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*2024 stock* "After discovering the unique hand-wringing style of guitarist Christy Doran on Red Twist & Tuned Arrow, I was excited to check out this seemingly neglected record, for which he was again joined by drummer Fredy Studer, only this time, intriguingly enough, with two bassists: Bobby Burri and Olivier Magnenat. Burri is a familiar name in the ECM circuit, having shared stages with Pierre Favre, Manfred Schoof, and Tim Berne, and of course as a member of OM (also with Doran and Studer).…
*2024 stock* Tribute is a live double album by the Keith Jarrett Trio recorded at the Kölner Philharmonie on October 15, 1989 and released on ECM a year later. The trio—Jarrett's "Standards Trio"—features rhythm section Gary Peacock and Jack DeJohnette.
*2024 stock* "Walter Fähndrich's album "Viola" is a beautiful and captivating collection of works for the viola. Fähndrich's skills as a violist are on full display as he expertly navigates through a variety of pieces, showcasing the instrument's rich and versatile sound. From hauntingly melancholic melodies to lively and energetic compositions, "Viola" takes listeners on a journey through a range of emotions. Fähndrich's impeccable technique and emotional depth make this album a must-listen for…
*2024 stock* "An evocative, lyrical recording.... The two draw heavily on Slavic folk influences, even as they mine the kind of airy, contemplative jazz harmonies associated with the ECM school." - David R. Adler, AllMusicWave of Sorrow is an album by Soviet-Norwegian jazz pianist Mikhail Alperin and Russian brass player Arkady Shilkloper recorded in July 1989 and released on ECM the following year.
*2024 stock* Between 1979 and 1982, the Miroslav Vitouš Group was the primary outlet for the abundant improvisational skills of leader Vitouš and John Surman. They made three ECM albums: this eponymously-titled disc from 1980 is the middle one. Vitouš and Surman were well-matched in lots of ways, with roots and influences that extended beyond jazz, a love of playing freely, a commitment to using all the sound potential of their respective instruments: Surman singing at the top of the baritone sa…
*2024 stock* The Survivors’ Suite, recorded in 1976, is the crowning achievement of Keith Jarrett’s “American Quartet” with Dewey Redman, Charlie Haden and Paul Motian, and one of the all-time enduring masterpieces in the ECM catalogue. Melody Maker: “The Survivors’ Suite is a brilliantly organized and full-blooded work which provides the perfect setting for all four talents. This is a very complete record. It creates its own universe and explores it thoroughly, leaving the listener awed and sat…
*2024 stock* John Abercrombie’s ECM debut Timeless (recorded 1974) has proven to be exactly that. This fiery session with Jack DeJohnette and Jan Hammer still sounds as fresh as the year it was released. “Timeless comes as a major surprise in terms of its depth, scope and inventiveness,” wrote Tim Buckley’s guitarist Lee Underwood in the L.A. Free Press. "[It] indicates that John Abercrombie is a major musical voice of tomorrow.”
*2024 stock* Mathias Eick’s intensely melodic trumpet occupies the centre-stage in this album of self-penned tunes which will appeal to an audience beyond “jazz”. Against the powerful backdrops offered by his sleek, modern band, driven by two drummers, he delivers richly lyrical soliloquies.
