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In Muto Infinitas, Catherine Lamb extends her distinctive approach to microtonality and just intonation, crafting a forty-minute dialogue for quartertone bass flute and double bass performed by Rebecca Lane and Jon Heilbron. The recording, realized without electronic alteration, invites deep listening, unspooling at an unhurried pace in a luminous acoustic field. Lamb’s music here is uncompromising in its patience: the two musicians linger in the borderlands of pitch and timbre, carving out a sp…
Sculthorpe Studies marks a thoughtful and searching entry from Josten Myburgh, situating contemporary ensemble practice within a deep engagement with Australia’s sonic environment and historical legacy. Drawing direct inspiration from the harmonic language of Peter Sculthorpe, himself known for invoking landscape and indigeneity in his music, Myburgh constructs a work for sextet and field recordings that is at once interrogation and homage. The piece unfolds in a sequence of episodes, each pairi…
On Single Track, Michael Winter delivers an exercise in continuous transformation, realized by Liminar with a deftness that makes process audible without diminishing expressive intimacy. The work opens in a blur of kinetic string textures, mapping a single gestural arc that narrows and distills over the course of forty-six minutes. Through the canon form, what begins as a flurry of interconnected voices decelerates stepwise, granting each timbral shift and harmonic overtone maximum clarity. As …
With Hlaholika, Adrian Democ offers a collection of chamber pieces unified by a focus on stillness and the unhurried unfolding of sound. Rather than chasing after overt drama, Democ’s writing reveals itself through the subtle layering of sonorities and stark, melodic lines, letting each instrument’s character shine. Apartment House brings sensitivity and patience to these recordings, allowing the music’s quiet radiance to emerge organically, rather than by force.
The album opens with “Ma fin est…
* Edition of 250 copies. 180g vinyl, includes insert * The ambient/cross-genres record label Concentric Records (Simone Merli / Soundwalk Collective & Luca Calo / Born In 1986) - launches Colliding Wind, the second compilation of its introductory release trilogy. Featuring music by Christina Vantzou, Echium, Etapp Kyle, Jana Winderen, Kareem Lotfy, Soundwalk Collective, Tragic Selector (Daisuke Tadokoro & Terre Thaemlitz), the album is composed of a wide spectrum of ambient, field recording-base…
Harry Bertoia's Glowing Sounds LP contains three versions of the same composition, each transferred at different tape speeds in accordance with the artist's instructions. This is the third LP to be released from Bertoia's extensive tape archive and it's the first, of many, to be released using instructions left behind by the artist himself.
Bertoia wrote the concept for this Glowing Sounds LP on a note in 1975 and slipped it into the master tape case where it sat unread for 45 years. The idea wa…
Giancarlo Toniutti and James Wyness met several times in various European places to compose drookitarlùp, a 23' piece for 42 players with mostly folk, extraeuropean, or self-built and unusual wind, string, friction and percussion acoustic instruments. An orchestra of specialised players, The Kafkian Cladistique Claque, gathered with the authors at Andrej Bagar Theatre in Nitra, Slovakia.
They rehearsed time and again, then both composers conducted one performance each with their specific interpr…
Four pieces for cello & electronics by Judith Hamann. The second of Another Timbre’s ‘quarantine commissions’, this was produced in lockdown from Covid-19 in spring 2020 on the island of Suomenlinna in Finland. "Since I started the project I have been thinking a lot about collapse as an idea, and it’s become a really important means of thinking with and through certain ideas and experiences. Collapse in the sense of this album refers to a buckling of structure, of multiple layers suddenly witho…
The Way to Go Out offers an absorbing journey through three interconnected pieces by Newton Armstrong, exploring themes of repetition, layering, and shifting musical focus inspired by visual art and landscapes. Performed by the Plus Minus Ensemble alongside Séverine Ballon, the album balances textural nuance and structural rigor, weaving together acoustic and electronic sounds with a fluid, measured pace that invites deep listening. Armstrong's fascination with the "in-between" moments - where l…
Five pieces by the radical young Belgian composer, Maya Verlaak, impeccably performed by Apartment House, and the soloists Sarah Saviet (violin) and Mark Knoop (piano)"Subversion has destructive connotations. However, subversion can also mean reversing a current standard: being subversive can be anything that challenges an existing system. My approach to subversion doesn’t destroy current standards, but it uses the standards to create, while developing solutions to its own characteristics and p…
* 2020 Stock * Bob Rutman's life could be compared to the life of Odysseus, although we're not here to write his biography. Putojefe is happy to present his phenomenal Noise In The Library, recorded with the U.S. Steel Cello Ensemble, an all-steel string quartet established by himself in Boston in 1976.
