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Keith Jarrett's most tender solo album, taped at home during recovery from illness as a gift to his wife. Standards and folk songs played with disarming simplicity. Hushed, fragile and deeply moving.
Intimate duo standards from pianist Keith Jarrett and bassist Charlie Haden, from the Jasmine sessions. Unhurried and conversational, two old friends; a poignant and beautiful farewell.
My Song is the beloved high point of the so-called "European" or "Belonging" quartet led by pianist Keith Jarrett, and one of the most cherished albums in the ECM catalogue. Recorded in 1977, it unites Jarrett with three of Scandinavia's finest musicians: saxophonist Jan Garbarek, bassist Palle Danielsson and drummer Jon Christensen, a band whose chemistry was extraordinary. Where Jarrett's contemporaneous American quartet leaned toward fire and abstraction, the European group cultivated a more …
French clarinet master Louis Sclavis and pianist Benjamin Moussay in a spare, searching duo. Composition meets free improvisation in delicate, chamber-like dialogues. European improvised music at its most refined.
Swiss pianist Nik Bärtsch and his band Ronin deliver hypnotic 'ritual groove music': interlocking minimal patterns, funk-tinged grooves and Zen-like repetition. Precise, physical and mesmerizing.
The landmark that redefined the ECM trumpet album: Nils Petter Molvaer fuses Nordic trumpet with ambient, dub, electronics and drum'n'bass. A manifesto for future jazz; cinematic and groundbreaking.
The Pat Metheny Group at a joyous peak, with Lyle Mays, Mark Egan and Dan Gottlieb. Bright, anthemic and melodic, led by the soaring '(Cross the) Heartland.' One of ECM's most popular records.
Offramp marks a bold and pivotal step forward for the Pat Metheny Group, the album on which the band significantly expanded its sonic palette while deepening its emotional reach. The great innovation here is Pat Metheny's embrace of the Roland guitar synthesizer, whose vocal, brass-like timbres opened up entirely new textural possibilities and would become a signature element of his sound for years to come. Equally important is the arrival of the Argentine vocalist and multi-instrumentalist Pedr…
On his self‑titled debut, Bauke Meersman steps into focus with an intimate, detail‑oriented statement: a set of pieces shaped as much by touch, space and recording perspective as by melody, quietly framed by DHM Records’ tactile artwork and production care.
Vienna FLAMMeS, or: The noise of these post-jazz improvisers resounds from paradise. According to a widespread cliché, improvisation in jazz is supposed to help promote the free play of the imagination. It was the Viennese flugelhorn player Franz Koglmann who vehemently contradicted the image of the naively self-actualizing jazz musician. As a composer of cerebral “cool” pieces, whose melancholy sprang from a razor-sharp analysis of his own means of expression, Koglmann was the most qualified pe…
**CD Version* “Peace is not the word to play” rapped Large Professor on Main Source’s 1991 debut album. His plea to stop abusing the word “peace” simply for rhetoric flair sounds just as valid in today’s genocidal world as it did in the streets of New York over 30 years ago. For Oiro Pena to name this album Béke, meaning peace in Hungarian – or white people in French Caribbean creole – it seems like they finally have something to say. With this group/concept/project called Oiro Pena, circling as…
*100 copies limited edition* "When AJ Lee stepped back into the ring in September 2025 - after a ten-year break - she introduced herself to a new generation of fans with the words: 'If you haven't heard of me, I am your favorite wrestler’s favorite wrestler.' That is exactly what came to my mind as a lead for this blurb when Pokusa asked me to write it. Because that’s what they are: your favorite indie darlings' favorite indie darlings (even though no one uses that term anymore, let alone identi…
Recorded at Studio Grez, Brussels, on March 10th, 2025, by Augusto Pirodda and Giotis DamianidisMixed by Augusto PiroddaMastered by Titos Kariotakis at Royal Alzheimer HallArtwork by Peter Jacquemyn Design by Jeroen Wille
Tip! *100 copies limited edition* "A Decent Run is the result of a journey that began in 2000 and was recorded in 2024, seven years after the death of Tom Raworth, whose poems I used as the basis for ten tracks—ten songs—to which I added two pieces by Steve Lacy. It is a journey through many different kinds of music, lyrics, images, and sounds, yet one shaped by a single principle: the idea of music and improvisation as a collective, choral process, in which space and prominence are given to ind…
The long-awaited 3rd pressing, with a revamped obi design. The birth of a new classic in contemporary Japanese spiritual jazz and modal jazz. Experience a beautiful soundscape crafted with overflowing emotion and hidden energy.
Kuusijärvi/Rönkkö launches the concept of accordion jazz into orbit with their album Aika ja tila (Time and Space). Built entirely on improvisation, this six-track collection stretches both musical genre boundaries and the very fabric of spacetime. Harri Kuusijärvi’s electronic accordion sounds at times like the chirping of a cyborg bird flock, and at others like Brian Eno’s electric toothbrush just as the batteries are dying. The other half of the duo, Tatu Rönkkö, weaves through his drum kit, …
*2026 stock. 300 copies limited edition* Since their formation in 2009, the Samuel Blaser Trio has been captivating audiences with their innovative sound and dynamic performances. Blaser Music is thrilled to present their second official release, a limited edition 10-inch blue vinyl that captures the essence of their artistry. This album was recorded during their recent tour in the UK, with a special stop at the renowned Steve Winwood Studio. The recording sessions were beautifully captured by J…
Trombonist-composer Samuel Blaser is one of jazz's most prolific voices, with 34 recordings as a leader or co-leader since 2008. On Rosina, he delivers his most personal album yet — eight originals drawing on Italian folk melodies and a deep reconnection with his family roots in Emilia-Romagna.
The album takes its name from his maternal grandmother, Rosina Pierina Scarpioni — a wartime Resistance fighter who later moved to Switzerland, and a woman he never had the chance to meet. Reconnecting wi…
*2026 stock* Recorded in January/February 2013 by Martin Ruch at Funkhaus Nalepastrasse, Berlin, Germany with two Schoeps mk4 microphones on a boom, in ORTF or XY con guration, and Sound Devices – 702T or Zoom H4N recorder