Folk /
Stories From Another Time 1982-1988
2LP version. The roots of Angolan popular music explored in the meticulous guitar studies of Mário Rui Silva 1980s albums. Whether on mesmerising acoustic ballads or hypnotic groove-led tracks, the music of Angolan guitarist, researcher and intellectual Mário Rui Silva has a beguiling, melancholy quality, woven into the dynamics of his deft guitar playing. Rhythmically complex yet supremely effortless, the music collected here stems from three albums Mário released in Luanda in the 1980s that re…
Ary Lobo 1958-1966 (Limited Dance Edition No.19)
"Hailing from Belém do Para in the north of the country, Ary Lobo was ready to launch his campaign on the south of the country and set out for Rio de Janeiro in October of 1955. There he encountered the usual southern biases against singers from the North and it was only after meeting Gadé, a respected pianist, that he was able to secure an audition at Rádio Mauá. But the opportunity nearly turned into a disaster as he arrived to that session in such a frail state that he couldn't perform. Insuf…
Mistérios da Amazônia
*2022 stock* Underground musician Carioca left behind his electrical past in Progressive Rock in order to search for new expressions in Brazilian music. His first album is a fully acoustic, instrospective voyage into the world’s greatest Rainforest, featuring 12-string guitar, mandolin, zither, tabla, flute and self-made percussion instruments. Carioca is the term used to describe those who originate from Rio de Janeiro. But, in fact, there’s only one Carioca in the music scene in Brazil: Ronald…
Chico Bernardes
Chico Bernardes is a singer, songwriter and multi instrumentalist from São Paulo, Brazil. In his first and self-titled record, 'Chico Bernardes' has arranged and recorded all the instruments, with the support of Gui Jesus Toledo from Selo Risco and owner of Estúdio Canoa, where the recordings took place. Surrounded by lots of coffee and low lights, Chico recorded part of the songs as if he was singing for nobody, in real time. The other half of the record was filled with drums, bass, electric gu…
Manduka
That Alexandre Manuel Thiago de Mello (aka Manduka), born in Petrópolis, a city in the south-east Brazil, isn’t a bigger name in the annals of Brazilian music is surely largely down to the unforgiving vagaries of politics rather than talent. This debut album, originally released in 1972, is up there with anything recorded contemporaneously by the big name post-tropicalistas. In figuring out its relative obscurity you have to factor in the unusual and febrile context in which it was composed, ami…