Jazz /
Konkan Dance
** 2021 Stock ** Following in the footsteps of the landmark 1966 double-quartet recording by Joe Harriott and John Mayer, Indian born musician Amancio D’Silva produced some of the most adventurous and sophisticated recordings within the canon of ‘indo-jazz’, a term used to define a pioneering east meets west synthesis that reflected the shifting musical and cultural landscape of post-war Britain. An experiment which reached a pinnacle in 1972 with D’Silva’s seminal recording Dream Sequence by Co…
Faces (1977) & Bonus Tracks
Gabor Szabo's Faces, recorded for Mercury in 1977, is a distinctly jazz-fusion album. It was produced by trombonist and former Crusaders member Wayne Henderson, with the rhythm section coming from the soul-jazz-funk band Pleasure, with whom Henderson was working for the Fantasy label at the time. Built on gripping rough funk grooves, the music leaves plenty of room for Szabó's elegant guitar lines and meticulously constructed solos. The album, which was rather neglected when it was released, can…
Greek Fusion Orchestra Vol.2
** 2021 Stock ** Teranga Beat proudly presents Vol.2 of Kyriakos Sfetsas' 1976 "Greek Fusion Orchestra" project. Sfetsas' vision behind the formation of GFO, was to create a piece of work that would expand the boundaries of Greek traditional music. The result was a Progressive-Jazz Fusion masterpiece comprising complex and intriguing compositions, performed by Athens' best musicians of the day. Following the success of Vol.1, Vol.2 is a compilation of musical pieces Sfetsas recorded with the gro…
Candy Clouds
** Limited edition, individually numbered copies on transparent blue vinyl ** Hans Dulfer is a Dutch jazz musician famous for playing the tenor saxophone. With his band Ritmo-Natural he released his second album Candy Clouds in 1970. The album consists of six songs, with its title track being split into two parts. One single was released, “Red, Red Libanon”, which hit the Dutch charts in both 1970 as well as 1977. This rare Dutch jazz album is now available on coloured vinyl for the first time.
The Loud Minority
** Remastered. Housed in Gatefold Sleeve with 20 Page Booklet ** Deluxe reissue of Frank Foster's The Loud Minority LP for RSD. Released on Bob Shad's Mainstream Records in 1972, it's a landmark album and one of the key political works of the 70s. Featuring an all-star cast of superb musicians including Elvin Jones, Stanley Clarke, Airto, Cecil Bridgewater and Marvin 'Hannibal' Peterson, it is also Dee Dee Bridgewater's earliest full recordings. This special edition includes a 20-page booklet fe…
Walpurgisnacht
NoBusiness Records presents Walpurgisnacht by Total Music Association. Transferred and remastered from the original tape. Tape transfer by Wolfgang Obrecht at Tonstudio RichArt, Munich. Original Cover Design by Manfred Vogel. Design by Oskaras Anosovas. Remastered by Arūnas Zujus at MAMAstudios. Photography of the musicians by Konstanze Vollmer. Produced by Danas Mikailionis and Ernst Nebhuth. Co-producer - Valerij Anosov. Liner Notes by Hans-Jörg Hussong / Liner Notes (translation) - Ernst Nebh…
Vol. 4 – Yehouessi Leopold Batteur
Acid Jazz Records continue their exclusive licensing agreement with Albarika Store, the legendary record label that defined the sound of Benin and influenced the entire region of West Africa and beyond. Albarika Store is home to many rare recordings, from more traditional folkloric and Sato styles, to the funk, blues and psych inspired workouts of the All Mighty Orchestre Poly Rythmo de Cotonou, as they referred to themselves. Many of the original records are sought after by DJs and collectors a…
Le Sato
Acid Jazz Records continue their exclusive licensing agreement with Albarika Store, the legendary record label that defined the sound of Benin and influenced the entire region of West Africa and beyond. Recorded and issued in 1974, Le Sato is one of the earliest releases on the Albarika label and it is also one of the deepest. Sato is the term for the traditional rhythms that soundtrack Vodun (Voodoo) rituals and ceremonies in Benin. Performance of Sato is reserved for these sacred rites, which …
Domicile live 7.1.74
** Special Edition of 110 hand-numbered copies ** Avant-garde. Paul and Limpe Fuchs and Friedrich Gulda performed live at the famous Munich jazz club Domicile on July 1, 1974. There are three tracks on side 1 featuring and named for each of the musicians. Side 2 is titled “Ensemble”. The original record was given away for free at concerts and was limited to 80 copies. play loud! re-releases this original EP for the first time ever. 110 7” vinyl copies, hand-numbered. Digital on all known platfor…
Assagai
** 2021 Stock ** Assagai's debut for Philips' progressive subsidiary Vertigo was realized in 1971 to quiet applause. Critics soon became favorable as Afro-rock gained a foothold as the "next big thing" and it wasn't long before they would make their (only) appearance on Top of the Pops. Their journey in London's predominantly progressive underground music scene was brief, but also established a further chapter in the annals of Afro-rock alongside Black Velvet, Osibisa, Thor's Anvil, Uhuru and Th…
Carlton Streets
