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1985 collaborative project by Nicola Frangione featuring Piermario Ciani, Naif Orchestra, Riccardo Sinigaglia and others of a highly enjoyable mix of experimental electronics and an original sort of synth-pop, privately released in a limited edition of 1000 numbered copies (this is nr. 847).
1983 project by Nicola Frangione in the collaborative style of Mail Art, a mix-up album privately released in a limited edition of 1000 numbered copies (this is nr. 75) featuring a.o.: Maurizio Bianchi, Arrigo Lora-Totino, Vittore Baroni, Masami Akita, Gerald Jupitter-Larsen, P16.D4, Luca Miti, Piermario Ciani, Naif Orchestra.
Paul Taylor is one half of Sutcliffe No More, formerly Sutcliffe Jugend. He is and was also a member of Inertia, Bodychoke and Slaves No More. Most of his music has its background in the power electronics scene that evolved in Great Britain around the label Come Organisation and the group Whitehouse. Power electronics is a style of noise music that typically consists of static, screeching waves of feedback, analogue synthesizers making sub-bass pulses or high frequency squealing sounds; with scr…
Geins't Naït was founded in Nancy, France, in 1986 by Thierry Merigout and Vincent Hachet, both students at the Architecture School of Nancy. A year later Laurent Petitgrand joined the band. Their sound is often described as an equivalent of bands like Einstürzende Neubauten, Coil or Test Dept., but Geins't Naït is not pure classic Industrial. While Geins't Naït offers rough pieces of music as an extension of its punk attitude, Petitgand refines them to create some musicality within the post-ind…
Unreleased archival recordings from 1980-84. A small chunk of early 80's Swedish DIY underground history from the legendary but rarely heard Fysisk Fostran. Based in the small town of Stenungsund north of Gothenburg and roughly active between 1980 and 1984, the group released a few cassettes as well as a fabled 7" that due to mysterious complications only exist as a testpressing in 4 copies.
Fysisk Fostran were inspired by the early UK industrial sound as well as post-punk and synth music, this …
Edition of 200 copies. Slithering out the fertile depths of Olympia, Washington circa 1985, Industrial Sponge “released” a lone 90 minute cassette onto the unsuspecting public. And by “released” we mean they would gift wrap the tape and leave it around Olympia and nearby Aberdeen at bus stops, on the sidewalk or in coffee shops, waiting for their bizarre manifestations to be discovered by whoever was in the mood for a mysterious free present.
Industrial Sponge was spearheaded by “Fearless” Fran…
*50 copies limited edition* 3-way collaboration featuring Mkl Anderson, Evan Hydzik and Mark Trecka. The two lengthy recordIngs that make up this release have a dreamlike looseness while also maintaining the psychic precision of practiced ritual. Recorded over 2 nights in May 2015, the first inside a concrete box and the second in front of an audience at the Hideout. No computers, no overdubs, no file trading. Liminal, textured, organic, folk industrial music.
Of Tanz Victims formed in the early 80s when industrial music was taking off in parts of North America. What started things off for OTV was a 7″ vinyl of gritty, looped and guitar-laden industrial that felt fresh and alive, with the name Fighting False God. On the 30 year anniversary of its first issue, Artoffact Records will release a remastered and redesigned edition of this Canadian classic.
Debut release of destroyed industrial hip hop. In Spite of Dreams is music for subjective realities. In Spite of Dreams is Gerritt Wittmer. Limited edition CD packaged in Digipak.
Arnold Böcklin's Isle of the Dead with an industrial twist Abrasive kicks and rust in oil on canvas.Four tracks that take us far down the styx. A fine offering from this Leipzig-based duo from Brest, regulars on the hardcore techno scene.
Tip! Tina Records presents Cargo Cult, six tracks from the Musci archives created using an extensive collection of traditional instruments combined with synthesisers and electronics, with remixes provided by Cut Hands and Nokuit.
Italian ethnomusicologist Roberto Musci, active since the mid 80s, has experienced a resurgence in interest since the 2016 Music From Memory compilation 'Tower of Silence', receiving endorsements from disparate influential figures. His music featured in a playlist Ryuic…
300 copies only! First-ever vinyl pressing of the band's inaugural EP, 'Sleepy Jazz for Tired Cats', featuring new artwork and mastering by Marta Salogni.
Established in 2013 by Valentina Magaletti and Tom Relleen, the duo operated until 2020 as a creative laboratory for the London-based musicians to explore beyond their traditional musical endeavours. They sought to deconstruct their usual sonic frameworks, venturing into a novel and unfamiliar auditory landscape. Their work seamlessly integrat…
In celebration of the 10th anniversary of Tomaga's debut album, 'Futura Grotesk', Hands in the Dark are re-releasing the long sold out record in a limited edition of 500 copies. The reissue is accompanied by the first-ever vinyl pressing of the band's inaugural EP, 'Sleepy Jazz for Tired Cats', featuring new artwork and 300 units available. Both records have been remastered by Marta Salogni for the occasion.
Always in search of exploration, with an obvious obsession for deconstruction their norm…
"Broken Allures", the fifth release from trio Jac Berrocal, David Fenech, and Vincent Epplay (following releases on Blackest Ever Black, Akuphone, KlangGalerie), furthers their unique recording style with a musique concrète approach to mixing, characterized by the distinctive sound and technique of musicians and producers. Fenech and Epplay have paired with legendary French musician Berrocal, renowned for his collaborations with Nurse With Wound, Vince Taylor, Jaki Liebezeit, Pascal Comelade, Su…
Biiig Tip! This is a strange one. Originally conceived as part of an anarchistic publication, the tracks culled from two live performances at separate locations in London’s Shoreditch got as far as the test pressing stage as long as 5 years ago and then forgotten. The publication never materialised and the cut lacquers and metalwork lay languishing in a dark corner on a dusty bottom shelf in the pressing plants storeroom. Forgotten until we were presented with a hefty bill for production and s…