We use cookies on our website to provide you with the best experience. Most of these are essential and already present.
We do require your explicit consent to save your cart and browsing history between visits. Read about cookies we use here.
Your cart and preferences will not be saved if you leave the site.

Folk /

Berlin 1964 - The Lost Studio Recording
Following on from last year’s acclaimed Vrindavan 1982 by rudra veena master Z.M. Dagar, Black Truffle is thrilled to present a pair of archival releases from the Dagar Brothers, among the most revered 20th century exponents of the ancient North Indian dhrupad tradition. The vocal duo of Moinuddin and Aminuddin Dagar (sometimes referred to as the ‘senior’ Dagar Brothers to distinguish them from their younger siblings, Zahiruddin and Faiyazuddin Dagar), belonged to the nineteenth generation of a …
Berlin 1964 - Live
Following on from last year’s acclaimed Vrindavan 1982 by rudra veena master Z.M. Dagar, Black Truffle is thrilled to present a pair of archival releases from the Dagar Brothers, among the most revered 20th century exponents of the ancient North Indian dhrupad tradition. The vocal duo of Moinuddin and Aminuddin Dagar (sometimes referred to as the ‘senior’ Dagar Brothers to distinguish them from their younger siblings, Zahiruddin and Faiyazuddin Dagar), belonged to the nineteenth generation of a …
Vrindavan 1982
Black Truffle presents a previously unheard performance by rudra veena master Ustad Zia Mohiuddin Dagar, recorded in the North Indian city of Vrindavan at the Druhpad Samaroh festival in 1982. The great exponents of the tradition from whom Z.M. Dagar descended were all singers, and dhrupad is essentially vocal music. However, as Z.M. Dagar explained, the veena family of instruments plays an important role in the education and practice of dhrupad singers, especially as an aid to mastering the fin…
Madhuvanti Pal - The Holy Mother (Plays The Rudra Veena)
Tip! This is the first Vinyl LP ever released featuring a woman playing the Rudra Veena. Madhuvanti Pal is from Kolkata India, teaches the Rudra Veena and builds her own instruments. The name Rudra Veena derives from two Sanskrit roots: Rudra, which is a name for Shiva, and veena, which means "instrument." The first historical accounts of the instrument are given in the Vedas, and then the Puranas. According to Hindu mythology, the Rudra Veena has a unique origin. It is said that Shiva saw his b…
Marwa
Unique recording by dhrupad singer Marianne Svašek, a former pupil of legendary Hindustani musicians Zia Mohiuddin Dagar, Uday Bhawalkar, and Zia Fariduddin Dagar. The album consist of one track, a lengthy alap sung by Svašek––accompanied only by two tanpuras––in a complex and mysterious raga of twilight and sunset: Raga Marwa. Comes in a digisleeve featuring liner notes by Joep Bor, professor emeritus at Leiden University and author of The Raga Guide.
Mumbai 04.02.1996
Following on from the stunning recording of her 1992 performance at the Berlin Parampara Festival, Black Truffle continues its documentation of the work of Berlin-based Italian singer Amelia Cuni, one of the great contemporary exponents of dhrupad, the oldest surviving style of North Indian classical vocal music. Beautifully recorded in concert at Vishweshwarayya Hall, Mumbai. 04.02.1996 presents expansive performances of three ragas stretching across four sides and almost one and a half hours o…
Ocean of Colours (A. Cuni Sings a Homage To Pandit Bidur Mallik)
**2019 stock** Amelia Cuni was born in Milan and lived in India for more than ten years learning dhrupad singing from renowned masters (i.e. R. Fahimuddin Dagar and Bidur Mallik, Pt. Dilip Chandra Vedi). She also studied kathak dance and pakhawaj drumming. She received a three year scholarship from the Indian government. Since 1987, she performs internationally and since 1992, she is based in Berlin. Her music is featured on several solo CDs and collaborations. She has recorded for radio and TV …
1