Giano
**250 copies** "Lavorazioni Carni Rosse is a state of being rather than a way of playing. Subjected, like all of us, to subliminal and coerced external momentum. Warped, amplified, Improvised music. Giano includes two long suites. Side A starts with a very subtle electronic alienating sound that is enriched by treated vocals, double bass, noises and trumpet creating a suspended atmosphere that evolves slowly to an organized chaos that is quite unique. Side B starts with a double bass played with…
The Bath of Surprise
**Original 1980 copies, we managed to get only a few!** Recorded by Steve Beresford and David Cunningham. Instruments used include: acoustic guitar (with microphone and battery amplifier), percussion, piano, synthesizer (toy), euphonium, trumpet, toy piano, drums, whistling, bass, cymbal, drums, ukulele, cymbal, tape (previous performance), electronics, piano (with toy piano inside), and performer (with whirled bee, whirled tube, clarinet mouthpiece, footclickers, blechtrommel, giggle stick, mus…
F/Ear This!
F/Ear This! was originally a double album compiled at the end of 1986 and released in 1987 by PEACE, a completely informal gathering of ziners, activists, musical groups and small Italian record labels which included Blu Bus (Franti, etc.), Particolare Music (Plasticost), Rockgarage, Trax (Vittore Baroni, Piermario Ciani, etc.), Ut / communications (Giacomo Spazio), Catfood Press (Marco Pandin) and Tunnel Records (Detonazione).Marco Pandin was responsible for collecting the material. The idea fo…
Szc Zcz Cze Zec Eci Cin
"A trio comprised of Thomas Lehn (analogue synthesizer), Ivar Grydeland (guitar, guitar banjo) and Ingar Zach (percussion). All three come from the improvisation field and here you can find them in full form, treating their instruments with care and trust, bending and breaking the things at hand. The trio offers a very dynamic set of music, going from soft introspective parts to loud, vicious strokes. Their instruments sound usually unlike what they are supposed to sound, save, perhaps, for Lehn…
Moov Spot
As after the first Musica Genera Festival here goes the release from the 2nd edition. First performance together by Dörner, Fuhler and Noetinger gives to the listener an unexpectable approach to the electroacoustic improvisation. Sounds of acoustic, analogue and digital instruments form together unique amalgamat of micro details, quality and energy.Axel Dörner: trumpet, computerCor Fuhler: analogue synthesizer, linguaphonesJérôme Noetinger: tape recorder Revox B77Recorded on May 22nd 2003 during…
Kernel Panic
"You wake up and find a room full of things, but no music. Music has to be reinvented every day. You take your instrument and play - and there it is. Others come and talk about "influences" and f... jazz and clusters and all their helpless keywords. Joe Williamson and Olaf Rupp met in Berlin, Prenzlauer Berg in 1999 and played just from their simple inner impulse. They wanted to produce the sound that had to be produced. And why shouldn't they? Every craw does it. And every rusty garden door."Ol…
Aries
**75 copies** Another entry in Polonius' Last Transmythological Acrobats Series by the mysterious aggregator Seif Gaber. Players on this release include Matteo Pennesi, Luigi Monteanni, Seif Gaber, Lorenzo Rivosecchi, Giancarlo Brambilla. Recorded June 2019 at Standards, Milan, Italy.
Gemini
**75 copies** Another entry in Polonius' Last Transmythological Acrobats Series by the mysterious aggregator Seif Gaber. Players on this release include: Ivan Beljin, Linsey Wellman, Seif Gaber, John Peippo, Damjan Markovic, Chris Love, Patrick Bonne. Recorded April and May 2019 in Ottawa, Ontario, Canada.
