M21
Underpinning the foundation of “M21” are some incredible low frequency drones created by amplifying the hum from portable record players. Ugly contact sounds from touching the arms, noise and scratches: all kinds of sounds fly past, warped into a tough, tenacious sound world.
"So this is how you push turntables into revolt! Divorcing them entirely from their original purpose, into a repeating infinite amplification of motors (rotation) and cartridges (contact). Essential!" - Otomo Yoshihide
Immediate Music III
Olavi Louhivuori Presents "Immediate Music III" - A Boundary-Pushing Musical Triumph with drummers Glenn Kotche and Tony Buck
Kinetic Vision
Composer Masamichi Kinoshita, cellist Tomoki Tai, and composer/computer musician Takumi Ikeda perform on electrical equipment and electronics in the electric noise project Electric Powered Music. Kinoshita and Tai started playing sessions together around 2008 and were joined by Ikeda soon thereafter. This album includes two live improvised performances presented at Ftarri, Tokyo. The performance on track 1 (42 minutes) took place on February 26, 2023; the track 2 performance (31 minutes), on Oct…
Smelt
Bent Window presents Tim Olive's new release "Smelt", a buzzing conveyance of sound manipulation made from the leftovers of our mechanical world. Hum, crash and crackle combine for a unique journey into electronic disaster. Magnetic pickups, analog electronics, radio signals and consumer detritus (springs, styrofoam, metal sheets, motors, magnetic tape, wood, dental floss) to generate sound-textures which evolve, shift and mutate. Born in Canada, currently residing in Kobe, his discography inclu…
Hangman Cut Himself Loose
*2023 stock* Hangman Cut Himself Loose is the debut full-length CD from ascendant NYC-based noise artist Kyle Flanagan. This is the new psychedelia, an expansive album that ranges from blistering harsh noise to expansive drones. Deep space explorations launched from grimy basements. The perfect blend of careful composition and hallucinatory experimentation. A revelatory noise recording that builds on a series of well-regarded tapes for labels such as New Forces, Dead Gods, and No Rent. This is m…
Pleasure Pressure
New Forces presents "Pleasure Pressure," Joe Colley's latest LP of expert sound composition. Damaged wires, crackling speakers, and the existential dread of droning electronics are woven together into Colley's trademark juxtaposition of haunting minimalism and industrial wreckage. Never before has Colley's ability to bring to life all that seems broken-down been so prominently on display. Buzzing, hissing, corroded sounds are wrenched from machines that seem on the brink of imminent collapse and…
Pray For Your Prey
Recording live on a rainy night at Brussels in October 2017 “Pray For Your Prey” will capture your attention with it’s s striking power. An eclectic mixture of noise, experimental, free jazz and improvised music blended exemplary together creating a volcanic atmosphere.
Don't Think
Rick Potts is a founding LAFMS member, active in experimental music since the early 70's, and enormously influential on five decades worth of musical practitioners with a penchant for outer/freakdom sounds. Don't Think is a 2CD compilation of rare and unreleased recordings, spanning 37 tracks and 2.5 hours, and covering the entire range of Potts' musical output - from song-based new wave/art rock to more abstract loop-based noise (note the lowercase 'n') and mutant disco (disco of the Dennis Duc…
Dressing
Dressing is the experimental noise project of Dublin based artist Kevin Kirwan. Active in visual arts for the past decade or so, Kirwan has recently begun recording noise using field recordings, found objects, feedback and tape manipulation. His noise is restrained and textural with occasional melodic undercurrents. He recently performed live as Dressing for the first time at the closing of Aleana Egan's exhibition 'Sampler' at Void Gallery, Derry. This CD is a reissue of two cassettes originall…
Tuxford Fumble
Magnetic pickups, analog electronics, and consumer detritus (springs, styrofoam, metal sheets, motors, magnetic tape, wood, dental floss) generate evolving/shifting/mutating sound-textures. Born in Canada, currently residing in Kobe, Tim Olive's discography includes releases on BISAD, Caduc, Chocolate Monk, Copy For Your Records, Dasa Tapes, EM Records, Hard Return, Humanhood, Intonema, Kirigirisu, Korm Plastics, Minimal Resource Manipulation, Notice Recordings, Pilgrim Talk, Steep Gloss, Tsss T…
Obsessive Convulsions With Rina & Gina
**120 copies limited release. Pro-pressed CD in blood soaked white cardboard envelope. The blood is real. Assembled with red paper obi and thin inner- and outer sleeves. All signed and numbered on the backside of the blood soaked envelopes.** Tip! The Sunday lunches with his South-Austrian parents, the thick nearly rare beefsteaks accompanied by heavy red wine and uplifting Humpa and Schuhplattler music have carved an impression into Rudolf's mind, that still keeps burping up at times, but was e…
From my eyes to the sun
Moritariron a noise artist living in Kochi, became rirongg and completed his first work "From my eyes to the sun" in 2023. A train whistle rings out in the dark universe... What is it that I understand, understand, and remember? Comes with a novel (not artificial intelligence) by a mysterious author. Mandala Acoustic World All 5 songs included. It is a conceptual work that captures sound as a visual vision and evokes a kind of universe, nature, science, religion, and human beings, but he asserts…
A Floor, Walls, and a Ceiling
Tokyo's experimental musicians Toshimaru Nakamura and Suzueri collaborated on a CD released in April 2023 on the Italian experimental label Superpang. Includes two improvisational songs using piano, mixer, and self-made instruments.
What We Talk About: Zera
What We Talk About When We Talk About Love: January 2022 — January 2023: A series of Swiss underground music making. 13 artists, 13 months, 13 records of previously unheard music – to be revealed every 13th of course.
What We Talk About: FC GOA
What We Talk About When We Talk About Love: January 2022 — January 2023: A series of Swiss underground music making. 13 artists, 13 months, 13 records of previously unheard music – to be revealed every 13th of course.
Bussei
*100 copies limited edition.* Tsss Tapes presents Bussei by Yoshitake Kawai. Recorded in Sapporo and Kyoto, 2020.
Dali Sections 2018-2021
"In 2017 after I finished a tour of Taiwan and returned to Beijing, I left my hard drive on one of those share bikes and it was lost forever. I had close to ten years’ worth of live recordings on that hard drive (I never made any backups). Since then, I’ve made sure to keep recordings of my live performances well organised. To a certain extent, it’s through live performance that I create new ideas. What I regret, then, is that every performance from different phases of my music making life will …
Killed As Time
Conscious Feedback Group (C.F.G.) is a gang of three formed in 2018 by MAI mai, Xu Cheng and Jun-Y Ciao. Improvisation is their way. They use mediums of music, sound, text and performance to explore a non-identifiable style that has nothing to do with fancy illusions.
Eidolon
To understand tuning systems, to peer into the infinity of microtonal compositional strategies, is to imagine a sense of musicality that extends far out beyond the familiar harmonies of the western ear. Iranian composer Siavash Amini, a self-confessed tuning obsessive, has dedicated much of his musical investigations over the past half decade to unlocking new relationships between harmonic events. Moreover, he has sought new timbral relations too and in doing so has honed a particular sonic-aest…
Spalona Ziemia
The trio is a perfect composition for broadly understood improvised music, sufficient in terms of minimum and generally reflecting to the maximum what the musicians want to convey to the listener. In the case of the Wrocław-based trio Marek Otwinowski, Michał Sikorski and Marcin Witkowski, this "width" of understanding improvisation is particularly visible. This is not a classic free-jazz band or even free-improv, because the musicians go far beyond these frames, touching noise, avant-garde, ind…