Composer and saxophonist Brian Brown produced some of the most refined Australian jazz recordings during the 1970s. A versatile musician whose distinct impressionist music melded modern jazz with the outer limits of free experimentation. Considered to be his greatest work was the 1975 concept album Carlton Streets, an ambitious recording that romanticised the sights, sounds and the nostalgia of this once-bohemian Melbourne neighbourhood. Differing from his eco-jazz composition Wildflowers heard …
Beautiful Bamboo-Flute
** In process of stocking ** Seminal Japanese jazz album from 1971. Journeys through jazz fusion, soul and big band moods. Impossible to obtain in its original format, these days. Hozan Yamamoto was recognised as a "living national treasure" by the Japanese government in 2002. This highly sought-after album from the Japanese wood flute player is more upbeat and swinging than some of his other records. The big band he recorded this album with (Sharps & Flats) played a big part in the genesis of t…
Stigma
When in 1970 Jerzy Milian was developing his regular cooperation with the Berlin radio, which was launched a few months earlier by recording music for the television ballet “Rivalen”, he was at the peak of his creative possibilities. He could boast of three years of success with his own trio, along with cooperation with Gustav Brom and an ongoing adventure with the Belgian big band BRT. He also had an abundance of ideas and energy that could be devoted not to one, but two projects. In July 1970,…
Babs Robert & The Love Planet
Despite its modest role on the world stage, Belgium has produced a number of internationally renowned musicians and composers. There is the iconic gypsy jazz guitar maestro Django Reindhart, whose position remains unassailable, and guitarist/harmonica player Toots Thielemans, who became an internationally renowned artist performing and recording with Bill Evans, Oscar Peterson, Ella Fitzgerald, Peggy Lee, Shirley Horn and Quincy Jones. The other key Belgian figure is composer/arranger Francy Bol…
Directions in Music 1969 to 1973
In 1970 Miles Davis unleashed “Bitches Brew”. It sold a million and launched a new style of music: jazz rock. It was the culmination of the work of Miles and his musicians over the previous two years. “Directions In Music” illustrates its conception and immediate aftermath.
Rufaro
The Beaters – Harari was released in 1975. After changing their name, Harari went into the studio late in 1976 to record their follow-up, Rufaro / Happiness. In 1976 they were voted South Africa’s top instrumental group and were in high demand at concert venues across the country. Comprising former schoolmates guitarist and singer Selby Ntuli, bassist Alec Khaoli, lead guitarist Monty Ndimande and drummer Sipho Mabuse, the group had come a long way from playing American-styled instrumental soul …
Harari
The Beaters – Harari was released in 1975. After changing their name, Harari went into the studio late in 1976 to record their follow-up, Rufaro / Happiness. In 1976 they were voted South Africa’s top instrumental group and were in high demand at concert venues across the country. Comprising former schoolmates guitarist and singer Selby Ntuli, bassist Alec Khaoli, lead guitarist Monty Ndimande and drummer Sipho Mabuse, the group had come a long way from playing American-styled instrumental soul …
Live At Kongsberg Jazz 1971
Edition of 250 * Following up on the legendary Club7 album from 1971 by this same group, here is a Webster Lewis Quintet's live recording made in August that same year at Kongsberg jazz festival in Norway. This Quintet from Boston plays a strong sense of seventies American groove-laden jazz but with a raw soulful rhythm and blues approach that is completely unique! Captured on tape in Norway at the time the band was there with George Russel, a few months after the legendary Club7 recordings. Her…
Invisible Roots
** First LP reissue of rare 1974 Canadian Free Jazz album ** Beyond the striking photography of the cover artwork, a cursory glance at this LP may appear misleading. One could be forgiven in thinking that what they had discovered was of a more obvious British provenance, but on closer inspection the truth is revealed… London in fact refers to London, Canada, an artistic hotbed that famously spawned the highly influential insurgent noise ensemble, ‘The Nihilist Spam Band’. Less celebrated yet equ…
Black Jazz Signature
**Finally repressed by popular demand.** Black Jazz Signature is a compilation album by American artist Theo Parrish. It was originally released through Snow Dog Records in 2013. The album features tracks from the 1970s record label Black Jazz Records, including "My Favorite Things" by Gene Russell, "Those Who Chant" and "Blue Bossa" by Walter Bishop Jr., "Jupiter" and "Convulsions" by The Awakening, "Trance Dance" by Doug Carn, "Time & Space" by Rudolph Johnson, "Criss Cross" and "BE" by Calvin…