Lignes de Fuite
"It is raw material rather than tool. Polished metal body or beslavered tube. Just tenor sax at the end of its pilgrimage. It is sculptural object - assemblage without original function rather than a museum artefact of musical viruosity. Heavy metals flowing through the sewer from the concert hall. Small scrap dried by sunlights. Bubbling, squealing and rustling. Circular breathing - as if you have been blowing glass. Objects shaped by breath. Sébastien Branche as a sculptor and a bricolier."Séb…
Tlamess (Sortilege)
**Orange vinyl, includes poster** Tlamess (Sortilège) is Oiseaux-Tempête's first original soundtrack composed for the second feature film by critically-acclaimed Tunisian director Ala Eddine Slim (Festival de Cannes' 51st Quinzaine des Réalisateurs, BFI London, ADF Argentina, Geneva GIFF, Rome Medfilm Festival, Marrakech International Film Festival). Combining hypnotic feedbacks and synthesizer orchestral work, drifting ambient with shamanic beats, the Tlamess (Sortilège) original soundtrack was…
Sound Mirrors
The UK’s network of crumbling sound mirrors - an early form of radar - supply cues for blues experimenter Mike Cooper and pivotal improvisor Mark Wastell (Company) in an inquisitive collaboration on Wastell’s Confront Recordings. The strange, austere relics of WWI were erected between 1916 and the 1930s and are found dotted along the South East and North East coastline of England, sometimes in farmer’s fields who’ll let you in for a look if you ask nicely (out to my guy in Boulby).With Cooper ma…
Fote
Following the short-lived Truth Club with Trefor Goronwy (who later went on to work with This Heat and The Camberwell Now), Fote was formed in 1981 with the trio of Robert Haigh, Deborah Harding, and Trevor Reidy. Releasing two 12" EP's along with one track featured on a split 7" with Truth Club, Fote's entire studio recordings consisted of just 8 tracks. With angular constructs of post-punk, free-form improvisations, and wicked time signatures, these tracks shredded boundaries one can still hea…
United Patchwork
One of the most mythical experimental groups of all time, Musica Elettronica Viva was formed in 1966 by a group of American composers in Rome, its nucleus comprised of pianist Frederic Rzewski, sound improviser Alvin Curran and the improvisatory keyboardist Richard Teitelbaum. Taking cues from John Cage and David Tudor, MEV employed open, limitless structures, using found instruments, toys, a homemade synthesizer and the first Moog to reach mainland Europe. Improv and critical listening practice…
A Higher State of Body and Mind
**200 copies** Lebanese saxophonist Christine Abdelnour brings an impressive, extended instrumental vocabulary to Joachim Nordwall’s cryptic electronics in this live recording made at Ystad Konstmuseum for Sweden’s Firework Edition Recordings.Falling deeply within the label’s taste for sounds that exist on the liminal edge of perception, A Higher State of Body and Mind sees Abdelnour coaxing spittle-inflected small sounds and bestial whimpers from her brass tool while Nordwall colours the negati…
Porous Structures
**250 copies** Ruben Machtelinckx has a new quartet. It is not a coincidence that the guitar is central, in particular the steel-string with its typical western sound. 2019 was a fruitful year for Ruben Machtelinckx (BE). This project is the last part of a triptych: in the spring Poor Isa, his duo with Frederik Leroux, released its debut album; in the summer he came out with the cassette Sualme with field recordings, improvisations and compositions; the winter appears to be the proper season for…
Monopiece & Jaap Blonk
"The improvising trio Monopiece lists its instrumentation as guitar, percussion, and electronics, but electronics describes far more than one third of its texture, since both guitar and percussion are amplified and electronically processed. On this release they are joined by the Dutch vocal artist Jaap Blonk in recording spontaneously generated music, edited and subtly processed to reflect the communal nature of its creation without interrupting the strong, improvised narratives of each piece.In…
Phase Eclipse
**200 copies** "Phase Eclipse is the debut of a duo featuring electronics musician Lea Bertucci and vocalist Amirtha Kidambi (both play other instruments, but not on this album). Even to say Bertucci’s on electronics is somewhat misleading, as her instrument on the album is, primarily, a reel-to-reel tape machine, which she uses to manipulate live recording of Kidambi’s vocals. The result is somewhat reminiscent of Peter Evans Quintet, where Sam Pluta plays a similar role as Bertucci does here. …
Laniakea
**150 copies** "Astral Spirits describes prolific Russian, Saint-Petersburg-based sax player Ilia Belorukov and Portuguese-Catalan, Barcelona-based drummer Vasco Trilla as “two under-sung heroes of free improv”. Both Belorukov and Trilla like to experiment with different objects and sounds in order to reinvent and enhance the sonic range and imagination of their respective instruments - the alto sax, fluteophone, Belorukov's electronics and Trilla's assorted percussion instruments. Laniakea was …
Even For Just the Briefest Moment...
Post-metal avantgarde power force Sumac - based around Aaron Turner (Isis, Old Man Gloom) - follow up their collaboration with legendary Japanese guitarist and singer / performer Keiji Haino on Thrill Jockey - American Dollar Bill - Keep Facing Sideways, You Are Too Hideous To Look at Face On (2018), with another monolith, heavy and experimental at the same time.Personnel: Keiji Haino - guitar, voice, flute, taepyeongso; Aaron Turner - guitar; Nick Yacyshyn - drums; Brian Cook - bass. Recorded a…
1973 -1976 -1979 (Musiq Musik + Parallèles + Catalogue) 3LP Box, coloured vinyls
Outstanding. **Jac Berrocal’s first remarkable albums in fully remastered form on 200g vinyl, contained within a beautiful box and individual metallic covers and 24 page, deluxe book** Every serious fan of avant-garde jazz knows that, for a great many years, France was a central axis for the global scene - a safe haven and source of support for countless visionary voices from the United States and other points abroad. Until recently, what has remained relatively under observed, is the country’s …