The Ensemble consists of one Steel Cello and three Bow Chimes, played by Rutman and a rotating cast of guest musicians: in this instance, Daniel Orlansky –one of Rutman’s closest collaborators an…
Originally released in November 2014 when we had just started out, we're incredibly pleased to reissue one of our very first releases and one that we truly believe deserves more attention. Composed, Performed, and Recorded by Sarah Hennies in Austin, TX & Ithaca, NY 2012-2014.
“The Reinvention of Romance,” a new work for percussion and cello that examines the care and empathy that emerge when two lives share space. Over the course of 90 minutes, a series of repeating patterns creates a peculiar kind of harmony in which two musicians are rarely “playing together” but are nonetheless intimately bonded. The Knoxville-based duo Two-Way Street (Ashlee Booth and Adam Lion) commissioned Hennies to compose “a very long piece;” for this recording they step into its two intertw…
To be heard with ears half bent, or with one side facing what Maryanne Amacher calls “the third ear”. The great reverence in which the Tanpura is held by Indian classical music, its transcendental but occulted place in the tradition alongside its normal function as a drone, made a strong impression on the composer such that it has taken decades to formulate even a simple Tanpura Study.
The fundamentals, the Om, as well as the overtones, the music of the spheres -all these have their valid rights…
Brussels-based string quintet BOW celebrates musical freedom. Juggling between their own written music and pure improvisation, the ensemble has worked since its creation on a personal and modern approach, digging into their instruments' capabilities and blending a large scope of influences.
Its debut eponym LP, due to be released on Sub Rosa, gathers five instantly-composed pieces that were recorded live by Christine Verschorren in the Echo Collective studio in Brussels. During the day, BOW repe…
The "The Lightest Words" by Kirsten Reese is now available at World Edition. Kirsten Reese studied flute, electronic music and composition and lives in Berlin, where she teaches electroacoustic composition at the University of the Arts. In her works Reese often focuses on performative and narrative aspects, as is the case in the three pieces on this CD.
The first track "the lightest words had the weight of oracles" features the historical and specific tone colour of the Fairlight CMI Synthesize…
The new double album from artist Sarah Davachi is an 80 minute, 17 track meditation on impermanence and endings, framed by minimalistic organ études and careful harmonic layering, with two tracks featuring the artist’s own vocals for the first time.I spent a lot of time while working on this album thinking about impermanence and endings, which led me to change my understanding of “vanitas” and “memento mori.” These concepts arise allegorically across classical antiquity and Buddhist thought, amo…
Since the early 1970s, Jacqueline Humbert has collaborated as performer, visual artist, and designer with leading innovative artists, filmmakers, choreographers and composers worldwide. Her approach to vocal performance has influenced many composers, and the works in Chanteuse represent a new and exciting extension and reinterpretation of the "song" genre. Humbert on the release: "Chanteuse is a collection of new or previously unreleased songs, many of which were written for me by a broad range …
The eclectic sensitivity of the composer Roberto Laneri (Prima Materia) looks unparalleled in the Italian avant-garde context. Anadyomene, published for the first time in 1987, shows the myth of Venus in a dystopian and dreamlike world. Laneri conceives a sound poem that opens up to the archetypal dimension of the water creation, through the symbol of bivalve conch, the myth of the feminine power is narrated thanks to the verses of the renaissance poet Angelo Poliziano. Creating a daring connect…
**Edition of 250 copies in tipped-on sleeves with Japanese obi, insert and postcard. Entirely handmade sleeve edition of Painted Screens – designed & assembled at Impression Lointaine.**
Music box : intimate music with a large palette of instruments ; Voices and sounds, mixed feelings and mysteries…A window opened on travelling memories, half-awakened thoughts and shared moments – dreamed and nocturnal wandering atmospheres, with undulating rays sporadically lighting a subconscious painting.
In …