*2024 stock* Where The River Goes carries the story forward from Wolfgang Muthspiel’s highly-acclaimed Rising Grace recording of 2016, reuniting the Austrian guitarist with Brad Mehldau, Ambrose Akinmusire and Larry Grenadier, heavy talents all, and bringing in the great Eric Harland on drums. Much more than an “all-star” gathering, the group plays as an ensemble with its own distinct identity, evident both in the interpretation of Muthspiel’s pieces and in the collective playing. The album, re…
*2024 stock* “There is no hurry to this music, but there is great depth,” observed London Jazz News about Danish guitarist Jakob Bro’s trio with two kindred-spirit Americans: bassist Thomas Morgan and drummer Joey Baron. This poetically attuned group follows its ECM studio album of 2016, Streams – which The New York Times lauded as “ravishing” – with what Bro calls “a dream come true,” an album recorded live in New York City, over two nights at the Jazz Standard. Bay of Rainbows rolls on waves o…
*2024 stock* A fresh and open music, delicate and space-conscious, is shaped as drummer Thomas Strønen and Ayumi Tanaka, previously heard in the ensemble Time Is A Blind Guide on Lucus, resurface in a new trio with clarinettist/singer/percussionist Marthe Lea. The group first came together at Oslo’s Royal Academy of Music, where for two years the players would meet each week for exploratory music making. Strønen: “We always played freely- drifting between elements of contemporary classical music…
*2024 stock* Louis Sclavis’s 13th ECM recording finds the French clarinetist drawing inspiration from two sources – the street art of Ernest Pignon-Ernest, and the interpretive originality of a splendid new quartet. Pignon-Ernest’s works were previously the subject of Sclavis’s highly acclaimed 2002 recording Napoli’s Walls. This time Sclavis looks at a broader range of the artist’s in situ collages from Ramallah to Rome, in search of “a dynamic, a movement that will give birth to a rhythm, a…
*2024 stock* Norwegian trumpeter Mathias Eick’s expressive playing, which according to the New York Times radiates a “pristine yet penetrating tone”, is remarkably well complemented in the company of his gifted supporting players and fellow travelers. Violinist Håkon Aase, one of the outstanding improvisers of his generation, shadows the leader with lines that draw upon folk traditions as well as jazz. Drummers Helge Andeas Norbakken and Torstein Lofthus mirror their exchanges, as they interact …
*2024 stock* “There’s a galaxy of piano trios in today’s jazz universe,” the BBC Music Magazine has noted, “but few shine as bright as Marcin Wasilewski’s”. On its seventh ECM album the multifaceted Polish group illuminates a characteristically wide span of music. On En attendant, collectively created pieces are juxtaposed with Wasilewski’s malleable “Glimmer of Hope”, Carla Bley’s timeless “Vashkar”, The Doors’ hypnotic “Riders On The Storm” and a selection from Johann Sebastian Bach’s Goldberg…
*2024 stock* Playing The Room bears testimony to the long musical friendship of Avishai Cohen and Yonathan Avishai. They began to explore jazz as teenagers in Tel Aviv, and have continued to play together over many years, with Yonathan making important contributions to Avishai’s group albums Into The Silence and Cross My Palm With Silver on ECM. Their first duo album begins with music composed by the trumpeter and by the pianist and concludes with a touching interpretation of Israeli composer Al…
*2024 stock* Charismatic trumpeter Avishai Cohen launched his exuberant, home-grown band Big Vicious six years ago, after relocating from the US to his native Israel, rounding up players to shape the music from the ground up, and co-authoring much of its newest material together with them. The group is an association of old friends. “We’re all coming from jazz, but some of us left it earlier”, Avishai says, summing up the stylistic reach of his cohorts. “Everyone’s bringing in their backgrounds…
The debut album of Joe Lovano’s Trio Tapestry was one of 2019’s most talked-about releases. The trio’s musical concept – the Boston Globe spoke of “utterances of hushed assurance, lyricism and suspense” – is taken to the next level on its second album, Garden of Expression, a recording distinguished by its intense focus. Lovano, a saxophonist whose reach extends across the history of modern jazz and beyond, plays with exceptional sensitivity in Trio Tapestry. And the music he writes for this …
** First ever standalone vinyl reissue. Carefully remastered. 4 page booklet with rare and unpublished photos. Heavyweight 180 gr. LP ** While he was working on the repertoire for the new version of his group Malagasy, with young Malagasy musicians he had met in Paris in 1972 (and who can be heard on the album "Malagasy At Newport-Paris"), Jef Gilson realised that two of his new discoveries, in addition to being established polyinstrumentalists (who both had sharpened their skills in the legenda…
** First ever standalone vinyl reissue. Carefully remastered. 4 page booklet with rare and unpublished photos. Heavyweight 180 gr. LP ** In May 1972, the wave of anger and the thirst for freedom that had swept the world in 1968 arrived in Madagascar. The Malagasy youth took the opportunity to exile in search of a brighter future. Several of them, all jazz musicians and often polyintrumentalists, came to Paris with their afro hair and bellbottoms. Their names were Sylvin Marc, his cousin Ange "Zi…
A new ECM studio album and a programme of new music from Terje Rypdal is cause for celebration. On Conspiracy the great Norwegian guitarist seems to reconnect with the wild inspiration that fuelled such early masterpieces as Whenever I Seem To Be Far Away, Odyssey and Waves, exploring the sonic potential of the electric guitar with both a rock improviser’s love of raw energy and a composer’s feeling for space and texture. Keyboardist Ståle Storløkken, who contributed to Terje’s Vossabrygg and Cr…