time on a collaborative project;…
Mev 40
Utterly fantastic and indispensable overview on 4 CDs. "Musica Elettronica Viva (MEV) was begun one evening in the spring of 1966 by Allan Bryant, Alvin Curran, Jon Phetteplace, Carol Plantamura, Frederic Rzweski, Richard Teitelbaum and Ivan Vandor in a room in Rome overlooking the Pantheon. MEV’s music right from the start was also totally open, allowing all and everything to come in and seeking in every way to get out beyond the heartless conventions of contemporary music. Taking its cue from …
Musique Directe
Entering their twentieth year of existence, the GOL orchestra, together with the label Planam, celebrates and starts a new program of collaborations: the Gollaboration series.Volume 1, hence the title "Musique Directe", shows the band facing the leaders of Roumenian spectralism Ana-Maria Avaram and Iancu Dumitrescu. Electric and intense spontaneous experiments, on the edge of electroacoustic music and primitive avant-garde. Live recordings in Marseille and Paris with the participation of Ansamb…
Hasardi
For their second official CD release (after a handful of cassettes and CD-Rs) this Helsinki quintet of horns, guitars, drums, and vocals forsake any sense of live atmosphere by mashing four years of recordings into a disorienting, rude collage of over the top takes on multiple forms of extreme music. More early 90s, Bad Vugum-damaged rock than 00s Fonal psych-folk, Hasardi is a tangent of the punk/hardcore continuum that veers wildly and often into free jazz, noise and just general weirdness. Ha…
Andre Sider Af Sonic Youth
Andre Sider Af Sonic Youth is an album by Sonic Youth with Mats Gustafsson and Merzbow. It is the eighth release in the SYR series. It was released on July 28, 2008. It will not be released on vinyl. The album is recorded the first July 2005 on the Roskilde Festival. The album title is in Danish and means "Other sides of Sonic Youth".
For Hugh Davies
A unique celebration of the work of Hugh Davies, one of the great pioneers of improvised music who died three years ago. Solo recordings of Hugh from three decades ago are played back to a trio of musicians whose work has been influenced by Hugh, and they improvise around his music to create a living homage to his memory. Beautiful, strange and challenging music.
Dun
Matt Davis (trumpet & field recordings), Matt Milton (violin) and Bechir Saade (bass clarinet & flute) recorded in North London, november 2007. Exquisite music by a trio described in The Wire as 'three young musicians re-inventing improvised music'. Matt Davis and Bechir Saade, who are quietly building reputations for themselves as two of the rising stars of the improv world, are joined by newcomer Matt Milton whose quiet, careful violin playing underpins these three beautiful pieces.
Free zone Appleby 2007
Paolo Angeli (Sardinian guitar & electronics), Evan Parker (soprano & tenor saxophones), Ned Rothenberg (alto saxophone, clarinet, bass clarinet). The Freezone in 2007 was played by just three. The smaller than usual line up allowed for a more intense investigation of the relationships between the players. For the first time an entire set was played by all three musicians and this set was so successful that it is presented unedited, along with two duos. There will be no Appleby Festival in 2008,…
The Act Of Observation Becomes The Object Itself
Over the many years of their existence, Australia's Machine For Making Sense have had many members. They play hurdy gurdy, vocals and electronics and wind instruments and electronics. Here they are together with Amanda Stewart (voice and text) and Rik Rue (analog and digital manipulation). As a 'band they explore relations between linguistics, poetry, speech, music, notions of sound, science and politics.' To that end the conversation is important - be it the conversation between instruments, th…
Organic, Playco 1969
The stable Quartetto that pianist Davide Mosconi, saxophonist Enzo Gardenghi, percussionist Marco Cristofolini, and cellist and violinist Gustavo Bonora brought to life beginning in the late '60s constituted the core of what would, in the early years of the next decade, become the larger improvising ensemble NADMA. The group was also an elegant and accomplished expression of the musical objectives of its members. This music expresses the rich yields that Davide Mosconi cultivated from his explor…
Spacecraft / Unified Patchwork Theory
Originally released in 2001. In the fall of 1966 a group of composers that included Frederic Rzewski, Alvin Curran, Allen Bryant, Jon Phetteplace, Giuseppe Chiari and Richard Teitelbaum organized "Avanguardia Musicale I," a festival of several consecutive nights at the Accademia Filarmonica Romana. The program included tape music, Fluxus performance art pieces, and live electronic works. It was also the beginning of the group MEV.
One year later, the group was in Rome, Italy, but also involved i…
Friday
Brand new re-release of this MEV masterpiece. For the realization of "Friday", recorded in London in May 1969, MEV were Frederic Rzewski (piano, electronics, etc.), Alvin Curran (flugelhorn, etc.), Richard Teitelbaum (moog synthesizer), Franco Cataldi (trombone, etc.), Gunther Carius (saxophone, etc.). The main theme around this MEV piece is communication. Communication by means of music can be a very efficient means of reaching quick agreement among large numbers of people, because when you cal…
Music From The Once Festival 1961-1966
With Robert Ashley, George Cacioppo, Gordon Mumma, Roger Reynolds, Donald Scavarda, David Behrman, George Crevoshay, Philip Krumm, Pauline Oliveros, Robert Sheff, Bruce Wise. Ann Arbor, Michigan, seems an unlikely site for the establishment of a major avant-garde festival that would shake the new-music community. Tucked away in America's heartland, the city is equally removed from the Eastern metropolises whose artists pride themselves on sensing the pulse of the times, and from the nonconformis…
pieces
Third archival MEV release on Allan Bryant's label. The first track, 'Quadrupl Play', is a piece for rubberbands recorded in 1966 by Allen Bryant. It can be described as 'variations on melody' and was played at the first MEV concerts in St. Paul du Vence, France and at Teatro Argentina in Rome. The second track, 'Pich Out' (or 'Rocket Take Off)', for 4 guitars, is loud and thundering, played by 4 musicians through 4 speakers at Sala Beloch, Rome in March 1967. Features Rzewski, Phetteplace, Curr…
untitled (1968)
A previously unreleased document of MEV -- four sections of an improvisation recorded in London, 1968, spread out over 43 minutes. The line up was Bryant (synthesizer), Alvin Curran (trumpet, percussion), Frederick Rzewski (amplified percussion, singing), Jon Phetteplace (amplified cello). Powerful, historic noise and the first easily available MEV music on CD. Also comes with a Bryant solo synth wig-out piece at the end. Both of these IRML CDs come in regular jewel cases, and endearingly primit…
stots
2005 release ** "The music contained in this awesome CD could be defined as an outsider's version of electro-acoustic composition, using improvisation & field recordings as the main material to build the pieces with. The point of departure for making the whole song cycle was the conscious misunderstanding of language; coming from the idea that you can never say exactly the same thing in a different language (so 'i love you' means something else then 'je t'aime'). 'Stots' and all the song title…
Modulation with 2 electric guitars and amplifiers
This is Otomo Yoshihide's second guitar solo release on doubtmusic. The concept of this work, however, is complely different from that of the first. Here, feedback sound issues from two amplifiers, each connected to one of two guitars placed on a tabletop. Due to this stereo effect, the feedback mutually interferes, producing beatlike fluctuations, creating black holes into which the sound suddenly disappears, sounding completely different depending on the position of the ears, creating the illu…